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NASHVILLE THEATER REVIEWS

The latest reviews and critic recommendations from Nashville

BWW Reviews: THE TEMPEST by Nashville Shakespeare Festival

by Jeffrey Ellis — January 21, 2010
Although both Russell and Hicks are clearly at the top of their game with their exquisite performances, - honed from years of experience in the theatre and underscored by their shared joie de vivre and their obvious understanding of the text - the rest of the ensemble are an uneven lot of veterans a...

BWW Review: RUMORS at Chaffin's Barn Dinner Theatre

by Jeffrey Ellis — January 15, 2010
Led by the superb Mike Baum and Lydia Bushfield, it's a fast-paced comic tour de force for Wyckoff's talented players who deliver the goods with charm and wit. First presented on Broadway in the 1990s - to much critical acclaim and audience ardor - the script for Rumors is given the requisite tweaki...

'Jesus Christ Superstar' at The Boiler Room Theatre

by Jeffrey Ellis — August 23, 2009
Green has long been heralded as one of the region's finest music directors, while Ditty has gained a justifiably stellar reputation as one of the best choreographers around. With this production, which exemplifies the term 'all-singing, all-dancing,' it's apropos then that the two would share the di...
'Disney's Beauty and the Beast' at Nashville Dinner Theatre

'Disney's Beauty and the Beast' at Nashville Dinner Theatre

by Jeffrey Ellis — August 16, 2009
If you ever needed any evidence that musical theatre is alive and well in Music City USA, you need look no further than Nashville Dinner Theatre's production of Disney's Beauty and the Beast, which this weekend wraps up its run at the Senior Center for the Arts. It is superbly acted, beautifully sun...

'The Mikado' Opens ACT I's 20th Season

by Jeffrey Ellis — August 9, 2009
History tells us that London was caught up in some sort of Japanese fervor in 1885 when Gilbert and Sullivan debuted their newest comic opera, The Mikado or The Town of Titipu at the Savoy Theatre. And now, 124 years later, Nashville theatre-goers may find themselves in a similar state, thanks to a ...

'Fame, the Musical' From Circle Players

by Jeffrey Ellis — August 8, 2009
Perhaps the most remarkable element of Circle Players' Fame, the Musical is its talented cast--an amazing amalgam of age-appropriate actors assaying the roles in this now-iconic tale of the last four years of New York's High School of Performing Arts. Credit director Tim Larson's casting abilities f...

'Call Me Home' at MBA's Paschall Theatre

by Jeffrey Ellis — August 2, 2009
The world premiere of a new musical is always cause for excitement, whether the stage is on Broadway or in Nashville, and it was with great anticipation that we approached Call Me Home...

'There Goes the Bride' at Chaffin's Barn

by Jeffrey Ellis — July 29, 2009
When you go to a show at Chaffin's Barn Dinner Theatre, there are certain things you can always expect to find: a bountiful and tasty buffet, a warm welcome, attentive audiences and some of the best actors you're likely to find in Nashville....

'Dead Man's Cell Phone' from Actors' Bridge

by Jeffrey Ellis — July 26, 2009
To suggest that playwright Sarah Ruhl is obsessed with death and dying might be too much of a stretch, but it's clear that she has a rather unique view of the subject. Her earlier works, The Clean House, Eurydice and Passion Play, a Cycle, all focus on death and dying and the accompanying rituals, a...
'Parallel Lives' at Street Theatre Company

'Parallel Lives' at Street Theatre Company

by Jeffrey Ellis — July 19, 2009
The two act play offers a vivid glimpse into the lives of a whole slew of characters-both female and male-and their unique, individual takes on society, sex, gender roles, changing mores, religion and political posturing are presented in a vastly entertaining fashion....
'Picasso at the Lapin Agile' at Boiler Room

'Picasso at the Lapin Agile' at Boiler Room

by Jeffrey Ellis — July 18, 2009
You have to hand it to the creative minds at Boiler Room Theatre: year after year they mount seasons filled with ambitious offerings, they attract some of the most talented actors, directors and theatre technicians to be found and, most compellingly, they draw loyal, involved audiences...
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