The latest reviews and critic recommendations from Nashville.
Nashville playwright and director Trish Crist has brought her latest project to the stage of Darkhorse Theatre, a heartfelt consideration of the journey taken by Americans since 1969 - the summer in which the modern lesbian and gay civil rights movement was finally galvanized at the Stonewall Inn in
Some 20-plus years after its Broadway debut - and about 15 or more years since I last saw the musical's first production at The Roxy - Into the Woods retains its powerful storytelling technique, made all the more memorable by Sondheim's beautiful score, and presents a plethora of characters from chi
This confluence of events and elements has resulted in the perfect summer diversion at Chaffin's Barn Dinner Theatre, Nashville's venerable theatrical venue, with their production of Ray Cooney's Funny Money.
Ciaran McCarthy gives such a stunningly raw and beautifully nuanced performance as film director Guido Contini in Boiler Room Theatre's production of Nine that it would be easy to lavish praise on him and leave it at that.
A revival of a much-earlier production during ACT 1's first 20 seasons, which was also directed by Seay, the cast featured some returning favorites including Riley Bryant, Caroline Davis, Douglas Goodman and Jordan Keller.
Provocative and compelling, John Patrick Shanley's script for Doubt remains stagebound - albeit a Pulitzer Prize-winning, stagebound masterpiece - until a confident director and cast take on the challenge of mounting a production, in which to breathe life into the characters created so vividly by th
Johnny Peppers, the affable 'Every Man' of Nashville theatre, makes his directorial debut with Mixed Nuts, the latest from 3Ps Productions now onstage at Chaffin's Backstage at the Barn.
Starring a whole slew of Barn regulars hamming it up, The Butler Done It is cliche-filled romp -- and while it covers no new ground, Chaffin, Wilkinson and company are clearly in on the joke and make certain to include their audience in the fun.
One of this season's most beautifully acted productions, Vincent in Brixton is moving and emotional, funny and evocative.
What with all the star power of the assembled cast - featuring such theatre luminaries as Heather Headley, Alli Mauzey, Jodi Benson and Anthony Fedorov - it should come as something of a surprise that showHOPE's concert version of Rodgers and Hammerstein's Cinderella was very nearly stolen out from
When I ran into Carolyn one afternoon a couple of weeks ago, she invited me to attend Songs in a Silken Sky, a cabaret performance by participants in Metro Parks Theater and Music Department's Young Performers Program.
A revival of Circle Players' 2008 production, which was staged at the company's then-home at the Z.
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Keifer's superbly cast five-member ensemble delivers a performance that is compelling and provocative, bringing Beckett's rather nonsensical, although altogether shocking and introspective, premise to vivid life.
The resulting production that comes from Vasterling's unerringly skillful choreography and his clearly developed vision for the piece - exquisitely expressed through Baird's costume and scenic design, Scott Leathers' stunningly evocative lighting design and the beautiful music of Felix Mendelssohn p
Thanks to Street Theatre Company's stellar production of the William Finn-Rachel Sheinkin-Rebecca Feldman musical comedy, I'll be wallowing in self-pity (or maybe I'll be just a little melancholy and sanguine) until I find better ways to occupy my time and better memories to fill my mind - or a brig
For women in the audience (and both women and men came out in droves this past weekend for the opening of Potty Talk at the Darkhorse; making reservations for this week's upcoming performances is a very good idea), I suspect that the shared camaraderie of the ladies' room is a given.
Rife with corruption and intrigue, teeming with forbidden love and deception, Giuseppe Verdi's Rigoletto is among the most often performed operas in America - and Nashville Opera closes out its 2009-2010 season with a beautifully designed and sumptuously mounted production of the Italian masterpiece
Despite a few glimmers of hope and the promise of a transformative evening of theatre, the current Circle Players production of To Kill a Mockingbird is a thoroughly passionless and completely uninspired staging of Harper Lee's classic Southern tale and, clearly, is one of the biggest disappointment
McCarthy's boyishly appealing Matt, Sonn's winsomely beguiling Luisa and Sevier's beautifully sung El Gallo are, clearly, the lynchpins that guarantee audiences will respond favorably to the show, and they are given ample support from a gifted veteran cast assembled by Morton.
Led by the exquisitely voiced Dayna Jarae Dantzler in the pivotal role of Celie, we are taken on a journey of almost 40 years in the lives of Walker's richly drawn characters, to learn the true lessons of life and love.
But three other individuals are perhaps most responsible for the overall delight that is Tennessee Rep's 25th Anniversary season production: director Rene Dunshee Copeland, whose imaginative work helps to re-invent this musical on a basis that is at once more intimate while, somehow, is on a grander
Who's Afraid of Virginia Woolf? - Edward Albee's scathing evisceration of marriage and indictment of suburban morality - is brought to the Nashville stage once again in a superbly acted and confidently directed production from Artists Cooperative Theatre 1 (ACT 1).
It's 1939 and producer David O.
You know you have a hit musical on your hands when audience members leave the theatre humming the songs they just heard.
Clearly, Osborne and Eppler are writing about the people, places and things they have known from birth (in fact, on opening night, Osborne's family members from Arkansas, Alabama and Tennessee were on hand to witness the world premiere of the play, thus his pedigree is assured) and they display an i
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Moon Over Buffalo Tellico Community Playhouse (9/03-9/20) |
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America Through the Tempest Scenic City Shakespeare (10/25-10/25) |
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Mean Girls the Musical Playhouse on the Square (8/21-9/13) |
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Dial M for Murder Hendersonville Performing Arts Company (3/19-4/04) |
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Clue Orpheum Theatre (9/15-9/20) |
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The Night Shift Before Christmas The Circuit Playhouse (11/20-12/20) |
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C.S. Lewis On Stage: Further Up & Further In The Fisher Center at Belmont University (10/17-10/17) |
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Sister Act Hendersonville Performing Arts Company (5/27-6/13) |
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The American Revolution (in 40 Minutes or Less!) Chattanooga Theatre Centre (9/01-9/30) |
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Come From Away Chattanooga Theatre Centre (9/01-9/30) |
