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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A STRANGE LOOP (LYCEUM) |
$385,960 | $385,960 | $65 $223 |
5,899 | 7,376 | 8 | 80.00% |
|
ALADDIN (NEW AMSTERDAM) |
$1,318,223 | $1,318,223 | $98 $200 |
13,501 | 13,816 | 8 | 97.70% |
|
AMERICAN BUFFALO (CIRCLE IN THE SQUARE) |
$596,826 | $596,826 | $113 $300 |
5,261 | 6,008 | 8 | 87.60% |
|
BEETLEJUICE (MARQUIS) |
$1,368,437 | $1,368,437 | $132 $249 |
10,338 | 12,816 | 8 | 80.70% |
|
BIRTHDAY CANDLES (AMERICAN AIRLINES) |
$300,256 | $300,256 | $71 $197 |
4,258 | 5,816 | 8 | 73.20% |
|
CHICAGO (AMBASSADOR) |
$713,877 | $713,877 | $101 $217 |
7,086 | 8,640 | 8 | 82.00% |
|
COME FROM AWAY (SCHOENFELD) |
$568,442 | $568,442 | $90 $247 |
6,336 | 8,368 | 8 | 75.70% |
|
COMPANY (JACOBS) |
$672,599 | $672,599 | $113 $327 |
5,946 | 8,368 | 8 | 71.10% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$691,174 | $691,174 | $109 $248 |
6,358 | 7,872 | 8 | 80.80% |
|
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF (BOOTH) |
$144,377 | $144,377 | $38 $223 |
3,828 | 6,184 | 8 | 61.90% |
|
FUNNY GIRL (AUGUST WILSON) |
$1,147,648 | $1,147,648 | $117 $299 |
9,790 | 9,752 | 8 | 100.40% |
|
HADESTOWN (WALTER KERR) |
$1,013,272 | $1,013,272 | $138 $399 |
7,347 | 7,344 | 8 | 100.00% |
|
HAMILTON (RICHARD RODGERS) |
$2,445,193 | $2,445,193 | $230 $449 |
10,611 | 10,592 | 8 | 100.20% |
|
HANGMEN (GOLDEN) |
$252,434 | $252,434 | $53 $223 |
4,764 | 6,416 | 8 | 74.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,684,210 | $1,684,210 | $144 $299 |
11,711 | 12,976 | 8 | 90.30% |
|
HOW I LEARNED TO DRIVE (FRIEDMAN) |
$265,830 | $265,830 | $66 $299 |
4,003 | 4,459 | 7 | 89.80% |
|
MACBETH (LONGACRE) |
$1,285,183 | $1,285,183 | $175 $497 |
7,333 | 7,357 | 7 | 99.70% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,446,359 | $1,446,359 | $137 $250 |
10,574 | 11,096 | 8 | 95.30% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,469,432 | $1,469,432 | $146 $329 |
10,098 | 10,400 | 8 | 97.10% |
|
MR. SATURDAY NIGHT (NEDERLANDER) |
$770,229 | $770,229 | $103 $299 |
7,504 | 8,337 | 7 | 90.00% |
|
MRS. DOUBTFIRE (STEPHEN SONDHEIM) |
$631,929 | $631,929 | $89 $227 |
7,078 | 8,272 | 8 | 85.60% |
|
PARADISE SQUARE (ETHEL BARRYMORE) |
$253,374 | $253,374 | $53 $208 |
4,791 | 7,848 | 8 | 61.00% |
|
PLAZA SUITE (HUDSON) |
$1,684,725 | $1,684,725 | $218 $549 |
7,728 | 7,800 | 8 | 99.10% |
|
POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM AL (SHUBERT) |
$313,367 | $313,367 | $44 $248 |
7,055 | 10,157 | 7 | 69.50% |
|
SIX (BROOKS ATKINSON) |
$1,287,373 | $1,287,373 | $159 $249 |
8,088 | 8,248 | 8 | 98.10% |
|
TAKE ME OUT (HELEN HAYES) |
$424,287 | $424,287 | $99 $199 |
4,265 | 4,680 | 8 | 91.10% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,018,320 | $1,018,320 | $128 $399 |
7,984 | 8,528 | 8 | 93.60% |
|
THE LION KING (MINSKOFF) |
$2,000,821 | $2,000,821 | $149 $199 |
13,411 | 13,568 | 8 | 98.80% |
|
THE LITTLE PRINCE (BROADWAY) |
$280,887 | $280,887 | $86 $247 |
3,263 | 11,856 | 8 | 27.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE MINUTES (STUDIO 54) |
$401,095 | $401,095 | $93 $195 |
4,318 | 5,336 | 8 | 80.90% |
|
THE MUSIC MAN (WINTER GARDEN) |
$3,464,388 | $3,464,388 | $285 $597 |
12,177 | 12,200 | 8 | 99.80% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$850,940 | $850,940 | $102 $277 |
8,350 | 12,840 | 8 | 65.00% |
|
THE SKIN OF OUR TEETH (VIVIAN BEAUMONT) |
$174,880 | $174,880 | $38 $225 |
4,656 | 8,464 | 8 | 55.00% |
|
TINA - THE TINA TURNER MUSICAL (LUNT-FONTANNE) |
$969,832 | $969,832 | $119 $249 |
8,128 | 11,824 | 8 | 68.70% |
|
WICKED (GERSHWIN) |
$1,908,644 | $1,908,644 | $137 $230 |
13,958 | 14,456 | 8 | 96.60% |
| TOTAL | $34,204,820 | $977,281 | $127.73 $287.74 |
267,796 | 320,070 | 276 | 83.67% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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