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Theatrical Outfit 2025-26 Season Equity Principal Actors - Theatrical Outfit Auditions

Posted May 27, 2025
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Theatrical Outfit 2025-26 Season - Theatrical Outfit

AUDITION DATE

Thursday, June 12, 2025
10:00 AM - 6:00 PM (E)

BREAK: 1:00PM - 2:00PM

APPOINTMENTS

Auditions will be run on a first come, first served basis. Email any questions to
casting@theatricaloutfit.org. Doors will open at 9:45AM to begin sign-ups.

CONTRACT

Independent Theatre Contract
$605 weekly minimum

SEEKING

Equity actors for roles in Theatrical Outfit's 2025-2026 Season (see breakdown).

PREPARATION

Please bring up to date headshot and resume stapled together. Please prepare a 2-3 minute contemporary monologue and/or a short song in the style of the shows in the season. An accompanist will be provided.

LOCATION

Theatrical Outfit
84 Luckie Street NW
Atlanta, GA 30303
Auditions will occur on 2nd floor.

PERSONNEL

EXPECTED TO ATTEND:

Associate Artistic Director and Casting Director, Addae Moon (He/Him)
Executive Assistant, Jackie Moreno (She/Her)
Administrative Apprentice, Rachael Morris (They/Them)

OTHER DATES

See breakdown for production-specific dates.

OTHER


www.theatricaloutfit.org
For those unable to attend the in-person auditions video submissions now through JUNE 12, 2025. See breakdown for instructions. For understudy opportunities only, video submissions will be accepted through July 3, 2025.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Notice: Audition Call Type: EPA

THEATRICAL OUTFIT 2025 - 2026 SEASON

Submission Instructions for video submissions

  • All submissions should be emailed to:
    casting@theatricaloutfit.org.
  • In the subject line please include “EPA Submission 25/26” and your name.
  • Please submit a video of yourself performing a 2-3 minute contemporary monologue. At the beginning of the video, please state your name and let us know what you are going to perform.
  • Submissions should be sent using a link to Vimeo, YouTube, or any other online video hosting software. Please include the link, a password (if private), and any additional instructions. Please do not email video files as attachments, or download links to Dropbox, etc.
  • Please also include a digital copy of your headshot and resume, indicate whether you are a local hire in Atlanta, and write a short paragraph with any additional information you'd like us to know.
  • Please email us with any questions at the above address.

THE GLASS MENAGERIE

by Tennessee Williams
Directed by Matt Torney, with Dramaturgy by Addae Moon

First Rehearsal: September 30, 2025
Previews: October 29-31, 2025
Opening: November 1, 2025
Closing: November 23, 2025

SYNOPSIS:

The Wingfield Family try and reconcile their past and present in a heartbreaking and funny story, filled with regret.

SEEKING:

AMANDA 40-60. She/her. Amanda is the mother of the family, and has had to raise her two children without the support of her husband, who abandoned them. She is deeply attached to the past, and longs for the comforts of her childhood. She wants things to be beautiful, and polite, and good humored, and struggles with the difficulty of the world.

TOM 25-35. He/him. A writer, who currently works in a factory to support his family. He loves going to the movies and longs for a different life. He is stifled by his mother, and is often frustrated by her. He loves his sister, and wishes he could provide a better life for her.

LAURA 20s. She/her. Tom’s beloved sister. She had pleurosis as a child which has left her with a disability in one of her legs. She is deeply self conscious as she moves through the world, and is painfully shy. She loves music, and her glass menagerie, which help her escape from the world.

JIM O’CONNOR 20s. He/Him. Works in the shoe factory with Tom. He is an old high school acquaintance of Tom and Laura, and becomes their “gentleman caller” in Act 2. He is engaged to be married to Betty, but he has a kind, if slightly oblivious, nature.

BLEEDING HEARTS (WORLD PREMIERE)

by Steve Yockey
Directed by Sean Daniels

First Rehearsal: December 30, 2025
Previews: January 28-29, 2026
Opening: January 30, 2026
Closing: February 22, 2026

SYNOPSIS

Sloane isn't sure why exactly her husband Timothy brought home a probably dangerous drifter with a knife, but she doesn’t like it. Of course, it's hard to focus when her wealthy neighbor keeps dropping by to steal anything not nailed down. And then things get violent. Bleeding Hearts is a breakneck, pitch black farce about the disappearing middle class & how people forget to put themselves in each others' shoes.

SEEKING:

SLOANE BURKE 40-50 She/her. Timothy’s wife, high strung, opinionated, not afraid to use sarcasm as a weapon, a restless sleeper, pent up and frustrated in her marriage.

TIMOTHY BURKE 40-50, He/Him. Sloane’s husband, earnest, a go getter, confident in his opinions, maybe a bit naïve about consequences but mostly a good guy, also a foodie.

“OLD BLINDY” 30-50, he/him. Not actually old, all muscle and bone, bare feet, tattered clothing, with a blindfold of scrap; he’s bearded, dirty, bloody, & holding a large knife.

FELICIA REED-WALKER 50-60 she/her, something of a snooty femme fatale, but also rich beyond measure; this fact does not stop her from being a rampant kleptomaniac.

GRIFF O’BRIEN 20-30, he/him, Sloane’s brother, he’s a chipper poster child for wanderlust and all that’s romantic about taking zero responsibility for life decisions.

THE PRICE

By Arthur Miller
Presented in Association with The Breman Museum
Director TBD

First Rehearsal: March 17, 2026
Previews: April 8-10, 2026
Opening: April 11, 2026
Closing: May 3, 2026

SYNOPSIS

Set in an attic of a condemned Manhattan building, this compelling play examines the price we pay for the choices we make or fail to make in life.

SEEKING:

VICTOR FRANZ 45-55, he/him. A hardworking NYPD cop who has fought for everything he has earned his whole life. He is facing retirement, and is reflecting on what he has accomplished in his life.

ESTER FRANZ 40-50, she/her. Victor’s wife. Used to be very beautiful, but is feeling the effects of time slipping past her. She is filled with anxiety about the future, and wonders if they have made the right choices in their lives.

GREGORY SOLOMON 60-90, he/him. An aging furniture dealer with a sharp mind and a powerful presence. He has an ability to cut to the heart of things, and see their value. A rare skill in this world. He also knows the value of a good laugh.

WALTER FRANZ 50s, he/him. A successful doctor. Victor’s estranged brother, who hasn’t seen his family in a long long time. He is a cynic, who is full of secrets and unhealed wounds.

THE REVOLUTIONISTS

by Lauren Gunderson
directed by Amber McGinnis

First Rehearsal: May 12, 2026
Previews: May 3-4, 2026
Opening: May 5, 2026
Closing: June 28, 2026

SYNOPSIS:

Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. It’s about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world.

SEEKING:

OLYMPE de GOUGES 38, she/her. Badass activist playwright and feminist. Theatre nerd, excitable, passionate, a showman. Widowed and never remarried to ensure her personal freedom. Able to carry a tune.

CHARLOTTE CORDAY 25, she/her. Badass country girl and assassin. Very serious, hardened by righteousness, never been kissed. Has a pocket watch she keeps checking. Doubles as FRATERNITÉ in a mask. Able to carry a tune.

MARIE-ANTOINETTE 38, she/her. Less badass but fascinating former queen of France. Bubbly, graceful, opinionated, totally unaware, unintentionally rude, and oddly prescient. Never had a real friend. Doubles as FRATERNITÉ in a mask. Able to carry a tune.

MARIANNE ANGELLE 30s, she/her. A badass black woman in Paris. She is from the Caribbean, a free woman, a spy working with her husband, Vincent. Tough, classy, vigilant, the sanest one of them all.

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