THE 39 STEPS Equity Principal Actors - Lake Theatre Productions Auditions

THE 39 STEPS - NYC EPA

Lake Theatre Productions | Lake George, NY

Notice: Audition Call Type: EPA

AUDITION DATE

LOCATION

Monday, April 13, 2026
Actors' Equity New York Audition Center
165 W 46th St, 16th Fl
New York, NY 10036

9:30 AM - 5:30 PM (E)
Lunch 1:00 PM - 2:00 PM

PERSONNEL

Adapted by Patrick Barlow

Expected to attend: Jarel Davidow — Director / Artistic Director

CONTRACT

Independent Theatre Contract
$647 weekly minimum

SEEKING

OTHER DATES

Equity actors for roles in THE 39 STEPS (see breakdown).

First Rehearsal: Monday, Aug 31, 2026
Opening Night: Friday, Sept 18, 2026
Closing Night: Saturday, Oct 17, 2026

PREPARATION

Please be prepared to do a reading from the script. Sides will be provided at the audition. Please bring a headshot & resume stapled together.

EPA Procedures are in effect for this audition. An Equity Monitor will be provided.

OTHER

lakegeorgedinnertheatre.org

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

THE 39 STEPS

NOTE: “The 39 Steps” is a comedic adaptation of the old Alfred Hitchcock movie of the same title. It is a fast-paced and action-packed romp whose main performance requirements are sharp comedic timing and physical stamina. All roles are open to any race or ethnicity.

SEEKING:

Richard Hannay — 40s, male presenting. Any race or ethnicity. 1930s leading man type. Suave, dashing and debonair. Intelligent and resourceful. A touch full of himself. Maybe more than a touch. Upper-class British accent and is an adept physical comic.

Annabella / Pamela / Margaret — 30s–40s, female presenting. Any race or ethnicity. The primary role is the classic 1930s British ingenue, but doubles as a German spy and a Scottish farmer. Able to perform all of the applicable accents. Is an adept physical comic and creates all three very different characters.

Clown #1 & Clown #2 — 30s–50s. Any gender, race, or ethnicity. The two clowns portray over 150 roles over the course of the play and are essentially EVERYONE that the two leads are not. They must be physically agile and have a great deal of stamina, in addition to having a slew of accents (especially European) and voices at their disposal. Exemplary comedic timing is essential. Able to lift certain set pieces and move adroitly throughout the stage and between roles.