SEATTLE CHILDREN'S THEATRE 2020-21 SEASON **CANCELLED** Equity Principal Auditions - Seattle Children's Theatre Auditions

Posted March 17, 2020
Copy Link
SEATTLE CHILDREN'S THEATRE 2020-21 SEASON **CANCELLED** - Seattle Children's Theatre

SEATTLE CHILDREN'S THEATRE 2020-2021 SEASON - SEATTLE EPA DAYS

Seattle Children's Theatre

**CANCELLED**

AUDITION DATES

Mon, Mar 16, 2020

11:00 am - 4:00 pm (PST)

Tue, Mar 17, 2020

11:00 am - 4:00 pm (PST)

Thu, Mar 19, 2020

11:00 am - 4:00 pm (PST)

APPOINTMENTS

Please mail or drop off a hard copy of your headshot and résumé by February 28, 2020 to Seattle Children's Theatre. Address submissions to: SCT Auditions 201 Thomas St Seattle, WA 98109 Auditions will be by appointment. Include your date/time preference in submitted materials. Appointments and communication will be sent via email

CONTRACT

TYA Minimum - $526.50/wk + Performance Premium

SEEKING

Actors age 18+ for 2020-2021 Season. See breakdown.

PREPARATION

Please prepare one monologue.

LOCATION

Seattle Children's Theatre

201 Thomas St

Seattle, WA 98109-4555

Rehearsal Hall

PERSONNEL

Trick Danneker, Casting Associate

OTHER DATES

See breakdown.

OTHER

SCT does not accept emailed résumés or headshots. SCT does not accept videotaped auditions or submissions. Typical rehearsal schedule is 6 days a week, 10a-6p with Monday as the day off. Our performance schedule is 811 shows per week.
For questions, please email auditions@sct.org.

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Red Riding Hood

Charlotte Martin Theatre

Director: Steven Dietz

Written by: Allison Gregory

First Rehearsal: September 1, 2020; First Preview Performance: September 30, 2020; Public Opening Performance: October 2, 2020; Scheduled Closing Performance: November 1, 2020

-2 Performers

-1 Understudy

Ghosted

Touring Production in Partnership with Kaiser-Permanente

Director: Anita Montgomery

Written by: Trista Baldwin

First Rehearsal: September 21, 2020; First Performance: October 19, 2020; Scheduled Closing Performance: December 18, 2020

-4 Performers

-2 Understudies

-4 Actor ASM

*Presented Show from Rockefeller Productions* Paddington Gets in a Jam

First Technical Rehearsal: November 11, 2020; First Preview Performance: November 18, 2020; Public Opening Performance: November 20, 2020; Scheduled Closing Performance: January 3, 2021

The Watsons Go to Birmingham

Charlotte Martin Theatre

Director: Risa Brainin

From the book by: Christopher Paul Curtis

Adapted for the stage by: Cheryl West

First Rehearsal: December 22, 2020; First Preview Performance: January 20, 2021; Public Opening Performance: January 22, 2021; Scheduled Closing Performance: February 21, 2021

-6 Performers

-3 Understudies

Above Between Below

Touring Production in Partnership with Kaiser-Permanente

Director: TBD

Written by: Ramón Esquivel

First Rehearsal: January 25, 2021; First Performance: February 22, 2021; Scheduled Closing: April 2, 2021

-4 Performers

-2 Understudies

-4 Actor ASMs

*Presented Show from Mermaid Theatre of Nova Scotia* Guess How Much I Love You

First Technical Rehearsal: March 2, 2021; First Preview Performance: March 3, 2021; Public Opening Performance: March 5, 2021; Scheduled Closing Performance: April 4, 2021


A Tale of Peter Rabbit

Charlotte Martin Theatre

Director: Anita Montgomery

Written by: Trista Baldwin

First Rehearsal: March 9, 2021; First Preview Performance: April 7, 2021; Public Opening: April 9, 2021; Scheduled Closing Performance: May 23, 2021

-3 Performers

-1 Understudy


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

Sign Up for Audition Alerts

Get the latest auditions by email.

Videos