Mosaic Theater Co. of DC 2026-27 Season Equity Principal Actors - Mosaic Theater Co. of DC Auditions

Mosaic Theater Co. of DC 2026-27 Season - Washington, DC EPA

Mosaic Theater Company of DC | Washington, DC

Notice: Audition Call Type: EPA

AUDITION DATE

LOCATION

Thursday, April 30, 2026
Studio Acting Conservatory
3423 Holmead Pl NW
Washington, DC 20010
10:00 AM - 6:00 PM (E)
BREAK: 1:00 PM - 2:00 PM
Studio C (Holding Room); D (Audition Room)

APPOINTMENTS

PERSONNEL

To set up an Equity audition appointment, go to:
signupgenius.com
Walk ins welcome and will be seen on a first come, first serve basis

EXPECTED TO ATTEND:
Chelsea Radigan, Casting Director
Mar Cox, Artistic Assistant
Marika Countouris, Music Director
Reginald L. Douglas, Director
(See breakdown for specific production personnel.)

CONTRACT

SPT
$885 weekly minimum (SPT 9)
(See breakdown for specific production dates.)

SEEKING

Equity actors for roles in Mosaic Theater Co. of DC's 2026-27 Season (see breakdown). All shows will be performed in the Sprenger Theatre of the Atlas Performing Arts Center. DC local actors are encouraged to attend.

PREPARATION

An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Please prepare a contemporary monologue of up to two minutes, and bring a printed headshot and resume if you are able. To be considered for Somewhere Over the Border, please prepare a short song in the style of the play (cumbia; rock; hip–hop). An accompanist will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Mosaic Theater Co. of DC 2026-27 Season

SOMEWHERE OVER THE BORDER

By Brian Quijada
Director: Raymond O. Caldwell
First rehearsal: August 11, 2026
First performance: September 10, 2026
Closing performance: October 18, 2026

Seeking:

• THE NARRATOR: Our charming guide. Any age. Plays guitar well.
• REINA: A Salvadorean girl. 18 years old.
• JULIA: Reina’s mother. 40s.
• ADÁN/CRUZ: Reina’s brother, 20s, and an Indigenous Guatemalan boy with dreams of obtaining an American degree.
• NAPOLEON/SILVANO: A Salvadorean man who owns the restaurant that Reina works at, and a man from Tapachula, Mexico with a dream to reunite with the rest of his family in America.
• ANTONIA/LEONA: An older woman who lives in El Salvador and has a daughter in The United States, and a meek Catholic nun from Guadalajara, with rock and roll dreams.

NATURAL HISTORY

By Collin Van Son
Director: Chelsea Radigan
First rehearsal: December 14, 2026
First performance: January 21, 2027
Closing performance: February 14, 2027

Seeking:

• JANE: Female, mid-20s. A dreamer by nature, a pragmatist by necessity.
• CLYDE: An idealist in his mid-20s.
• VIRGIL: A museum security guard, around 50 years old, who adopts a cowboy persona.

7TH STREET ECHO

By Paige Hernandez
Director: Reginald L. Douglas
First rehearsal: 3/2/27
First performance: 3/29/27
Closing performance: 4/24/27

Seeking:

• CANDELA: Eighteen, woman
• VANESSA: Fifties, woman
• JAZMINE (JAZ): Late teens/early 20s
• MILTON (MILT): Fifties, man
• DRUMMER: Actual musician, plays all the percussion throughout the show. Has a command of gogo and jazz. This musician also represents the likeness of DAD. He has no speaking lines.

BAD KREYOL

By Dominique Morisseau
Director: Stori Ayers
First Rehearsal: April 19, 2027
First Performance: May 24, 2027
Closing Performance: June 28, 2027

Seeking:

• SIMONE: Haitian American woman, NO ACCENT, mid-thirties, freethinking, smart, social justice obsessed, and a bit wayward. Her heart is in the right place, but she can sometimes miss the mark with her intentions. She is Haitian by blood, but very Black American from-the-burbs by culture. She wants to be down for her people, but also feels disconnected from them. She is often the butt of other folks’ jokes, especially her cousin Gigi, and as such has learned how to be neutral and not take herself too seriously. Somewhere deep inside is a broken bird looking for restoration.
• GIGI: Haitian woman, ACCENT NEEDED, late thirties, bourgeois, intelligent, proud, and bossy. She works in international trading and is oftentimes in sheer business mode. She takes herself too seriously and, unlike Simone, does not have the ease with which to laugh at herself. She is Haitian-born with American exposure and influence. Her clipped nature can seem rude, but to Gigi, this is just who people are. Somewhere deep inside is a loving bird that refuses to be vulnerable at all costs.
• PITA: Haitian man, ACCENT NEEDED, mid-thirties, vibrant, full of spirit, and easy to love. He identifies with Haiti’s Queer community, but is not yet openly a part of it. He loves life and loves Haiti in all of its beautiful contradictions and is proud of his upbringing and survival story. He is also the housekeeping help for Gigi, though he would never be reduced to being anyone’s “maid.” In Haiti, this role is far more complicated, and Pita will remind you of that. Somewhere, his revolution is waiting for him.
• LOVELIE: Haitian woman, ACCENT NEEDED, late twenties/early thirties, quiet, strong, mysterious. She is a former prostitute turned seamstress and is seeking her independence. She is no victim. She is the picture of defiant resilience.
• THOMAS: Haitian American man, ACCENT NEEDED, late thirties/early forties, affluent, bourgeois, and impersonal. He is an international trades businessman and embodies all of the tropes of foreign executive power, a shark nature where self-preservation trumps all.