Miami New Drama 2026-27 Season Equity Principal Actors - Miami New Drama Auditions
Miami New Drama
AUDITION NOTICE
Theater: Miami New Drama | Miami, FL
LOCATION:
Colony Theatre, 1040 Lincoln Rd, Miami Beach, FL 33139-2502Call Type: EPA (Equity Principal Auditions)
Status: REVISED - Updated
BREAKDOWN
AUDITION DATE
Monday, August 31, 2026
11:00 AM - 7:00 PM (E)
Lunch: 2:00 PM - 3:00 PM
APPOINTMENTS
To schedule an audition appointment, please visit:
https://auditionsmanager.com/register/Za8Sfu
CONTRACT
CONTRACT
SPT (Stock Production Theatre)
$885 weekly minimum (SPT 9) - Until 1/3/27
$911 weekly minimum (SPT 9) - After 1/4/27
SEEKING
Equity actors for roles in Miami New Drama's 2026-27 Season (See
BREAKDOWN
below).PREPARATION
Please prepare a one-minute dramatic or comedic monologue in English. If auditioning for THE GOLEM OF HAVANA, please also prepare 16 bars of whatever you feel best showcases your abilities. An accompanist will be provided. Bring one copy of your headshot and resume.
LOCATION
Colony Theatre
1040 Lincoln Rd
Miami Beach, FL 33139-2502
Please note signage upon entry. Check-in will take place in the lobby. Call 305-674-1040 within business hours for any questions.
PERSONNEL
Expected to Attend:
Michel Hausmann: Director and Artistic Director
JC Gutierrez: Artistic Associate
See
BREAKDOWN
for production specificPERSONNEL
.COMPANY CONTACTS
Michel Hausmann: Artistic Director
JC Gutierrez: Artistic Associate
Claudia Campos: Managing Director
Vyana Preti: Director of Education
Shannon Veguilla: Company Manager
OTHER INFORMATION
Website:
www.miaminewdrama.org
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity's
CONTRACT
s prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.Always bring your Equity Membership card to auditions.
GANDHI AND THE JEW
World Premiere
Written by: Harley Elias
Rehearsal Begins: October 5, 2026
Opening: November 1, 2026
Closing: November 29, 2026
Synopsis: A world premiere from Miami New Drama in its 10th Anniversary Season. The fifth collaboration between the company and playwright Harley Elias, and the third commissioned premiere as part of Miami New Drama's acclaimed Jewish Play Initiative.
Drawn from years of research, multiple journeys to South Africa, and hundreds of unpublished letters, Gandhi and the Jew uncovers an unlikely and profound bond between Mahatma Gandhi and Hermann Kallenbach, a Jewish architect shaped by exile and persecution. Together, they help invent the philosophy of nonviolence. But as history darkens and the fate of European Jews becomes urgent, their shared ideals fracture, setting them on a collision course over the future of a Jewish state. This is the story of a friendship that changed the world, and the conflict that nearly broke it.
SEEKING:
UPPER HOUSE / GANDHI — South Asian, 30s–50s. Brilliant, witty, quick, exacting, tough, pedantic, a nag, and almost impossibly unyielding. Not an impersonation of the familiar historical icon, but someone who makes us forget we know who Gandhi becomes. Less saint than a formidable, sometimes maddening young man—peevish, brilliant, relentlessly testing himself and everyone around him.
LOWER HOUSE / HERMANN KALLENBACH — Ashkenazi Jewish, 30s–50s. A Lithuanian-born German Jewish architect: classically Colin Firth handsome, robust, athletic, big-hearted, big build, muscular. Devoted but diffident, passionate but discerning, with great interior conflict. A spiritual seeker finding his way through a tumultuous time, searching for a sense of self, belonging, and conviction—and not afraid to go toe-to-toe with an icon of the twentieth century.
THE GOLEM OF HAVANA
An Original Musical
Written by: Michel Hausmann
Rehearsal Begins: December 21, 2026
Opening: January 30, 2027
Closing: February 28, 2027
Synopsis: Miami New Drama's biggest celebration of the year. A revolution of our own, marking the highly anticipated return of the very first production Miami New Drama ever staged at the Colony Theatre.
A Holocaust survivor's family. An Afro-Cuban housekeeper who prays to the sea. A wounded revolutionary hiding in the back room. And a teenage girl who believes a comic-book monster can save them all.
Set in late-1950s Havana, The Golem of Havana follows Rebecca, a young Jewish girl who turns to a mythical protector of Jewish folklore—the Golem—as her family navigates poverty, political unrest, and the electric final days of the Batista regime. When she's drawn into the orbit of Teo, a young revolutionary, myth and reality collide. The musical moves from klezmer to mambo to bolero without ever stopping to breathe. Funny, ferocious, and heartbreaking, it asks the question every exile carries: when no savior comes, who will you choose to be?
SEEKING:
REBECCA FRANKEL (Female, 14–17) A bright, imaginative, and passionate Jewish-Cuban teenager with a love for comic books and storytelling. She uses her creativity and faith in comic book heroes—like her original creation, the Golem—to navigate complex political and family struggles. Strong singer.
PINCHAS FRANKEL (Male, 40s–50s) Rebecca's father. A mild-mannered, hardworking Jewish tailor who fled Hungary to build a new life and open his own shop in Havana. Devoted to his family, gentle-natured, but caught in difficult moral choices amidst political turmoil.
YUTKA FRANKEL (Female, 40s–50s) Rebecca's mother. A Holocaust survivor from Hungary whose past trauma makes her cautious, protective, and cynical. Stubborn and strict on the outside, but deeply fierce in her commitment to keeping her family safe. Strong dramatic singer.
TEO RONDÓN (Male, 17–20) Maria's son. An idealistic, fiery young Cuban rebel fighting against the Batista regime. Driven by the loss of his father and a desire for justice, though he is deeply scared and wounded under his tough exterior.
MARIA RONDÓN (Female, 40s) The Frankel family's housekeeper and a devoted follower of Yemayá. Warm, resilient, and deeply spiritual, she is fiercely protective of her son, Teo.
ARTURO PÉREZ BRITO (Male, 40s) A charismatic, well-dressed, and slick advisor to the military and friend of the Frankel family. Charmingly opportunist and smooth-talking but aligned with the corrupt Batista regime.
FULGENCIO BATISTA (Male, 40s–50s) The President/Dictator of Cuba. Authoritative, charismatic, and cultured on the surface, but ruthless and uncompromising in maintaining his hold on power.
OLGA (Female, 20s) Yutka's deceased sister who appears in Rebecca's nightmares and flashbacks to Hungary in 1944. Represents the memory and lingering trauma of the Holocaust within the family.
SANCHEZ / POLICE OFFICERS / SOLDIERS (Male, 30s–50s) Intimidating government officials, police, and military officers who enforce Batista's authority through fear and force.
THE GREAT BEHIND
World Premiere
Written by: Carmen Pelaez
Rehearsal Begins: March 1, 2027
Opening: April 3, 2027
Closing: April 25, 2027
Synopsis: In this bold, hilarious reinvention of Cyrano de Bergerac, Sylvia is a brilliant Miami librarian with a lethal tongue, a body everyone notices but no one truly sees, and a secret: she is hopelessly in love with her best friend. When he falls for Sylvia's beautiful new coworker, Sylvia agrees to write the love letters that will win his heart, giving another woman the words she cannot bring herself to speak.
Written by beloved Miami native Carmen Peláez in her fifth work with Miami New Drama, The Great Behind is a sexy, wildly funny, and deeply romantic new comedy about beauty, desire, and the terrifying courage it takes to be truly seen. How long can you give someone your words before you lose your own? A Miami Cyrano. Same Wit. Bigger Hips.
SEEKING:
SYLVIA (Female, 45) A passionate, fiercely independent children's librarian at the Miami Public Library. She is confident, quick-witted, and protective of books, yet deeply insecure about romantic vulnerability due to her body image.
OSCAR (Male, 45) The handsome, charming co-owner of Sala De Mis Penas. Romantically hopeless and oblivious, he falls in love with the soulful, poetic letters written by Sylvia, believing they are from Cristi.
ANDREW (Male, 45) The resident DJ at Sala De Mis Penas (DJ Dolor) and Sylvia's closest confidant. He is wise, supportive, and secretly holds a deep affection for Sylvia.
CRISTI (Female, 35) A modern dancer turned library activities director. She is very attractive and superficial in her dating habits, but well-intentioned and honest when realizing Oscar loves the mind behind the words.
LIZ (Female, 40) The uptight, rule-following library director who frequently clashes with Sylvia over banned books and library decorum.
CITY HALL
World Premiere
Written by: Aurin Squire
Rehearsal Begins: March 29, 2027
Opening: May 1, 2027
Closing: May 30, 2027
Synopsis: Performed inside a real city hall, City Hall transforms the audience into the electorate, the chamber into the stage, and every performance into a live vote on the city's future.
As rising seas threaten to swallow the city, a billionaire developer offers the solution the city cannot afford: he will fund the infrastructure needed to save it, but only if democracy steps aside and his company takes control for a generation. What follows is a gripping, high-stakes battle between survival and sovereignty, speed and accountability, private power and the public good. Immersive, urgent, and different every night, City Hall is a love letter to democracy that asks its audience to do more than watch. It asks them to decide: when the system is failing, do you fix it or give it away?
SEEKING:
MAYOR — Procedural anchor who values democracy, but fears its downfall after seeing his family escape a fallen democratic nation.
CLARA KEY (Environmental Scientist) — Presents hard data on the existential threat of global warming while vetting the validity of opposing claims.
RUTH DROBOT (Pro-Business Lawyer) — A sharp attorney representing billionaire Edmund Ray's conglomerate, arguing that private takeover is the only cure for government incompetence.
SOLOMON BAND (Pro-Democracy Activist/Professor) — An optimistic, old-school idealist fighting to keep power with the people, despite being dismissed as an out-of-touch hippie.
ROBERTO (Pro-Business Witness) — A Hialeah furniture store owner who lost faith in local government after skyrocketing flood insurance and trusts Ray's backed financial assurances instead.
BRITTANY (Pro-Democracy Witness) — A Seattle transplant who warns that corporate control inevitably leads to skyrocketing rent, homelessness, and displacement.
CIANURO ESPUMANTE
World Premiere
Written by: Karen Valecillo
Rehearsal Begins: June 8, 2027
Opening: July 10, 2027
Closing: August 1, 2027
Synopsis: A birthday celebration. A sudden death. A killer still in the room.
For the first time ever, the Agatha Christie Estate has authorized a direct Spanish-language adaptation of an iconic Christie mystery—reimagined for Miami. When a glamorous birthday celebration ends in sudden death, what appears to be a tragic suicide unravels into a web of secrets, ambition, and betrayal. One year later, the guests reunite—and another body falls. As the brilliant detective Hercule Poirot invites the audience to play along, every glance, every toast, and every silence becomes a clue. A seductive, suspenseful game of truth and illusion, set in the heart of Miami, where beauty, power, and greed collide. Cianuro asks: how well do we really know the people we love, and how far will we go to protect what we've built? The world's first Spanish-language Agatha Christie mystery. Solved by you.
Note: Actors must have a native command of the Spanish language.
SEEKING:
ROSA BARTON — An elegant, passionate, and wealthy woman celebrating her birthday, unaware it will be her last night. She is Jorge's wife, Esteban's lover, and Antonio's artistic patron.
JORGE BARTON — A refined, calculating man who organizes Rosa's birthday party. Tormented by her sudden death, he tries to uncover the real killer one year later.
POIROT — A sharp detective who trades the classic trench coat for a guayabera and linen pants to withstand the heat. He guides the investigation by meticulously dissecting every detail.
IRIS — A woman who held a complex mix of envy and sisterly love for Rosa. She ends up becoming her sister's sole heir and Antonio's partner.
ANTONIO — A talented musician who transitions from playing piano at the venue to becoming a renowned star thanks to financial backing.
ESTEBAN — A rising political figure whose ambitious career relies heavily on campaign funding. He was secretly involved with Rosa.
SANDRA — A seemingly demure and conservative woman who is fiercely ambitious and cold, willing to do whatever it takes to secure her husband's political success and her own status.