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MERRIMACK REPERTORY THEATRE 2011-12 Equity Principal Audition - Merrimack Repertory Theatre Auditions

Posted April 21, 2011
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MERRIMACK REPERTORY THEATRE 2011-12 - Merrimack Repertory Theatre

LORT

Merrimack Repertory Theatre 2011-12 Season – EPA by Appointment in MA

(Lowell, MA) LORT D; $566/week minimum

Artistic Director : Charles Towers

Local Casting Director: Peter Crewe

General Manager: Edgar Cyrus

Equity Principal Auditions by APPOINTMENT:

Thursday, May 5, 2011 at the Merrimack Repertory Theatre

9 AM – 5 PM 132 Warren Street

Lunch from 12 - 1. Lowell, MA 01852

For an appointment, email:
crewe@merrimackrep.org, or call 978-654-7593 (between 9:30am and 4:30pm). AEA members without appointments will be seen as time permits.

Prepare one contemporary monologue. Bring picture and resume, stapled together.

THE PERSIAN QUARTER

By Kathleen Cahill

Directed By: Kyle Fabel

1st rehearsal: 8/23/11. 1st preview: 9/15/11. Opening: 9/18/11. Closing: 10/9/11

In a land rich with history, two women are thrown together by a diplomatic crisis. Thirty years later, a chance encounter by their daughters leads to revelations of a shared past. An invigorating drama about the power words have to reveal truths as well as hide them, and ultimately to bridge a cultural divide.

Seeking:

Actor 1: Man. To play the following roles:

  • Jelaluddin Rumi:13th century Persian Poet
  • Iranian Pool Attendant
  • A Persian Man

Actor 2: Man. To play the following roles:

  • Mike – an American, early 30’s An Adventurer Smoker, very masculine, built like a bull
  • Kermit Roosevelt – 30’s, a man of the 1950’s

Actor 3: Woman. To play the following roles:

  • Ann Gillies: an American, 30’s. Unsentimental, athletic, smart
  • Emily Gillies: Ann’s daughter, 27. Hip, ambitious

Actor 4: Woman. To play the following roles:

  • Shirin: Iranian, 30’s. Sophisticated, naïve, driven
  • Azadeh: Shirin’s daughter, 30’s. Brave, demanding.


THIS VERSE BUSINESS

By A.M. Dolan

Directed By: Gus Kaikkonen

A one man show based on the life of Robert Frost.

This production has been CAST.

THE REDUCED SHAKESPEARE COMPANY’S NEW HOLIDAY SHOW (Abridged)

By The Reduced Shakespeare Company

This production is fully CAST.

THE VOICE OF THE TURTLE

By John van Druten

Directed By: Carl Forsman

1st rehearsal: 12/13/11. 1st Preview: 1/5/12. Opening: 1/8/12. Closing: 1/29/12

A moving, 1943 romantic comedy.

Seeking:

Sally Middleton: early 20s, small, direct, naïve and very pretty

Olive Lashbrooke: late 20s, smart and attractive, without being good looking, and rather gay

Bill Page: early 30s, adult, quiet and attractive, military officer

DADDY LONG LEGS

Based on the novel by Jean Webster. Book by John Caird. Music and Lyrics by Paul Gordon

Directed By: John Caird

A musical romance set in New England in the early 20th century.

This production is fully CAST.

MRS. WHITNEY

By John Kolvenbach

Directed By: Kyle Fabel

1st rehearsal: 2/21/12. 1st Preview: 3/15/12. Opening: 3/18/12. Closing: 4/8/12

A candid portrait of a 60-year-old woman with an idiosyncratic sense of romance. Mrs. Whitney seeks a cure for loneliness by tracking down her ne’er-do-well ex-husband, an irresponsible mess she kicked out over 20 years ago, sending her on an odyssey of surprising and sharply-funny encounters.

Seeking:

Margaret Whitney: 60s

Francis: 60s

Louisa: 40s

Fin: 20s

Tom Whitney: 60’s

GHOST-WRITER

By Michael Hollinger

Directed by: Charles Towers

1st rehearsal: 3/27/12. 1st Preview: 4/19/12. Opening: 4/22/12. Close: 5/13/12

When a famous novelist dies before finishing his masterwork, his devoted secretary completes the story on her own. Is she perpetrating a fraud, or does her insistent claim that she continues to receive his dictation after his passing hold some truth?

Seeking:

Myra Babbage: late 30s early 40s

Franklin Woolsey: late 50s early 60s

Vivian Woolsey: same age as Woolsey, or slightly younger

Non-Traditional Casting:

Merrimack Repertory Theatre does not believe in discrimination based on color, race, religious affiliation, sexual orientation, disabilities, gender, or otherwise. All performers, including those of color, seniors, women, and performers with disabilities, are encouraged to audition and will be given full consideration

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