MAYBE HAPPY ENDING (Tour) Equity Principal Actors - Maybe Happy Ending Tour LLC Auditions

MAYBE HAPPY ENDING (Tour) - Equity video submissions

Maybe Happy Ending Tour LLC | New York, NY

Notice: Audition Call Type: EPA

AUDITION DATE

LOCATION

Friday, March 20, 2026 — Via Submission

11:55 PM - 11:59 PM (E) — New York, NY 10036

CONTRACT

PERSONNEL

• Touring Agreement Producers: Jeffrey Richards, Hunter Arnold, Allan Williams
• Touring Agreement: $1,077 weekly minimum (Level 5)
• Director: Michael Arden
• Book and Lyrics: Will Aronson and Hue Park
• Music: Will Aronson
• Musical Supervisor: Deborah Abramson
• General Manager: Foresight Theatrical; Andrew Joy, Nick Ginsberg
• Casting: The Telsey Office

SEEKING

Equity actors for roles in the touring production of MAYBE HAPPY ENDING (See breakdown).

PREPARATION

Please prepare a brief contemporary musical theatre song that shows your style and vocal range. The Equity video submission deadline is Friday, March 20, 2026, at 11:59pm ET.

Expected to attend: Casting Directors Craig Burns and Jimmy Larkin of The Telsey Office.

OTHER DATES

First Rehearsal (NYC): August 10, 2026

First Performance: September 13, 2026

OTHER

The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members' submissions have been viewed, the employer will notify each member who viewed their audition.

Video Submissions Procedures are in effect for this audition.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

MAYBE HAPPY ENDING (Tour)

SYNOPSIS

Seoul, Korea, 2064. Oliver and Claire are Helperbots, high-end robots that are nearly identical to humans, designed to alleviate the social isolation of their wealthy owners. Already obsolete, Oliver and Claire now live across the hall from each other in an apartment complex for discarded Helperbots. When a broken charger unexpectedly brings them together, they embark on a journey that challenges what they believe is possible for themselves, relationships, and love.

SEEKING

OLIVER

Character is male (cis, transgender or non-binary), 20s—30s, any ethnicity. Boyish and innocent appearance. A robot, specifically an obsolete Helperbot 3. Despite appearing very human, his emotional levels and physical movements are a bit less gradated than the Helperbot 5. He loves other forms of outdated technology, like LP players and paper maps and books. Optimistic by design, Oliver has always believed his former owner is eventually going to come pick him up from the discarded Helperbot apartment complex.

Vocal: Baritenor who can sing with clarity and simplicity from A2 up to a strong F#4 and extend to G#4 using mix or belt. Facility with straight tone is welcomed, as well as comfort with light mix. Remaining close to written notes and rhythms is highly valued. Great physical control and movement, as well as comic ability.

CLAIRE

Character is female (cis, transgender or non-binary), 20s—30s, any ethnicity. Girlish and innocent appearance. A robot, specifically a Helperbot 5. As a model 5, she is capable of slightly more nuanced emotional shadings than the 3. Somewhat impatient with less advanced models. Claire has also sworn off any kind of long-term emotional bond, having observed at close range the broken relationship of the couple that owned her.

Vocal: A voice with clarity down to Ab3 and a clean belt or strong mix to Eb5. Control of mix/head voice up through D5 is essential, and facility with straight tone is welcomed. Remaining close to written notes and rhythms is highly valued. Great physical control and movement, as well as comic ability.

GIL BRENTLEY

Character is male (cis, transgender or non-binary), 20s—50s, any ethnicity. A popular American big band leader from the mid 20th century, now remembered by a select few. Gil Brentley was James’ favorite jazz musician and therefore is Oliver’s as well. Everything Oliver knows about human relationships he learned from Gil’s songs. Sings/croons in the style of a singer of the 1940s—50s (like Frank Sinatra or Nat King Cole).

Vocal: A2 to F#4.

JAMES / JUNSEO

Character is male (cis, transgender or nonbinary), 30s–50s, Korean. James is Oliver’s former owner. James was in his late 30s when Oliver began working for him, and in his 40s when Oliver last saw him. Oliver probably remembers him on the younger side. James loves jazz and all sorts of outdated fashions and technology, passions that he has passed on to Oliver. Throughout the show, will double as various humans that Oliver and Claire encounter in the world. He also doubles as James's estranged adult son, Junseo.

Vocal: Bari-tenor who can sing with clarity and simplicity from B2–F4. Piano skills are a plus.