INDIANA REPERTORY THEATRE 2017-18 SEASON Submission - Indiana Repertory Theatre, Inc. Auditions

Posted March 13, 2017
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INDIANA REPERTORY THEATRE 2017-18 SEASON - Indiana Repertory Theatre, Inc.

Indiana Repertory Theatre 2017-18 Season - Indianapois Appts

Indiana Repertory Theatre, Inc.



CONTRACT

LORT Non-Rep

LORT C ($799/wk) and LORT D ($637/wk)

TYA TYA ($461/wk)



SEEKING

Male and female Actors for the 2017-18 season. Please see breakdown for more information.



INSTRUCTIONS

Please submit your headshot and resume to Brian Newman
Deadline: Tue, Jul 25, 2017


SUBMIT TO

Brian NewmanIndiana Repertory Theatre

140 West Washington Street

Indianapolis, IN 46204



PERSONNEL

Jane Robison - General Manager



OTHER DATES

Please see breakdown.




OTHER


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN


THE CURIOUS INCIDENT OF THE DOG IN THE NIGHTTIME by Mark Haddon ( LORT):

September 15, 2017 - OCtober 14, 2017

Christopher 15 years old - looking for a young 20's actor; Christopher has Asperger Syndrom or highly functing Autism; math genius; emotional/social issues strongly evident but must be appealing progtagonist. Ed Boone - the father; has been single parent for 2 years. Judy Boone - the mother; Christopher believes she died 2 years before the events of the play. Siobahn - teacher's aide/paraprofessional at school who helps Christopher with how the world works. Actor #1 - Mrs. Shears (and others); Actor #2 Roger Shears (and others); Actor #3 Policeman (and others); Actor #4 Rev. Peters, et al; Actor #5 No. 40 et al; Actor #6 Mrs. Alexander et al. ** Various Brit accents required **

CURIOUS INCIDENT IS A TRANSFER PRODUCTION WITH SYRACUSE STAGE.




THE ORIGINALIST by John Strand (LORT):

Runs October17, 2017 - November 12, 2017

Cat - female 20's African American; flaming liberal, Harvard Law student and clerk for Justice Scalia; funny, articulate, whip smart. A good foil for the Justice. Brad: 20's brought in to work on a specific case, he resents Cat's Clerkship; very buttoned-up Conservative.


A RAISIN IN THE SUN by Lorraine Hansberry (LORT):

January 10 - February 3, 2018

Walter Lee Younger; Beneatha Younger; Ruth Younger; Travis Asagai; George Merchison.



RAISIN - IS A TRANSFER PRODUCTION WITH SRYCUSE STAGE


APPOGIATURA by James Still (LORT):

March 7, 2018 - March 31, 2018

Helen - in her 70's vibrant, a bit arch, charming, Sylvie - early 20's Helen's granddaughter, early 20's, working on life; Charles (Aunt Chuck) - 50's gay, a bit of a pill yet funny; Marco - mid 20's Italian, a tour guider in Venice who doesn't know much about Venice - takes on Helen, Sylvie and Aunt Chuck as clients. 3 Venitian Street Musicians: a young woman; 2 men (older/younger) - also play various characters, good with accents (Italian, Australian, Phillipino, German…); one needs to play the violin.


NOISES OFF by Michael Frayn (LORT):

April 24, 2017 - May 20, 2017

Dotty - late middle aged actress plays Mrs. Clackett; Lloyd Dallas - the director of the play within in the play; Garry LeJune - stuttering actor plays Roger; Brooke Ashton - young inexperienced plays Vicki; Poppy - assistant stage manager for the play; Frederick Fellowes - serious fear of blood and violence plays Phillip; Belinda Blair - cheerful sensioble actress plays Flavia; Tim Allgood - overworked stage manager; Selsdon Mowbray - elderly..very actorly plays a burgler.



A CHRISTMAS CAROL by Charles Dickens adapted by Tom Haas (Theatre for Young Audiences):

November 18, 2017 - December 24, 2017

Chrachit/young Marley, Martha/Fan/Belle, Felicity/Laundress.


ROMEO AND JULIET by William Shakespeare (Theatre for Young Audiences):

January 27, 2018 - March 3, 2018

Mercutio, Tybalt, Juliet , Romeo, Paris


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.


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