Everyman Theatre 2026-27 Season Equity Principal Actors - Everyman Theatre Auditions

EVERYMAN THEATRE 2026-27 SEASON - BALTIMORE, MD EPA

Everyman Theatre | Baltimore, MD

Notice: Audition Call Type: EPA

AUDITION DATE

LOCATION

Monday, April 13, 2026
Everyman Theatre
315 W Fayette St
9:30 AM - 5:30 PM (E)
Baltimore, MD 21201

Lunch 1:00 PM - 2:00 PM
Holding room - Theatre Lobby

CONTRACT

PERSONNEL

LORT Non-Rep
Vincent M. Lancisi: Artistic Director
$889 weekly minimum (LORT D)

Expected to attend:

One or more of the following:

SEEKING

Kyle Prue: Producing Director
Equity actors for roles in Everyman Theatre's 2026-27 Season (See breakdown).

Everyman embraces identity conscious casting with an intentional eye on gender non-binary, diversity, and ability-conscious casting. We believe in fair pay for all guest artists and will continue our transparent practice of compensating for additional commitments as these events occur. We aspire to become an artistic home that is multicultural in representation and centered on anti-racist and anti-oppression practices. Read more through our
Statement of Solidarity at everymantheatre.org. An Equity Monitor will not be provided. The producer will run all aspects of this audition.

PREPARATION

Please prepare one monologue or two brief contrasting monologues to total approximately 2 minutes. There are no musicals in the season; no singing please. Each actor must bring one 8x 10 head shot with a resume attached to the back of the photo. Always bring your Equity Membership card to auditions.

BREAKDOWN

KIM’S CONVENIENCE

Written by Ins Choi
Director: Cara Hinh
Co-Production with Indiana Repertory Theatre and Portland Center Stage

SCHEDULE

Everyman Theatre:
First Rehearsal: 8 / 4 / 2026
Opening: 9 / 4 / 2026
Closing: 9 / 27 / 2026

Indiana Repertory Theatre:
First Rehearsal: 10 / 13 / 2026
Opening: 10 / 23 / 2026
Closing: 11 / 15 / 2026

Portland Center Stage:
First Rehearsal: 1 / 7 / 2027
Opening: 1 / 17 / 2027
Closing: 2 / 7 / 2027

SYNOPSIS

An ode to generations of immigrants who have made Canada the country that it is. With new luxury buildings going up around the convenience store and a Walmart preparing to move in, pressure is on to sell the Kim’s family-run Korean variety store. Mr. Kim’s immigrant path towards building a life for his family in Canada is put under strain when a realtor makes a generous offer for the land. Questions of legacy and culture clash with economic concerns in this laugh-worthy, touching play about family and the relationship between one generation and the next.

SEEKING

Janet (Female presenting – Asian – 30): 2nd generation Korean-Canadian woman. Daughter of Appa and Umma, she is artistic and rebellious while staying committed to family.
Jung (Female presenting – Asian – 30s): 2nd generation Korean-Canadian man. Son of Appa and Umma, he is the troubled but independent son, looking to rekindle relationships. Speaks Korean.
Rich / Mr. Lee / Mike / Alex (Male presenting – Black – 30s): One actor to play all of these characters. Rich – a young man; Mr. Lee – a successful real estate agent and friend of Appa; Mike – a man with a thick Jamaican accent; Alex – a police officer and childhood friend of Jung and Janet.

CASTING NOTES

THE FOLLOWING ROLES ARE CAST WITH RESIDENT ACTING COMPANY. PERFORMERS WILL BE CONSIDERED AS POSSIBLE REPLACEMENTS SHOULD ANY BECOME NECESSARY:

Umma (Female presenting – Asian – 50s): 1st generation Korean-Canadian woman. Married to Appa. Traditional, kind. Speaks Korean, learned English in Canada.
Appa (Male presenting – Asian – 50s): 1st generation Korean-Canadian man. The owner of Kim's Convenience Store. Attached to tradition, slightly stubborn, has a temper. Speaks Korean, learned English in Canada.

DIFFERENT WORDS FOR HAPPINESS

Written by Katie Kleiger
Director: Laura Kepley

SCHEDULE

First Rehearsal: 9 / 22 / 2026
Opening: 10 / 23 / 2026
Closing: 11 / 15 / 2026

SYNOPSIS

A fresh take on what it means to confront one’s past and redefine personal happiness. When a late-night call arrives from an ex, Ava’s world is thrust into emotional turmoil. As Ava attempts to regain control and confront the ghosts of her past, she meets Eleanor, a middle-aged doctor facing a midlife crisis and living a life of unfulfilled dreams. Ava and Eleanor’s lives become inexorably intertwined as they grapple with blame, forgiveness, and what types of happiness they allow themselves to feel.

SEEKING

Ava (Female presenting – 30-35): Ironic, witty, resentful, regretful, and extremely lonely. Role requires the re-enactment of a medical breast exam and OB/GYN exam.

CASTING NOTES

THE FOLLOWING ROLES ARE CAST WITH RESIDENT ACTING COMPANY. PERFORMERS WILL BE CONSIDERED AS POSSIBLE REPLACEMENTS SHOULD ANY BECOME NECESSARY:

Eleanor (Female presenting – 40-45): An OB/GYN, she is hyper professional and straightforward but not cold. She is pregnant and extremely lonely.
Nathan (Male presenting – 35-45): He is slightly naive, sincere, self-flagellating (but not one-dimensional), and extremely lonely.

THE MIRROR CRACK’D

Written by Agatha Christie
Adapted by Rachel Wagstaff
Director: Brandon Weinbrenner

SCHEDULE

First Rehearsal: 11 / 3 / 2026
Opening: 12 / 4 / 2026
Closing: 12 / 30 / 2026

SYNOPSIS

In 1960s England, a wind of change is blowing through the land. It has even reached the sleepy village of St Mary Mead. There’s a new housing estate to make the villagers curious and fearful, and now the village has been thrown into a frenzy by the news that a glamorous American film star has bought the Manor House. Miss Jane Marple, confined to a chair after an accident, is wondering if life has passed her by. Then there is a vicious murder, and Miss Marple must unravel a web of lies, tragedy, and danger. This adaptation of Agatha Christie’s famous novel brings real emotional depth and psychological insight to a thrilling story of revenge and dark secrets.

SEEKING

Cyril Leigh (Male presenting– 40s): Heather’s gentle and rather hen-pecked husband.

CASTING NOTES

THE FOLLOWING ROLES ARE CAST WITH RESIDENT ACTING COMPANY. PERFORMERS WILL BE CONSIDERED AS POSSIBLE REPLACEMENTS SHOULD ANY BECOME NECESSARY:

Miss Jane Marple (Female presenting – 65-80): The astute and observant amateur detective, known for her shrewd understanding of human nature. She is sharp, with a keen eye for detail.
Dolly Bantry (Female presenting – 60s): A friend of Miss Marple and the former owner of Gossington Hall, where the murder occurs. She is a source of all the local gossip.
Marina Gregg (Female presenting – 45-55): A famous American movie star, glamorous yet troubled. She is dealing with personal and emotional struggles.
Heather Leigh (Female presenting – 40s): An enthusiastic fan of Marina Gregg, she is full of energy and somewhat oblivious to the impact of her words.
Ella Zelinsky (Female presenting – 30-50): The efficient personal assistant, sharp and ambitious.
Lola Brewster (Female presenting – 20s): A young American film actress with her own dark past.
Cherry Baker (Female presenting – 20s): Miss Marple’s enthusiastic, well-meaning, absent-minded help.
Jason Rudd (Male presenting– 50s): Marina’s devoted and protective husband and film director. American.
Giuseppe Renzo (Male presenting– 50s): Marina’s Italian butler, very protective of her and knows all her secrets.
Chief Inspector Craddock (Male presenting– 35-45): A classic ‘Christie’ police officer, slightly inept and misses clues.

THE MOUNTAINTOP

Written by Katori Hall
Director: Paige Hernandez

SCHEDULE

First Rehearsal: 1 / 5 / 2027
Opening: 2 / 5 / 2027
Closing: 2 / 28 / 2027

SYNOPSIS

An intimate look into the quieter moments of King’s life, The Mountaintop chips away at the myth of the great man to expose his fears about his family, his country and the ever-looming threat of a violent death. Set during the height of America’s Civil Rights Movement, Katori Hall’s sharp and powerful play confronts the legend and his legacy. Are we really free or do we live in a world of false liberation?

CASTING NOTES

THE FOLLOWING ROLES ARE CAST WITH RESIDENT ACTING COMPANY. PERFORMERS WILL BE CONSIDERED AS POSSIBLE REPLACEMENTS SHOULD ANY BECOME NECESSARY:

Camae (Female presenting – Black – 25-45): A mysterious and beautiful maid who captures King’s attention. Seemingly having just started working at the Lorraine Hotel, she is flirtatious and opinionated.
Dr. Martin Luther King, Jr. (Male presenting – Black – 39): After giving a speech to a group of striking sanitation workers at a church in Memphis, he retires to his hotel room for the night.

AGNES OF GOD

Written by John Pielmeier
Director: TBD

SCHEDULE

First Rehearsal: 3 / 2 / 2027
Opening: 4 / 2 / 2027
Closing: 4 / 25 / 2027

SYNOPSIS

Summoned to a convent, Dr. Martha Livingstone, a court-appointed psychiatrist, is charged with assessing the sanity of a novice accused of murdering her newborn. Miriam Ruth, the Mother Superior, determinedly keeps young Agnes from the doctor, further arousing Livingstone’s suspicions. Who killed the infant, and who fathered the tiny victim? Livingstone’s questions force all three women to re-examine the meaning of faith and the power of love, leading to a dramatic, compelling climax.

CASTING NOTES

THE FOLLOWING ROLES ARE CAST WITH RESIDENT ACTING COMPANY. PERFORMERS WILL BE CONSIDERED AS POSSIBLE REPLACEMENTS SHOULD ANY BECOME NECESSARY:

Mother Miriam Ruth (Female presenting – 60s): The Reverend Mother of the convent, she is very protective of Agnes. Before becoming a nun, Miriam was unhappily married with two daughters.
Dr. Martha Livingstone (Female presenting – 40s): An intelligent and determined psychiatrist, she is appointed by a court to evaluate the mental sanity of a novice nun accused of killing her newborn baby. She must determine if the act was intentional murder or a result of insanity.
Agnes (Female presenting – 20s): A novice nun in her twenties, Agnes claims to have no knowledge of the baby, and then later claims it was a virgin birth, and the baby comes from God. She has an outward innocence and simplicity, but below the surface, she is plagued by childhood abuse.

ROPE

Written by Patrick Hamilton
Adapted by Jeffrey Hatcher
Director: Noah Himmelstein

SCHEDULE

First Rehearsal: 4 / 21 / 2026
Opening: 5 / 22 / 2026
Closing: 6 / 14 / 2026

SYNOPSIS

A murder has been committed, and the two killers host a dinner party in the very room where the victim’s body is hidden. Drunk on arrogance, they claim it is the “perfect murder” and believe getting caught is impossible. But tension builds as cracks begin to appear and audiences are whisked from one moment of suspense to the next. Are the murderers’ slips unconscious or something more sinister? This thrilling show will captivate anyone who has ever been tempted to get away with something.

SEEKING

Kenneth (Male presenting – 20s-30s): A handsome young man of bracing normalcy.

CASTING NOTES

THE FOLLOWING ROLES ARE CAST WITH RESIDENT ACTING COMPANY. PERFORMERS WILL BE CONSIDERED AS POSSIBLE REPLACEMENTS SHOULD ANY BECOME NECESSARY:

Meriel (Female presenting – 20s-30s): One of the Bright Young Things, pretending to be shallower than she is.
Mr. Kentley (Male presenting – 60s): Rich, conservative, cultured, kind.
Rupert Cadell (Male presenting – 40s-50s): A Byronic ruin. Brilliant, dry, wry, caustic, and very entertaining. He lost most of one leg in The Great War. Now he walks with a limp. He uses a cane.
Brandon (Male presenting – 20s-30s): Fine-featured, smart, cultured, expensively dressed. Cool, self-satisfied, amused, confident.
Lewis (Male presenting – 20s-30s): Brandon’s junior partner. Also expensively dressed. Good looking, polite. He is the less confident specimen.