Tuesday, July 15, 2025
12:00 PM - 8:00 PM (E)
Break 4:00 PM - 5:00 PM
To schedule an audition appointment please email:
casting@centerstage.org.
LORT Non-Rep
$1144 weekly minimum (LORT B)
$839 weekly minimum (LORT D)
Equity actors for roles in Center Stage's (Baltimore) 2025-26 Season (See breakdown).
Baltimore Center Stage is committed to actively dismantling systems of oppression and racism in every aspect of our organization and practice, including casting. To us, EPAs are our chance to meet the broadest spectrum of the theater community, and we encourage all people to audition.
Please prepare a 2-minute monologue.
Please bring a headshot and resume stapled together. For those intending to audition for SANTA CLAUS IS COMIN', prepare a song that feels authentically you. An accompanist will be provided.
Baltimore Center Stage
700 N Calvert St
Baltimore, MD 21202-3602
Pearlstone Theater.
Expected to attend:
Artistic Director: Stevie Walker-Webb
Producer: Charlique C. Rolle
Line Producer: Bridgette C. Burton
See breakdown for production specific dates.
www.centerstage.org
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Notice: Audition Call Type: EPA
First Rehearsal: 9/23/2025
Tech Begins: 10/9/2025
Previews Begin: 10/15/2025
Opening: 10/18/2025
Closing: 11/9/2025
LORT D
SYNOPSIS: Inspired by her decades-long work with prison populations, including on the notorious Rikers Island, Liza Jessie Peterson’s timely and urgent one-person show unpacks the human impact of mass incarceration in America. Fearlessly funny, smart and provocative, The Peculiar Patriot traces the migration of systemic injustice from the plantation to the prison yard.
Betsy LaQuanda Ross is a self-proclaimed “peculiar patriot,” who makes regular visits to penitentiaries to boost the morale of her incarcerated friends and family. Betsy is both victim and victor of this country’s prison system and her story turns statistics into achingly relatable stories, drawn from the experience of more than 2.5 million people behind bars.
ALL ROLES HAVE BEEN CAST.
First Rehearsal: 10/28/2025
Tech Begins: 11/12/2025
Previews Begin: 11/26/2025
Opening: 12/6/2025
Closing: 1/4/2026
LORT B
First Rehearsal: 1/13/2026
Tech Begins: 2/7/2026
Previews Begin: 2/12/2026
Opening: 2/21/2026
Closing: 3/8/2026
LORT D
First Rehearsal: 3/24/2026
Tech Begins: 4/11/2026
Previews Begin: 4/16/2026
Opening: 4/25/2026
Closing: 5/10/2026
LORT D
THE BOYS AT CAMP GREEN LAKE:
THE ADULTS AT CAMP GREEN LAKE:
LATVIA/AMERICA CIRCA 1870:
TOWN OF GREEN LAKE CIRCA 1900:
First Rehearsal: 5/19/2026
Tech Begins: 6/9/2026
Previews Begin: 6/13/2026
Opening: 6/20/2026
Closing: 7/5/2026
LORT D
A NOTE ON CASTING: This play should be produced with as many SISTER ANNA BERTHAs as it takes to tell the story. Every SISTER ANNA BERTHA, A SINGER, and THE ANCESTOR are black-identifying (with respect to the Diaspora) and female-identifying and/or femme (with respect to gender identity).
A MAN TO PLAY PIANO is black-identifying (with respect to the Diaspora) and male identifying (with respect to gender identity).
FREE is the mind personified. As such, FREE is an extension of every character, especially SISTER ANNA BERTHA; they can be represented by any individual or group of individuals.
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