The latest reviews and critic recommendations from Opera.
I grew up on 'The Mikado,' and in the past year or two I've begun to slowly educate myself on Gilbert and Sullivan via Lamplighters Music Theatre, which does one or two full staged Gilbert and Sullivan operettas each year.
Dressed all in white, singing like angels and dancing like the devil, the 13 performers of "Gertrude Stein's Saints" are young, energetic, talented, and, let's face it, hot enough to be cast in Glee.
Is Lincoln Center planning to change its summertime schedule from “Mostly Mozart” to “Basically Beethoven”? If so, they couldn't have picked a better concert to put the point across than the opening program of this year's Festival.
When last heard on the stage of the Metropolitan Opera, mezzo Isabel Leonard and soprano Erin Morley were a couple of nuns on their way to the guillotine in LES DIALOGUES DES CARMELITES.
The Caramoor Festival in Katonah, NY said “Bon anniversaire, Joseph Vert”--that's “Happy Birthday, Giuseppe Verdi” in French--on Saturday night, with a performance of LES VEPRES SICILIENNES, celebrating the composer's bicentenary.
Ghenady Meirson's annual young vocalists program begins with a recital of Rachmaninov art songs and more
Operetta composer Libby Moyer brings Gilbert and Sullivan to Central Pennsylvania in the classic tale of Aesthetic poets and their crazed fans
Some extra special guests dropped into an event for Premium and Supporting Friends of the Royal Opera House.
There's certainly a reason why the works of Gilbert and Sullivan have remained a fixture in popular culture for nearly 150 years.
Soprano Patricia Schuman leads Opera Philadelphia in a visually and vocally marvelous production of the modern chamber orchestra classic
It's a rare occasion when a concerto--even one as brilliantly played as violinist Lisa Batiashvili's performance of Prokofiev's First--takes a back seat to the second half of the program.
The regular season just ended for the Metropolitan Opera--all that's left is a series of HD rebroadcasts on Lincoln Center Plaza and a couple of low profile concerts in New York City parks--and it's time for a look back at what kind of season it was.
Katarina Dalayman is one of a handful of top Wagnerian sopranos in the world, but for the first act of the Met's GÖTTERDÄMMERUNG, the climax of the Met's second 'Ring' cycle of the season, she didn't seem very heroic.
What would the Metropolitan Opera (and its audiences) do without its production of Francis Poulenc's DIALOGUES DES CARMELITES, which opened for the season with Saturday's matinee, May 4? As created in 1977 for its Met premiere by director John Dexter, this CARMELITES is unlike anything else in the c
SHOW BOAT is back in an appealing production by the Washington National Opera.
Anyone expecting vocal fireworks from soprano Nina Stemme's appearance last night at Alice Tully Hall with the Swedish Chamber Orchestra, under Thomas Dausgaard, was woefully disappointed.
It's the timeless quality of the tale that have inspired director Bernard Uzan to set his production of Faust, first produced at Arizona Opera in 2011 and now re-staged for Austin Lyric Opera, in modern times.
Last night, Houston's Opera in the Heights opened their production of Giuseppe Verdi's FALSTAFF.
The Diane Paulus/Canadian Opera production now at Opera Philadelphia dazzles the eye, if not always the ear
The first of three complete Ring Cycles concluded on Tuesday night at the Metropolitan Opera as our hero, Siegfried, his true love, Brunnhilde, as well as the entirety of Valhalla went up in a burst of video projected and staged lit flames behind the massive 45-ton set of 24 rotating planks come to
New York City Opera's production of Jacques Offenbach's LA PERICHOLE feels right at home at City Center, home of the 'Encores!' series, which reintroduces audiences to lesser known Broadway musicals that failed or went out of fashion despite wonderful scores.
The 2012-2013 season at Houston Grand Opera (HGO) has been filled with stunning performances of astounding operatic talent; however, their current production of Richard Wagner's TRISTAN AND ISOLDE may be the sparkling gem of this fascinating season.
The Canadian Opera Company's production of LUCIA DI LAMMERMOOR, directed by David Alden, opens tonight, April 17.
