BWW Reviews: TCHAIKOVSKY: NONE BUT THE LONELY HEART at BAM
A previous commitment prevented me from reviewing the Ensemble for the Romantic Century's (ERC) Tchaikovsky: None But the Lonely Heart at the Brooklyn Academy of Music until now.
The latest reviews and critic recommendations from Dance.
A previous commitment prevented me from reviewing the Ensemble for the Romantic Century's (ERC) Tchaikovsky: None But the Lonely Heart at the Brooklyn Academy of Music until now.
Eva Yerbabuena's Ballet Flamenco takes on City Center for annual Flamenco Festival
It's been a long, drowsy winter--though if you're a dance buff, the American Repertory Ballet has put together the perfect showcase to jolt you out of hibernation.
Manhattan Youth Ballet and Manhattan Movement & Arts Center presented their Annual Spring Workshop Performances March 7- 9 at the Manhattan Movement & Arts Center, 248 West 60th Street.
I'm not a fan of the fact that standing ovations, once reserved for truly superb performances, have become almost routine in NYC.
Christopher Wheeldon's playful choreography perfectly matches Sergei Prokofiev's talent for combining characters, story and music.
Tom Gold was one of my favorite dancers when he was a soloist with New York City Ballet.
When describing 4CHAMBERS by Jody Oberfelder Projects, one should not take the phrase 'immersive theater' lightly.
Gelsey Kirkland Ballet ambitiously presented, per the program notes, an "eclectic program…beginning and ending with ballets by Marius Petipa.
In celebration of Stanton Welch's tenth anniversary as Artistic Director at Houston Ballet, the company is presenting a mixed repertory program that showcases his work as a choreographer.
Produced by Batsheva Dance Company, Sadeh21 was choreographed by Ohad Naharin, the company's Artistic Director.
For the third year, China Arts and Entertainment Group is treating NYC dancegoers to an all-too-limited engagement of a lavish and exquisitely performed dance theater piece at the Koch Theater in Lincoln Center.
New York Theatre Ballet's Cinderella at Florence Gould Hall March 2, 2014, 3:30pm is another delightful flower in their garden of wonderful children's ballets.
Casebolt and Smith is a duet dance theatre company (made up of Liz Casebolt and my former dance professor, Joel Smith) hailing from sunny Los Angeles.
I went to see a program with Ariel Rivka's Book of Esther at the Ailey Citigroup as the dance centerpiece and emerged from the performance with admiration for the world premiere of Take.
As a welcome surprise during the New York City Ballet matinee on Saturday, March 1st 2014 at the Koch Theater, the recently renovated orchestra pit rose so that Interim Music Director Andrews Sills could give us an interesting history lesson with the musicians in full view.
New York Theatre Ballet's CINDERELLA is a lovely spectacle of dance and magic.
The Cincinnati Ballet blew audiences away with its World Premier of King Arthur's Camelot.
Based on deCamp's experience growing up in the Hyde Park neighborhood of Chicago in the 1960's, Urban Renewal reveals the commonly kept secrets of an era through memories, perceptions, and politics couched cleverly in deCamp's unflinching personal narrative.
It is a challenging and curious task to describe a person you are inextricably linked to, but have never known.
Jessica Lang Dance performed in New York City this week at the Joyce Theater and it did not disappoint.
Balanchine once said, "See the music, hear the dance".
When you are dealing with one of the most beloved children's love stories of all time, there is a delicate balance between the story and the dance.
Last night, Houston Ballet presented the American Premiere performance of David Bintley's spellbinding ALADDIN.
Bill Wade's INLET DANCE COMPANY uses dance to educate and enlighten.