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Classical Music Theater Reviews

The latest reviews and critic recommendations from Classical Music.

BWW Reviews: FANTASIA at SF Symphony

BWW Reviews: FANTASIA at SF Symphony

by Harmony Wheeler — June 3, 2014

Classical music and drawn animation might be considered things of the past, but they had glorious relevance at the Davies Symphony Hall this past weekend.

BWW Reviews: Furlanetto Conquers La Mancha - With Dignity

BWW Reviews: Furlanetto Conquers La Mancha - With Dignity

by Erica Miner — April 7, 2014

For two magical hours, Ferruccio Furlanetto lifted an embattled San Diego Opera from its doldrums to the lofty heights only such an artist can invoke, in his exquisite rendering of Jules Massenet's noble, genteel Don Quixote.

BWW Reviews: Sondheim's SWEENEY TODD Is a Killer at the New York Philharmonic

BWW Reviews: Sondheim's SWEENEY TODD Is a Killer at the New York Philharmonic

by Richard Sasanow — March 8, 2014

Like the young Anthony Hope in Stephen Sondheim's scintillating SWEENEY TODD, “I've sailed the world, beheld its wonders…,” with SWEENEY TODDs ranging from the original cast in New York, to an all-Japanese version in Tokyo, and have never failed to be thrilled by it.

BWW Reviews: Carnegie Hall's Audience Votes for WOZZECK from Vienna State Opera

BWW Reviews: Carnegie Hall's Audience Votes for WOZZECK from Vienna State Opera

by Richard Sasanow — March 3, 2014

Was baritone Thomas Hampson looking for some last-minute pointers at last night's concert performance of Alban Berg's WOZZECK with the Vienna State Opera/Vienna Philharmonic under music director Franz Welser-Most at Carnegie Hall? If he did--his role debut at the Met is Thursday--then he came to the

BWW Reviews: Follow the Lieder, Part Two--JONAS KAUFMANN Conquers Carnegie

BWW Reviews: Follow the Lieder, Part Two--JONAS KAUFMANN Conquers Carnegie

by Richard Sasanow — February 24, 2014

What does an opera singer do on his night off from singing the title role in Massenet's WERTHER in a new production at the Metropolitan? If he's the charismatic wunder-tenor Jonas Kaufmann, he heads over to Carnegie Hall to conquer another world, with his recital debut in an evening of German art so

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