BWW Reviews: TRANS-SIBERIAN ORCHESTRA Opens 'The Christmas Attic' at Consol Energy Center
The legendary hard rock Christmas spectacular brings two shows for the price of one, plus lasers, dragons and real fake snow.
The latest reviews and critic recommendations from Classical Music.
The legendary hard rock Christmas spectacular brings two shows for the price of one, plus lasers, dragons and real fake snow.
The only thing missing from the opening week of the New York Philharmonic's 'Dohnanyi/Dvorak' festival was Dohnanyi.
As 'king of the overture,' Rossini certainly knew how to put an audience in a good mood and his GUGLIELMO TELL--better known as WILLIAM TELL--is no exception.
JoAnn Falletta guest conducts the Phoenix Symphony with authority, conviction, and intensity.
Friday's NSO Pops Evening with Sutton Foster brought a bounty of talent to the Kennedy Center's Concert Hall stage, and, wisely, paired it with a program that spanned styles, mediums, and musical genres.
There is something about certain pieces of music that attract nicknames.
The change of program necessitated by the new line up was still an impressive evening.
From Tchaikovsky to Rachmaninoff to Shostakovich, the BSO treated the Music Center at Strathmore to a musical journey that bridged romantic and contemporary Russian music.
Arizona Opera's production of Rigoletto, directed by Fenlon Lamb, is a noble and well-constructed effort in portraying the ironic misjudgments of its main characters.
The Castleton Festival, a longtime fixture on the classical music scene located a comfortable hour and a half from Washington, DC, recently celebrated Debussy's playful side with a full performance of his piece for piano, La Boite a Joujoux ('The Toy Box').
Winter Opera kicks off its eighth season with a simply heavenly production of 'Le Nozze di Figaro'.
With a pair of soulful arias by Vivaldi, mezzo Joyce DiDonato and her pianist David Zobel let the audience know right away that they were in for a different part of her artistry than we heard at her concert performance of Handel's ALCINA (also at Carnegie) a week earlier.
All aboard! The Cotton Blossom has docked at Lincoln Center for this week only.
“Ideas of darkness and light, obscurity and illumination” are at the heart of the Benjamin Britten-William Plomer CURLEW RIVER.
Petrouchka is an often performed piece that can sometimes feel tired and perfunctory.
The South African Isango Ensemble's production of 'The Magic Flute: Impepe Yomlingo,' strips away some of the glossy sheen of Mozart's master work, leaving a show that is more down to earth and yet still revels in the joy of the composer's music.
The great mezzo Joyce DiDonato stripped for her art at Sunday's wonderful performance of Handel's ALCINA with the English Concert under conductor Harry Bicket.
Well-Strung is impressing audiences with their brilliant mash-ups of classical hits and modern pop standards.
If Gioacchino Rossini had written no music in his career other than his overtures, he would still hold a great place in the pantheon of music history.
Pretty Yende--a name that in itself brings certain expectations as well as smiles--burst on the New York opera scene at the start of 2013, in a baptism by fire.
Soprano Anna Netrebko was AWOL.
As birthday celebrations go, Saturday night's concert at the Madison Theater of Molloy College has to be close to the top of the list.
Uruguayan tango pianist Polly Ferman invited a warm audience to her neighborhood of Washington Heights for the second night of the “Shall We Tango?” festival, titled Viva Piazzolla, a special concert featuring virtuosic violinist Eddy Marcano.
After one hundred years, Anibal Troilo is remembered ever so fondly as the late Argentinean master musician.