BWW Review: John Lithgow Recalls Telling Tales With His Father In STORIES BY HEART
'So what the hell is this?!,' John Lithgow quizzically quips to the audience at the outset of his Broadway solo stint.
Michael Dale - Page 41
BWW Review: Lip Sync Artist Dickie Beau's RE-MEMBER ME Honors a Hamlet That Was Nearly Not To Be
Savvy playgoers attending British lip-sync artist Dickie Beau's RE-MEMBER ME at this year's Under The Radar Festival will notice that when a recording of Michael Douglas, playing Broadway director Zach in the film adaptation of A CHORUS LINE, instructs the solo performer to step forward, tell me yo
BWW Review: Men Worship Extinct Women in Robert O'Hara's Audacious Satire MANKIND
That old adage that if men got pregnant, abortion and reproductive health would be fully funded by the federal government gets quite a workout in playwright/director Robert O'Hara's wild gender politics satire MANKIND.
BWW Review: Legendary Music Journalist Lester Bangs Revisited in HOW TO BE A ROCK CRITIC
Be careful about expressing your admiration for certain artists during Jessica Blank and Erik Jensen's hard-edged solo play, HOW TO BE A ROCK CRITIC.
BWW Review: NYGASP Delights Aboard Gilbert & Sullivan's Love Boat, H.M.S. PINAFORE
Ninety-nine years before television producer Aaron Spelling first invited viewers aboard 'The Love Boat,' Gilbert and Sullivan made good on their promise of shipboard romance with their enduring hit, H.
BWW Review: Fiasco Brings A Rousing TWELFTH NIGHT To CSC
Sure, HAMLET may be William Shakespeare's dramatic masterpiece, but when pining for some romantic comedy, it's hard to beat Twelfth Night.
BWW Review: Mark Rylance Returns To Broadway in Unamplified and Candlelit FARINELLI AND THE KING
Fans of trained actors filling Broadway houses with the richness of their unamplified voices (not to mention those who believe electric lights are overrated) have reason to rejoice.
BWW Review: John Kevin Jones Recreates Charles Dickens' Readings Of A CHRISTMAS CAROL at Landmark Merchant's House Museum
It may not be as well-known a holiday tradition as seeing the Rockettes at Radio City Music Hall, but for the fifth straight year, the Summoners Ensemble Theatre's delightful presentation of John Kevin Jones' thoroughly engaging solo performance of A CHRISTMAS CAROL at the Merchant's House Museum is
BWW Review: Lucy Kirkwood's Thoughtful THE CHILDREN Considers What Older Generations Owe To Younger Ones
When you consider the number of years that humans have been the dominant species on this planet, it was a comparatively quick burst of industrialization that set up the very real dilemma of progress causing irreversible harm to the environment that could lead to our ultimate demise.
BWW Review: A 1976 Attack in Washington Square Park Inspires DOWNTOWN RACE RIOT
Despite its provocative title, and despite a game effort by director Scott Elliott's ensemble cast, Seth Zvi Rosenfeld's fact-inspired drama DOWNTOWN RACE RIOT, is a bit of a bore.
BWW Review: Tina Landau Spins Seaweed Into Gold With SPONGEBOB SQUAREPANTS
Feel free to lavish director Tina Landau with a flood of praise for spinning seaweed into gold with SPONGEBOB SQUAREPANTS, the hyperactive new musical based on the long-running Nickelodeon animated series that brings a cartoon vaudeville to the famed Palace Theatre.
BWW Review: The Public Theater's Mobile Unit Offers A Free THE WINTER'S TALE
Before every performance by The Public Theater's Mobile Unit, the audience is reminded of Joseph Papp's credo that the plays of William Shakespeare belong to everyone.
BWW Review: Michael Arden Stages ONCE ON THIS ISLAND With a Nod To The Dangers of Climate Change
While there's nary a mention of global warming or human-made climate change in Stephen Flaherty and Lynn Ahrens', captivating and joyous Caribbean story-theatre musical ONCE ON THIS ISLAND, director Michael Arden's exhilarating new Broadway production of the popular 1990 hit based on Rosa Guy's nove
BWW Review: Beau Willimon's THE PARISIAN WOMAN Has Uma Thurman Seeking Pleasure and Power in Trump's Washington
Donald Trump hadn't even won his first Republican primary when Henri Becque's comedy of sexual liberation, LA PARISIENNE, created such an uproar at its 1895 Paris premiere.
BWW Review: Steve Martin's Hilarious METEOR SHOWER is Undiluted Surrealist Vaudeville
They say communication is the key to a successful relationship.
BWW Review: Company XIV's Erotic Holiday Treat NUTCRACKER ROUGE Christens Their New Brooklyn Home
For over a decade, the unquestionably brilliant director/choreographer Austin McCormick's Company XIV has been dazzling audiences with unexpected wonders.
BWW Review: Sarah DeLappe's Pulitzer Finalist THE WOLVES Moves To Lincoln Center
The almost completely circular, arena style seating of Lincoln Center's Mitzi E.
BWW Review: Jocelyn Bioh's SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY Addresses Issues of Beauty and Skin Tone
Though the teenage girls at the center of Jocelyn Bioh's endearing and poignant SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY all have wonderful qualities that should be appreciated and nurtured during their years at Aburi Girls Boarding School in central Ghana, there is one quality that prevents th
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