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On November 14, Iestyn Davies - named 2010's Royal Philharmonic Young Artist of the Year - makes his house and role debuts at the Metropolitan Opera, singing Unulfo in Handel's Rodelinda. This is an important milestone, not only for the singer but also for the company: the occasion marks the first time in the Met's 131-year history that a British countertenor will have graced its stage.
What makes this all the more remarkable is that Britain is the home of the countertenor. As the New York Times explains, the "countertenor movement was born in England, where historically castrati were a high-priced import and [Baroque] composers like Handel were obliged to be fairly flexible." In more recent decades, a massive resurgence of interest also originated in Britain, with 20th-century legends like Alfred Deller and James Bowman bringing the male falsetto voice back from church choir obscurity and once more onto the concert platform. In 1988, the American Jeffrey Gall became the first countertenor to sing a major role at the Met, understudying for Marilyn Horne in Handel's Orlando. Subsequent productions have featured other exponents of the countertenor's art, yet to date the nation that founded the tradition still remains unrepresented at the Met. How fitting, then, that the balance should be redressed by Davies, who has proved himself not only "today's most exciting British countertenor" (Observer, UK) but also possessor of "one of the most glorious countertenor voices in the world" (Independent, UK).
The upcoming Rodelinda production is a revival of the 2005 staging with which director Stephen Wadsworth made his own Met debut, one that Variety found "memorable for its simplicity and for the emotional truth that simplicity carried," and that the New Yorker deemed "essentially perfect." Star soprano Renée Fleming returns in the title role as the Queen of Lombardy; Stephanie Blythe reprises Eduige; and German countertenor Andreas Scholl undertakes the part of the usurped King Bertarido, with Davies's Unulfo as his loyal counselor. Conducted - as in 2005 - by Harry Bicket, who "drew uncannily stylish period sounds from the Met orchestra" (New Yorker), the production will be transmitted Live in HD to movie theaters worldwide on December 3.This landmark Met debut is just one of Davies's current season highlights. October saw the U.S. release of his most recent recording, Porpora Cantatas, a solo album on the Hyperion label that is already a sensation in Europe, and over the coming months the singer makes two more major U.S. debuts. On December 15, with pianist Kevin Murphy, he sings his first Carnegie Hall recital, presenting the world premiere of folksong arrangements by Nico Muhly alongside works by Britten, Purcell, and Bach. Then, for his first Lyric Opera of Chicago appearance, Davies makes another Handel role debut, portraying Eustanzio in Rinaldo. Directed by Francisco Negrin and co-starring David Daniels, the production opens on February 29.
Iestyn Davis: 2011-12 engagementsNov 14, 19, 23, 26, 30; Dec 3* & 10 New York, NY Metropolitan Opera Handel: Rodelinda (Unulfo) (*Live in HD broadcast)Dec 4 Washington, DC Phillips Collection Britten, Purcell, Bach Recital with Kevin Murphy, pianoDec 15 New York, NY Carnegie Hall Britten, Purcell, Bach, and Nico Muhly (world premiere) Recital with Kevin Murphy, pianoDec 18 Norwich, England Theatre Royal Handel: Messiah Britten SinfoniaDec 20 Amsterdam, Netherlands Concertgebouw Handel: Messiah Britten SinfoniaDec 22 London, England St. John's, Smith Square Bach: Christmas OratorioDec 23 London, England St. John's, Smith Square Handel: MessiahDec 31; Jan 2, 2012 Zurich, Switzerland Tonhalle Handel: Messiah Tonhalle-Orchester Zürich / Timothy BrownJan 7 Liverpool, England Handel: Messiah Royal Liverpool PhilharmonicFeb 29; Mar 4, 8, 12, 16, 20 & 24 Chicago, IL Handel, Rinaldo (Eustazio) Lyric Opera of ChicagoMarch 9 Chicago, IL Hyde Park Union Church Recital: "The White Rabbit" Baroque Band / Harry BicketMarch 10 Chicago, IL Music Institute of Chicago Recital: "The White Rabbit" Baroque Band / Harry BicketMarch 14 Chicago, IL Symphony Center / Grainger Ballroom Recital: "The White Rabbit" Baroque Band / Harry BicketApril 3 Austria, Vienna Bach: St John Passion Theater an der Wien
April 6 London, England St John's, Smith Square Bach: St. John PassionMay 4 Santa Cruz, Spain Auditorium Adán Martín Vivaldi: Cessate, omai cessate, RV684; Stabat Mater, RV621 Orquesta Sinfónica de TenerifeMay 7 London, England Wigmore Hall Britten, Purcell, and Bach Recital with Malcolm Martineau, pianoMay 17 Göttingen, Germany Handel: Esther Göttingen International Handel Festival / Laurence CummingsJune 17 Leipzig, Germany Bach: Mass in B minor Leipzig Bachfest / Harry BicketAug 4 Belgium A Caldara: Maddalena ai piedi di Cristo (Amor Terreno) Accademia Bizantina / Ottavio Dantonewww.iestyndavies.com