Based on The Beggar's Opera by John Gay
Author Ethan Mordden discusses the lives and the romance of two theatre legends - actress/singer Lotte Lenya and composer Kurt Weill, the subjects of his new book, Love Song - on the latest edition of THEATER TALK, premiering at 1 a.m. on Friday, October 26 (2012; early Saturday morning) on Thirteen/PBS, followed in New York City on CUNY TV* Saturday at 8:30 PM, Sunday at 12:30 PM, and Monday at 7:30 AM, 1:30 PM, and 7:30 PM. The series is co-hosted by Michael Riedel of the New York Post and producer Susan Haskins.
Beginning this month, the University of Cincinnati College-Conservatory of Music (CCM) will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM's Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.
LA MIRADA THEATRE FOR THE PERFORMING ARTS & MC COY RIGBY ENTERTAINMENT will open their 2011-2012 season with one of the funniest comedies of all time, NOISES OFF written by Michael Frayn and directed by Richard Seyd.
LA MIRADA THEATRE FOR THE PERFORMING ARTS & MC COY RIGBY ENTERTAINMENT will open their 2011-2012 season with one of the funniest comedies of all time, NOISES OFF written by Michael Frayn and directed by Richard Seyd.
LA MIRADA THEATRE FOR THE PERFORMING ARTS & MC COY RIGBY ENTERTAINMENT will open their 2011-2012 season with one of the funniest comedies of all time, NOISES OFF written by Michael Frayn and directed by Richard Seyd.
Seventy-three years after its Broadway premiere, Kurt Weill and Maxwell Anderson's Knickerbocker Holiday can finally be heard in its first full recording, released on CD by Ghostlight Records on June 28, 2011.
Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
Kurt Weill's stage collaborations with Maxwell Anderson are being celebrated in New York this winter with rare back-to-back productions of "Knickerbocker Holiday" and "Lost in the Stars."
Kurt Weill's stage collaborations with Maxwell Anderson are being celebrated in New York this winter with rare back-to-back productions of "Knickerbocker Holiday" and "Lost in the Stars."
Arden Theatre Company continues its 2010/11 season with The Threepenny Opera, Kurt Weill and Bertolt Brecht's 1920's musical that paved the way for dark and bawdy works like Cabaret and Sweeney Todd.
Arden Theatre Company continues its 2010/11 season with The Threepenny Opera, Kurt Weill and Bertolt Brecht's 1920's musical that paved the way for dark and bawdy works like Cabaret and Sweeney Todd.
Arden Theatre Company continues its 2010/11 season with The Threepenny Opera, Kurt Weill and Bertolt Brecht's 1920's musical that paved the way for dark and bawdy works like Cabaret and Sweeney Todd.
Carmen Pavlovic, C.E.O. of Global Creatures, the company behind the phenomenal world-wide success, Walking with Dinosaurs - the Arena Spectacular, has announced that a creative team has been assembled and work has begun on KING KONG - Live on Stage, an entirely new production conceived for the Broadway stage. KING KONG - Live on Stage is authorized by the estate of Merian C. Cooper (Creator of KING KONG and director of the 1933 film).
Arden Theatre Company continues its 2010/11 season with The Threepenny Opera, Kurt Weill and Bertolt Brecht's 1920's musical that paved the way for dark and bawdy works like Cabaret and Sweeney Todd.
The Philadelphia Orchestra today announced that Sting will appear as its special guest for the Academy of Music 153rd Anniversary Concert on Saturday, January 30, 2010. Sting, world-renowned singer/composer, will perform some of his best-known works with the Orchestra, continuing the Academy's long history of presenting popular music.
Philippine Daily Inquirer writer and theater critic Gibbs Cadiz cites local productions of Friedrich von Schiller's 'Mary Stuart' and Bertolt Brecht and Kurt Weill's 'The Threepenny Opera' as best plays of 2009 in his annual 'Bravo! Best of Theater' roundup.
Philippine Daily Inquirer writer and theater critic Gibbs Cadiz has recently cited local productions of Friedrich von Schiller's 'Mary Stuart' and Bertolt Brecht and Kurt Weill's 'The Threepenny Opera' as best plays of 2009 in his annual 'Bravo! Best of Theater' roundup.
The Philadelphia Orchestra today announced that Sting will appear as its special guest for the Academy of Music 153rd Anniversary Concert on Saturday, January 30, 2010. Sting, world-renowned singer/composer, will perform some of his best-known works with the Orchestra, continuing the Academy's long history of presenting popular music.
The grand curtain of Moonlight Amphitheatre's new stage house is set to rise on '42nd Street,' the ultimate Broadway musical which opens Moonlight Stage Productions' 2009 Summer Season of musicals under the stars on July 15.
The grand curtain of Moonlight Amphitheatre's new stage house is set to rise on '42nd Street,' the ultimate Broadway musical which opens Moonlight Stage Productions' 2009 Summer Season of musicals under the stars on July 15.
Two-time Tony Award winners NATHAN LANE (The Producers, A Funny Thing Happened on the Way to the Forum) and BEBE NEUWIRTH (Chicago, Sweet Charity) will star as Gomez and Morticia in THE ADDAMS FAMILY, a new musical based on the bizarre and beloved family of characters created by legendary cartoonist Charles Addams. Produced by Stuart Oken, Roy Furman, Michael Leavitt and Five Cent Productions, by special arrangement with Elephant Eye Theatrical, THE ADDAMS FAMILY will open on Broadway Thursday, April 8, 2010 at a Nederlander theatre to be announced. Previews will begin Thursday, March 4, 2010 following a pre-Broadway engagement at the Ford Center for the Performing Arts, Oriental Theatre in Chicago that begins November 13.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Manhattan Theatre Club (Lynne Meadow, artistic director; Barry Grove, executive producer) is pleased to announce full casting for the world premiere of LoveMusik, a new musical featuring the songs of Kurt Weill, starring Tony Awardâ winners Michael Cerveris and Donna Murphy.
Roundabout Theatre Company's The Threepenny Opera begins its final week of performances tonight, Tuesday June 20th
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