Say When 1934 - Articles Page 6

Monday night found me back at Zeb's on the West Side for another of Will Friedwald's iconoclastic 'Clip Joints'--this one in honor of the Billie Holiday Centennial. During a year that is already producing a glut of celebratory events (given that it's also the Frank Sinatra Centennial year), leave it to the intriguing and obsessive writer/journalist/producer to come up with something different. Instead of a roster of vocalists live or on film, performing material we now think of reflexively as belonging to Lady Day, we were offered the singular piano interpretations of Lara Downes, recollections by alto saxophonist Jerry Dodgion (who at age 22 played with Holiday), and eclectic clips from television and film appearances of the artist herself.

A brick school house turned theater continues to thrive thanks to a loyal community effort.

After seeing the new INTO THE WOODS movie twice over the holidays, I posted on Twitter about how two of the songs had stuck with me. After a tweet conversation, my BWW colleague Jeff Walker and I decided to put our heads together to try and come up with a list of Sondheim's most hummable tunes. Despite not discussing it beforehand, Jeff ended up picking songs from the 1960s and 70s, and I filled in the gaps with numbers from the 80s and 90s.

Debi Mazar and Gabriele Corcos launch the New Year Tuscan-style with a new season of Extra Virgin on Wednesday, January 7th at 9:00pm ET/6:00pmPT, embarking on new adventures with their family, friends and delicious Tuscan-inspired dishes.

It is all about how an author carefully and purposely beckons each word to each page until those words pull together into a magnificent creation having a life of its own. The book I am reviewing,All the Light We Cannot See by Anthony Doerr, is one such masterful creation. Don't wait for the paperback, don't wait for the movie, buy the book, now. Buy it as a gift, buy it for yourself, insist that your book club adds it to the list of must reads. Read it when you have the time to savor each and every word that has been so carefully placed. This book puts to shame many of the other books I have read this year. The characters, the story line, the settings, the time periods, the premise and purpose that stand behind the book are knitted together flawlessly, satisfying the reader completely. Every sentence is fraught with beautiful imagery.

Having written extensively about skyrocketing-to-stardom singer Carole J. Bufford over the past three years (a January/February cover story for Cabaret Scenes Magazine, and rave reviews of her past three major show runs (here, here, and here), I felt as if I had exhausted my entire repertoire of descriptive metaphors and superlatives in assessing her stirring cabaret performances. Even though she's still but a babe in cabaret years, and has a long, successful career ahead of her, I wasn't planning to review any more of her shows because, well, there didn't seem to be anything more to say. But, dammit, every time I try to get out, Carole J. Bufford pulls me back in.

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) announce recent recipients of the Alfred P. Sloan Foundation Initiative commissions for Manhattan Theatre Club. The commissioned writers are Jeff Augustin (Little Children Dream of God), Courtney Baron (A Very Common Procedure) and Juliana Nash (Murder Ballad), Nell Benjamin (The Explorers Club), Madeline George (The (curious case of the) Watson Intelligence), Tom Holloway (And No More Shall We Part), Nathan Jackson (Broke-ology), Branden Jacobs-Jenkins (An Octoroon), Greg Pierce (Slowgirl), and Alexandra Wood (The Initiate).

IRON MAN actor Robert Downey Jr. recently took to Facebook to share a heartfelt tribute of memories about his late mother, Elsie Ann Downey, who passed away on Monday at age 80.

For the first time in their 91-year history, the Belgrade Philharmonic Orchestra, “one of the leading European orchestras” (The Independent), will tour the U.S., visiting four major markets in October. The Orchestra, under the direction of its Chief Conductor Muhai Tang, will appear first at Symphony Hall in Chicago on October 6th, then at Severance Hall in Cleveland on October 7th, at Strathmore Music Center in North Bethesda, MD on October 8th, and at Carnegie Hall's Stern Auditorium in New York City on October 9th. The ensemble will bring two programs on tour, performing repertoire ranging from Khachaturian to Tchaikovsky to Sibelius. At Severance Hall and the Strathmore Center, the Orchestra will add a ballet suite by Stevan Hristi?, a founder and first principal conductor of the Orchestra (1923-1934). At Symphony Hall and Carnegie Hall, the Orchestra will add arias from Verdi's Rigoletto and Macbeth, to be sung by the Serbian baritone Željko Lu?i?, a Met Opera sensation. Tickets for the tour, on sale now, have been set at family-friendly prices and can be obtained on venue websites.

Steve Ross and Karen Oberlin's recent duo effort at 54 Below, Cheek to Cheek, was a show oozing charm, class, charisma, and chemistry, but most of all they conveyed their love for these legendary performers and the classic tunes associated with them.

On June 3rd 2014, The School of American Ballet's 50th annual Workshop Performance at the Peter Jay Sharp Theater at Lincoln Center once again proved that Balanchine was right when he famously said "But first a school". That remark was Mr. B's response after Lincoln Kirstein invited him to come to the United States to co-found a ballet company in 1933. Eight decades later, as evidenced by the overall high level of talent and artistry on stage, SAB continues to deserve its reputation as this country's foremost pre-professional training ground for ballet dancers versed in the Balanchine style.

“But few of them would enter the war as these directors did, with the sense that, in impending middle age, they had found themselves with a new world to conquer, a task that would test their abilities to help win the hearts and minds of the American people under the hardest imaginable circumstances, with the greatest possible stakes.” Mark Harris.

'Oh, What a Night' it will be when Rock and Roll Hall of Famer Frankie Valli and the Four Seasons come to DPAC, Durham Performing Arts Center, on August 9, 2014.

Velocity is celebrating a milestone for the network's signature series tonight, February 18 at 10 PM ET/PT when the 100th episode of CHASING CLASSIC CARS world premieres.

Velocity is celebrating a milestone for the network's signature series on Tuesday, February 18 at 10 PM ET/PT when the 100th episode of CHASING CLASSIC CARS world premieres.

Today marked the acceptance of the Grand Orgue Pierre-Beique by the OSM at its home, Maison symphonique de Montreal. This major stage, which confirms that production of the organ is now complete, begins the break-in period for the instrument, which will culminate with the inaugural concert on May 28. The event took place in the presence of Olivier Latry, OSM organist emeritus and titular organist at the Cathedral of Notre-Dame in Paris, whose role for the occasion was to carry out acceptance of the instrument, and Jacquelin Rochette, artistic director at Casavant Freres, who received the acceptance.

Let's face it, a show can contain humor, but the side-splitting comedy is all in the timing and that's exactly what these talented actors demonstrated in this hilarious production of Young Frankenstein.

Tom Hanks stars as the legendary Walt Disney alongside fellow double Oscar-winner Emma Thompson in the role of the prickly novelist in Disney's SAVING MR. BANKS. Let's see what the critics have to say!

A new survey released by Honeywell Aerospace (NYSE: HON) reveals that Middle East travelers expect to stay connected at 30,000 feet with fast and consistent in-flight wireless connectivity. Honeywell found that passengers are predominantly looking to stay connected when flying long-haul to stay productive and in contact with the ground below, such as by checking email and accessing social media sites to reading the latest news. The research conducted online surveyed more than 1,300 adults across the Middle East[1] and revealed that passengers' online requirements are similar in the sky to that at home, indicating a shift toward always being connected.

First the good news. Alexei Ratmansky's Piano Concerto #1, set to the Shostakovich piece of the same name, is as bracing as ever. Now, the bad news. Ratmansky's The Tempest, set to a Sibelius score, is in a state of choreographic disorder. It sets out to tell a Shakespearean play in 45 minutes, and even with the input of dramaturg Mark Lamos, the ballet can't dance, let alone move.

From the Nordic noir duo who brought you the New York Times andUSA Today bestseller THE BOY IN THE SUITCASE comes a chilling new thriller with a mystery seventy-years in the making.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Talented actor, singer-songwriter and musician Josh Franklin took the time to speak with BWW about his character in 'Anything Goes', just releasing his debut pop album of all original songs, and what it's like being in shows on Broadway and on tour.

Julien's Auctions, the world's premier celebrity and entertainment auction house, announced the exclusive auction of Property From The Collection of Bob and Dolores Hope