Performing Arts Fort Worth invites you to take 'A Spoonful of Magic' as it proudly announces the remainder of its 2011-2012 season at Bass Performance Hall.
The last week of a bitter sweet fable to entertain you, A Stranger In Town, the newest original Australian musical. A Stranger in Town is presented by Essential Theatre.
Today we are talking to the songwriter responsible for the new collection of songs culled from his many musical theatre ventures, both new and old - oh-so-appropriately titled OUT OF CONTEXT - who perhaps is best known to Broadway babies as the composer/lyricist of the mid-00s Off-Broadway smash boy-band spoof musical ALTAR BOYZ - the versatile and fiercely committed Michael Patrick Walker. Talking all aspects of OUT OF CONTEXT - including working with the tremendous talent featured on the multi-faceted and highly entertaining album (many of whom are also InDepth InterView participants themselves), such as Cheyenne Jackson, Kelli O'Hara, Lisa Howard and many more - as well as describing the shows from whence these songs derived (such as THE DISTANT BELLS, which recently was work-shopped starring Chita Rivera and Ana Gasteyer, among others) Walker and I attempt to paint a picture of the career of a rising star composer such as himself and what we can look forward to from him in the future, near and far - and, of course, what is in the ether for the release party performance concert at Birdland on Monday night featuring Ann Harada, Lauren Kennedy, Peter Friedman, Kenita Miller, John Tartaglia, Julie Foldesi, Noah Galvin, Andy Karl, Tyler Maynard, Andy Mientus, Jim Stanek and Betsy Wolfe. Additionally, he shares his experiences working on screen-to-stage adaptations of KINKY BOOTS and SOAPDISH, as well as shares news of his upcoming musical with Rick Ellis of JERSEY BOYS fame and the Rockettes musical number that will be premiering this season at the annual Radio City Music Hall Christmas spectacular. Plus, we also discuss his compositional and lyrical inspirations, favorite scores and composers, thoughts on GLEE and much, much more!
'I like to think that coming to one of my concerts is like stepping into my living room and hanging out with me while I sing and tell funny stories. I don't have a lot of 'set banter' so a lot of the humor comes from the moment.'
Profiles Theatre announces new dates for the run of A Behanding in Spokane by Martin McDonagh, directed by Steppenwolf ensemble member Rick Snyder.
Due to the approach of Hurricane Irene, the City has issued a mandatory evacuation order for New Yorkers who live in the low-lying Zone 'A' coastal areas in all five boroughs. This includes all parts of the Rockaways due to its exposure to the ocean.
They look a little like Blue Man Group, they sound a little like Toxic Audio and they talk a lot like Andy Kaufman and Carol Kane playing Latka and Simka on Taxi, but while Voca People might give the appearance of being a bit too tourist trappy for we jaded New York theatre types, it's the kind of family friendly, good clean fun that's legitimately clever, catchly and often downright adorable.
Performing Arts Fort Worth invites you to take 'A Spoonful of Magic' as it proudly announces the remainder of its 2011-2012 season at Bass Performance Hall.
The multi-award-winning Finborough Theatre presents Vibrant 2011 - A Festival of Finborough Playwrights, its annual festival of Finborough Playwrights, running from 5-30 July 2011. The festival features - and is centred around - a month long run of Nick Gill's Mirror Teeth
Rashidra played a featured role in her 1st show on B'way, and now in her 4th is understudying the lead.
If you're looking for a quick roundup of all of this week's events in the theatre world, look no further: here are some of the best news articles that the week had to offer!
The multi-award-winning Finborough Theatre presents Vibrant 2011 - A Festival of Finborough Playwrights, its annual festival of Finborough Playwrights, running from 5-30 July 2011. The festival features - and is centred around - a month long run of Nick Gill's Mirror Teeth
Second Stage Theatre (Carole Rothman, Artistic Director) has announced that DAVID WILSON BARNES (Second Stage's hit Becky Shaw), JUSTIN BARTHA (The Hangover, Broadway's Lend Me a Tenor), ANNA CAMP (Second Stage's The Scene, 'True Blood'), and KRYSTEN RITTER (Confessions of a Shopaholic, Second Stage's All This Intimacy) will appear in the world premiere comedy, ALL NEW PEOPLE, written by ZACH BRAFF and directed by PETER DuBOIS. ALL NEW PEOPLE will begin previews on Tuesday, June 28 and officially open on Monday, July 25 at 7:00pm at Second Stage's Tony Kiser Theatre (305 West 43rd street). For tickets or more information, please visit www.2ST.com.
PURE Theatre is proud to present the South Carolina premiere of Race by David Mammot. Directed by PURE's Co-Founder and Artistic Director Sharon Graci, and will feature . The show opens Thursday, May 13th and runs through the 22nd.*
Born and raised in Broken Arrow, Oklahoma, actress/songstress Kristin Chenoweth goes back to her country music roots with her new album Some Lessons Learned, to be released on SONY MASTERWORKS on Tuesday, September 13.
The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.
PURE Theatre is proud to present the South Carolina premiere of Race by David Mammot. Directed by PURE's Co-Founder and Artistic Director Sharon Graci, and will feature . The show opens Thursday, May 13th and runs through the 22nd.*
The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.
Big Dance, London's Legacy Trust UK programme, delivered by the Mayor of London and Arts Council England, announced today plans for Big Dance 2012, taking place from 7-15 July 2012, as part of London 2012 Festival, the culmination of the Cultural Olympiad.
Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.
PURE Theatre is proud to present the South Carolina premiere of Race by David Mammot. Directed by PURE's Co-Founder and Artistic Director Sharon Graci, and will feature . The show opens Thursday, May 13th and runs through the 22nd.*
This May, FOX delivers major television events, all-new episodes and big guest stars, including an unprecedented ANIMATION DOMINATION crossover event May 1; the one-hour season finale of FAMILY GUY May 22, taking place in a galaxy far, far away; the three-hour, two-night season finale of AMERICAN IDOL, featuring the final performance show May 24 and the final live results show that's sure to captivate America May 25; primetime broadcasts of NASCAR ON FOX races April 30 and May 7; and primetime MLB ON FOX baseball match-ups May 14 and May 21.
B.B. King Blues Club & Grill is located at 237 West 42nd Street (between 7th and 8th Avenues) New York, NY 10036
The final play of Florida Stage's 24th subscription season is the world premiere of a darkly funny, electric and timely new play by Carter W. Lewis, The Cha-Cha of a Camel Spider. From the award-winning author of The Storytelling Ability of a Boy and Women Who Steal, The Cha-Cha of a Camel Spider asks the questions, what happens when our 'soldiers of fortune' outnumber our army troops and can art really make a difference in a corporatized world? The Cha-Cha of a Camel Spider continues Florida Stage's first season as the resident company in the Rinker Playhouse at the Kravis Center for the Performing Arts.
As Michael Attenborough's production of David Eldridge's new play The Knot of the Heart opens at the Almeida, he announces the Company's bold plans for summer and autumn 2011.
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