In the second year of the concert series, The Blue Ribbon Presents Global Pop at the Music Center continues to celebrate the performances of popular artists from around the globe. Presented at the iconic Walt Disney Concert Hall, Global Pop at the Music Center features some of the most celebrated international pop music stars performing today. Three concerts are planned for this summer, beginning with Korean Pop/R&B singing sensations Wheesung & Lena Park on June 19, 2009 at 8:00pm.
Marin Theatre Company presents the final show of its highly successful 2008-09 season with a seminal work of modern comedy, Joe Orton's uproarious farce What the Butler Saw in MTC's Boyer Theatre beginning June 4.
Tony Estrella, artistic director of
The Sandra Feinstein-Gamm Theatre (The Gamm), today announced the
theater?s 25th Anniversary Season (2009-2010), featuring 5 plays
representative of its quarter-century history of staging a broad
spectrum of entertaining, evocative plays of distinction, as well as
social and political relevance.
San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006.
It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make.
'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'
San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006.
It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make.
'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'
Next month, Tony Award-winning director Mary Zimmerman returns to Berkeley Repertory Theatre with an alluring adaptation of The Arabian Nights. This is Zimmerman's sixth trip to Berkeley Rep, and for the first time she works her magic on the intimate Thrust Stage. The Arabian Nights runs from November 13 through January 4 with the official press night on November 19.
Next month, Tony Award-winning director Mary Zimmerman returns to Berkeley Repertory Theatre with an alluring adaptation of The Arabian Nights. This is Zimmerman's sixth trip to Berkeley Rep, and for the first time she works her magic on the intimate Thrust Stage. The Arabian Nights runs from November 13 through January 4 with the official press night on November 19.
Lou Spisto, Executive Producer of the Tony Award-winning Old Globe, is pleased to announce the Theatre's complete 2009 Summer Season.
1968, a hard rock, psychedelic, Motown, folk, and country cabaret, plays May 2nd at the Laurie Beechman Theatre.
Two-time Tony Award winner Bernadette Peters and American Ballet Theatre principal dancers Julie Kent and Marcelo Gomes will join the Lar Lubovitch Dance Company as guest artists at 'Prelude to a Dance,' a gala performance on Wednesday, April 23.
New Repertory Theatre in residence at the Arsenal Center for the Arts announces the World Premiere of According to Tip, a play with music by Dick Flavin, starring Tony and Emmy award-winner Ken Howard. Just in time for election season, According to Tip will open for the press on Friday, June 27, 2008 and will play through Sunday, July 13, 2008.
'Just in time for election season, New Rep brings you the World Premiere of According to Tip. Featuring Broadway and TV star Ken Howard, this play traces the colorful and historically memorable career of Thomas P. 'Tip' O'Neill, former Speaker of the House. Tip will escort you back in time from Barry's Corner in Cambridge to the White House. Get the inside scoop on politics during the Red Scare, Watergate, and Vietnam in this touching played filled with humor, music, and beguiling Irish wit,' press notes state.
New Repertory Theatre presents provocative and intelligent works of both established and emerging playwrights in an intimate setting that involves and engages the audience. New Rep has earned a reputation for dynamic productions that honor the writers and feature talented professional actors from the New England theatre community as well as guest artists from around the U.S. New Rep has received Elliot Norton and IRNE Awards for outstanding acting, scenic design, direction, and production. Programming at New Repertory Theatre is supported in part by a grant from the Massachusetts Cultural Council. Lead Sponsor for According to Tip, Bank of America.
The Artists
Rick Lombardo (Director) is now in his twelfth season as New Rep's Producing Artistic Director. Earlier this year: A Streetcar Named Desire, A Pinter Duet: The Lover & Ashes to Ashes, The Clean House, and Dessa Rose. Last season: The Pillowman, Charles Dickens' A Christmas Carol (which he also adapted), Silence, and The Wild Party, as well as Hamlet for Actors' Shakespeare Project. Other New Rep Credits: Ragtime (IRNE Awards-Best Director of a Musical and Best Musical); Bill W. and Dr. Bob (which he also directed Off-Broadway in the spring of 2007 at New World Stages in NY); Romeo and Juliet; Into the Woods (multiple IRNE Awards); Quills; Approaching Moomtaj; The Threepenny Opera; A Girl's War; his new musical adaptation of Moliere's Scapin; Waiting for Godot (IRNE Award, Best Drama); Sweeney Todd (2004 Elliot Norton Award for Outstanding Director, IRNE Award for Best Director, and Elliot Norton Award for Outstanding Musical Production); The Weir (IRNE Award, Best Drama); Rosencrantz and Guildenstern are Dead (Elliot Norton Award, Outstanding Director); The Scarlet Letter; American Buffalo; A Moon for the Misbegotten; Twelfth Night; Beast on the Moon; Das Barbecu; Tartuffe; and The Real Thing; among others. Additional credits include the world premiere of Moby Dick: An American Opera, for which he received the Award for Outstanding Achievement in Theatre by Northern Ohio Live. He is honored to be a two-time recipient of the Elliot Norton Award from the Boston Theatre Critics Association for Outstanding Director.
Ken Howard (Tip) Ken Howard launched his acting career in 1968 when he won a role in the original Broadway production of Promises, Promises, for which he won both a Tony and an Emmy. He originated the role of Thomas Jefferson in 1776 for which he won a Theatre World Award. He returned to the role for the 1972 film version. He won a Tony for his work in Child's Play in 1970. From 1976 - 1981, he starred in as the title character in the TV series The White Shadow. He earned an Emmy in 1980 for his narration of The Body Human: Facts for Boys. Other film and television includes: The Thron Birds, The West Wing, Curb Your Enthusiasm, Crossing Jordan, Rambo, Cane, Smother and Michael Clayton. Upcoming work includes: Conrad in Still Waters, Sheriff Sedgewick in Two: Thirteen, Officer Ford in The Beacon, and Phelan Beale in the film adaptation of Grey Gardens.
Dick Flavin (Playwright) is a nationally known writer and speaker. He has made thousands of speaking appearances all across America, chiefly addressing groups on the subject of how to use humor as a strategy in business and in life. His television commentaries have appeared on NBC-TV, CNN and WBZ-TV in Boston. He is the winner of seven New England regional Emmy Awards for writing and commentary. He was the narrator of The Teammates, an ESPN documentary that was nominated for three national Emmy Awards. Known as the 'Poet Laureate of the Boston Red Sox,' he has written countless poems and song parodies about the team and its history, some of which are being compiled into a compact disc and DVD. The most well-known of them, Teddy at the Bat, a salute to Red Sox legend Ted Williams that is based on Ernest Lawrence Thayer's immortal Casey at the Bat, has been performed by Mr. Flavin at the National Baseball Hall of Fame in Cooperstown, New York, at Fenway Park and in cities and towns across the country. He was the co-host of and contributing writer to Red Sox Stories, a weekly television series that ran during the 2007 baseball season. He has also written and performed special material for the Boston Pops and Symphony orchestras. In addition to According the Tip, his play on the life and times of the late Speaker of the House, Tip O'Neill, Mr. Flavin has also written I Feel a Song Comin' On, a soon to be produced musical about the lyricist Dorothy Fields.
This spring, Berkeley Repertory Theatre's 40th birthday party comes to a gorgeous crescendo with the West Coast premiere of Figaro. After bringing us a delicious date with The Miser in 2006, the Tony Award-winning Theatre de la Jeune Lune returns for another eccentric take on a timeless text. Inspired by Mozart and Beaumarchais, Figaro is adapted by Steven Epp and Dominique Serrand, who also perform the lead roles alongside exceptional actors, superb singers, and a live string quartet. Presented in Berkeley Rep's state-of-the-art Roda Theatre, this magical production begins previews on April 25, opens April 29, and closes June 8.
59E59 Theaters welcomes the return of Origin Theatre Company with the US premiere of Thomas Kilroy's The Shape of Metal, directed by Brian Murray and starring Roberta Maxwell.
The Public Theater has announced that casting is complete for Romeo and Juliet, the first production of this summer's Shakespeare in the Park, directed by Michael Grief
Jayne Paterson will join Constantine Maroulis in the hit musical revival of Jacques Brel is Alive and Well and Living in Paris, directed by Gordon Greenberg, now playing Off-Broadway at The Zipper Theatre
The 2006 TDF/Irene Sharaff Awards have been announced, with Franco Zeffirelli the recipient of the Lifetime Achievement in Theatrical Design Award
The Public Theater, George C. Wolfe, producer; Mara Manus, executive director, announces the New York premiere of THE CONTROVERSY OF VALLADOLID, an exciting new masterwork by French playwright and screenwriter Jean-Claude Carrière that brings to life the stunning real-life debates of the Catholic Church in the 16th century, as it tried to determine whether or not natives an ocean away were indeed human.
Videos
