The Glendale Centre Theatre continues its 2012 season with the heartwarming and poignant Tony Award-nominated On Golden Pond starring stage and screen veterans Andrew Prine and Salome Jens, tonight, July 12 through August 11, 2012 at the Glendale Centre Theatre in Glendale, Calif.
Arkansas Repertory Theatre (The Rep), the state's largest nonprofit professional theatre, has announced its 37th MainStage Season. The new season will include dramatic contrasts, classic productions and a world premiere production to form a season that exemplifies The Rep's mission of producing diverse work of the highest artistic standards for its Arkansas audience.
The Festival welcomes avant-garde Toronto theatre company VideoCabaret's spectacular production The War of 1812 (The History of the Village of the Small Huts: 1812-1815) as part of its 60th season. The show, which has been programmed to commemorate the two hundredth anniversary of the War of 1812, begins previews at the Studio Theatre Annex performance space on June 26.
On Thursday, three-time Tony Award-winning Broadway composer Richard Adler passed away at the ripe old age of 90. Responsible for two of the biggest Broadway smash hits of the 1950s, THE PAJAMA GAME and GAMN YANKEES, Adler never quite managed to equal his career-high double-hitter of that era, yet his earlier work with Tony Bennett ('Rags To Riches'), Doris Day ('Everybody Loves A Lover') and Marilyn Monroe (the iconic 'Happy Birthday, Mr. President') surely shall solidify his place in the firmament of entertainment history along with his two classic musicals from the Golden Age. Winning both Best Score and Best Musical for both THE PAJAMA GAME and DAMN YANKEES, Adler's partnership with lyricist Jerry Ross - which began on Broadway in 1953 with JOHN MURRAY ANDERSON'S ALMANAC - was tragically cut short just months after the DAMN YANKEES premiere when Ross was diagnosed with lung disease and passed away soon thereafter. Yet, thanks to the beloved film versions of THE PAJAMA GAME and DAMN YANKEES and continued interest in the entities as expressed in the revivals and reappraisals of both onstage from Broadway to Biloxi to Bombay year after year, the snappy, snazzy tunes of Adler and Ross live on eight times a week all around the world - even now, more than fifty years after they premiered. Unfortunately, Adler's subsequent shows with other collaborators post-1955 failed to capture the early magic of his previous projects with Ross and his earlier musical and theatrical endeavors in the pop arena, with the racially charged KWAMINA flopping on Broadway in 1961 (though he took home a Best Composer Tony Award for his efforts anyway) and the awkwardly titled MUSIC IS failing to recreate the magic of its source material, Shakespeare's TWELFTH NIGHT, in 1976. A MOTER'S KISSES, starring Bea Arthur and a young Bernadette Peters, died on the road, as well. In the intervening years, Adler attempted musical adaptations taken from a number of intriguing sources - OF HUMAN BONDAGE and others among them - though only his ballet scores seemed to reach an audience; particularly his last, commissioned for a new production of Lorca's THE HOUSE OF BERNARDA ALBA in 1998. Of course, THE PAJAMA GAME has had two Broadway revivals - most recently the rapturously received Kathleen Marshall-directed production starring Harry Connick, Jr. and Kelli O'Hara; and DAMN YANKEES famously returned to the Great White Way with much ado in 1994 starring Victor Garber. Now seems particularly ripe for remounting YANKEES, as we approach twenty years in its absence - especially given the musical's seriously smashing showing at Encores! in 2007. Who knows, perhaps some risky producer will even take a chance on a new production of KWAMINA, MUSIC IS, A MOTHER'S KISSES or one of the bottom drawer shows someday soon to see if they possess any of the limitless potential shown by Adler's earlier work. Or maybe a stage treatment of his TV musical GIFT OF THE MAGI (originally composed for then-wife Sally Ann Howes)? Or, better yet, how about a revue? What a stupendous songstack Adler created over the course of his career - 'Whatever Lola Wants' to 'Hey There' to 'Hernando's Hideaway' to 'You Gotta Have Heart' to 'Steam Heat' to the aforementioned Bennett, Day and Monroe standards and so many more chestnuts.
The Glendale Centre Theatre continues its 2012 season with the heartwarming and poignant Tony Award-nominated On Golden Pond starring stage and screen veterans Andrew Prine and Salome Jens, July 12 through August 11, 2012 at the Glendale Centre Theatre in Glendale, Calif.
The Ensemble Theatre seeks audition videos for soloists to perform in a walk-on role in 35th Anniversary Season finale musical and gospel comedy, Sanctified, by Javon Johnson.
In honor and celebration of the 50th Anniversary of Shakespeare in the Park at the Delacorte Theater, The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) will hold a special one-night-only gala event on Monday, June 18, featuring Kevin Kline as Romeo and Meryl Streep as Juliet in a star-studded staged reading of ROMEO AND JULIET, directed by Daniel Sullivan. For information on tickets for The Public Theater's Anniversary Gala, please call (212) 539-8547 or visit www.shakespeareinthepark.org.
London's highest theatre honor is named for one of the 20th Century's finest actors.
A 25th anniversary production of the imaginative, fractured-fairy tale musical "Into the Woods" by James Lapine and Stephen Sondheim will be staged at the theater where Sondheim was an apprentice in 1950, Westport Country Playhouse, in Westport, CT, May 1 through May 26. Directed by Mark Lamos, the Playhouse's artistic director, the musical will open the historic theater's 82nd season. It is co-produced with Baltimore's CENTERSTAGE.
Bob Boyett has announced the full Broadway cast for the National Theatre of Great Britain's acclaimed production of ONE MAN, TWO GUVNORS. Previews begin on April 6 and the official opening is April 18, 2012 at the Music Box Theatre on Broadway.
A pair of the musicians join the North Carolina Symphony next month for a colorful concert program, "Firebird." Led by guest conductor Joana Carneiro and featuring soloist Johannes Moser on cello, the orchestra performs the 1945 version of Stravinsky's legendary Firebird Suite, alongside wartime music by English composers Benjamin Britten and Edward Elgar.
A pair of the musicians join the North Carolina Symphony next month for a colorful concert program, "Firebird." Led by guest conductor Joana Carneiro and featuring soloist Johannes Moser on cello, the orchestra performs the 1945 version of Stravinsky's legendary Firebird Suite, alongside wartime music by English composers Benjamin Britten and Edward Elgar.
The Old Globe today announced principal casting for the Globe's 2012 Shakespeare Festival. Craig Noel Award winner Jay Whittaker returns to the Festival for his third consecutive season to appear in the title role of William Shakespeare's Richard III. He will also appear as Oliver in Shakespeare's As You Like It. Also returning to the Festival are Craig Noel Award winner Robert Foxworth and Adrian Sparks, who will take to the courtroom floor as titanic lawyers Henry Drummond and Matthew Harrison Brady, respectively, in the Jerome Lawrence and Robert E. Lee classic Inherit the Wind. Foxworth, an Old Globe Associate Artist, will also play Lord Hastings in Richard III, and Sparks will play Lord Mayor of London in Richard III and Corin in As You Like It. Festival veteran Dana Green will star as Rosalind, and Dan Amboyer, new to the Festival stage, will play Orlando, the object of her affections, in As You Like It. Green will also play Queen Elizabeth in Richard III. Amboyer will also be featured as Bertram Cates in Inherit the Wind and the Earl of Richmond in Richard III. Festival newcomer Jacques C. Smith will play Jacques in As You Like It, the Duke of Buckingham in Richard III and Mr. Meeker in Inherit the Wind. Adrian Noble returns for his third outing as Artistic Director of the Shakespeare Festival and will helm As You Like It and Inherit the Wind. Renowned British director Lindsay Posner makes his debut at the Globe with his production of Richard III. Noble recently directed the World Premiere stage version of The King's Speech, which is currently touring England, and Posner's hit revival of Noises Off is currently playing at London's Old Vic and will transfer to the West End in March. The 2012 Shakespeare Festival, performed in repertory in the outdoor Lowell Davies Festival Theatre, runs June 3 - Sept. 30, 2012.
A pair of the musicians join the North Carolina Symphony next month for a colorful concert program, "Firebird." Led by guest conductor Joana Carneiro and featuring soloist Johannes Moser on cello, the orchestra performs the 1945 version of Stravinsky's legendary Firebird Suite, alongside wartime music by English composers Benjamin Britten and Edward Elgar.
The National Theatre of Great Britain's acclaimed production of ONE MAN, TWO GUVNORS, a comedy by Richard Bean, based on Carlo Goldoni's The Servant of Two Masters, with songs by Grant Olding, directed by Nicholas Hytner, will open at the Music Box Theatre (239 West 45th Street) on Broadway on April 18, 2012. Preview performances will begin Friday, April 6, 2012.
Stephen Poliakoff will direct the world premiere of My City, his first new play for 12 years, running at the Almeida Theatre from 8 September - 5 November, with press night on 15 September 2011.
Fall and Winter 2011-2012 schedule of concerts, Music-Theater and Spoken Word Announced for Target Free Thursdays.
Fall and Winter 2011-2012 schedule of concerts, Music-Theater and Spoken Word Announced for Target Free Thursdays.
This fall Japan Society Gallery explores a new art that is emerging from a remarkable fusion of Japanese artisanal and industrial textile-making. Coaxed from materials as age-old as hemp and newly developed as microfilaments, a varied array of more than 35 large-scale works will be on view in Fiber Futures: Japan's Textile Pioneers from Friday, September 16 to Sunday, December 18, 2011.
Stephen Poliakoff will direct the world premiere of My City, his first new play for 12 years, running at the Almeida Theatre from 8 September - 5 November, with press night on 15 September 2011.
Theatre World Awards for Outstanding Broadway or Off-Broadway Debut performances during the 2010-2011 theatrical season will be presented by former Theatre World Award winners, including: Tammy Blanchard (Gypsy, 2003), Gabriel Byrne (A Moon for the Misbegotten, 2000), Zoe Caldwell (Slapstick Tragedy, 1966), Billy Crudup (Arcadia, 1995), Blythe Danner (The Miser, 1969), Edie Falco (Side Man, 1998), Tovah Feldshuh (Yentl, 1976), Jonathan Groff (Spring Awakening, 2007), Rosemary Harris (The Climate of Eden, 1953), Kevin Kilner (The Glass Menagerie, 1995), and Andrea McArdle (Annie, 1977). There will also be performances by former Theatre World Award winners, including: Karen Akers (Nine, 1982), Ernestine Jackson (Raisin, 1974), and John Lloyd Young (Jersey Boys, 2006).
Theatre World Awards for Outstanding Broadway or Off-Broadway Debut performances during the 2010-2011 theatrical season will be presented by former Theatre World Award winners, including: Tammy Blanchard (Gypsy, 2003), Gabriel Byrne (A Moon for the Misbegotten, 2000), Zoe Caldwell (Slapstick Tragedy, 1966), Billy Crudup (Arcadia, 1995), Blythe Danner (The Miser, 1969), Edie Falco (Side Man, 1998), Tovah Feldshuh (Yentl, 1976), Jonathan Groff (Spring Awakening, 2007), Rosemary Harris (The Climate of Eden, 1953), Kevin Kilner (The Glass Menagerie, 1995), and Andrea McArdle (Annie, 1977). There will also be performances by former Theatre World Award winners, including: Karen Akers (Nine, 1982), Ernestine Jackson (Raisin, 1974), and John Lloyd Young (Jersey Boys, 2006).
In a virtual parade of some of contemporary dance's leading choreographic voices, The Dance Center of Columbia College Chicago presents a tour de force season, beginning in fall 2011 with the Bill T. Jones/Arnie Zane Dance Company, David Gordon's Pick Up Performance Co(s), Cloud Gate Dance Theatre of Taiwan and, in a co-presentation with the Harris Theater of Music and Dance, the Merce Cunningham Dance Company's Legacy Tour.
Karole Armitage's contemporary ballet company, Armitage Gone! Dance, has announced the official programming for the company's return to The Joyce Theater, taking place April 26-May 8, 2011.
Today we lost one of the greats: the gentle giant of directors, Sidney Lumet. What a resume! Just to pick seven of perhaps the best known of the bunch, the bunch in question being over 100 titles strong: 12 ANGRY MEN, LONG DAY'S JOURNEY INTO NIGHT, SERPICO, DOG DAY AFTERNOON, NETWORK and BEFORE THE DEVIL KNOWS YOU'RE DEAD - the films spanning fifty years from MEN in 1957 and DEVIL in 2007 - it is clear to see why Lumet was one of the most cherished and celebrated directors in Hollywood, especially known for his tough, gritty New York stories and his pristine stage-to-screen transfers. For an excellent example of the latter (in addition to LONG DAY'S JOURNEY and the others) check out DEATHTRAP - based on Ira Levin's play, the longest-running thriller in Broadway history - featuring Michael Caine in one of his best roles and Christopher Reeve and Dyan Cannon in their finest performances on film. For an example of the former genre, look no further than NETWORK, containing one of the strongest screenplays ever penned, from the fiery and ferocious pen of Paddy Cheyefsky, and Faye Dunaway in her Oscar-winning performance for all the ages. As far as theatrical screenplays on screen, Lumet would be hard-pressed to even come close to the power, prescience and transformative brilliance at the core of the conceit of that film - yet he did just that; with his final, 2007 film no less. I am speaking, of course, of the underrated and riveting BEFORE THE DEVIL KNOWS YOU'RE DEAD starring Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, with Albert Finney and Rosemary Harris. Taking an original screenplay that could just as well have been written for the stage - shades of 12 ANGRY MEN, DOG DAY AFTERNOON, NETWORK and SERPICO, certainly - Lumet made a bristling, biting brilliant work of staggering craft and ingenuity - all with verve, energy and drive of a man a quarter of his age at the time (80). His films were classics in his own time and, now, in his passing, they are just as timeless - if not more so. With each passing year, new layers of truth, beauty, sadness and soulfulness can be found in the countless frames in the innumerable unforgettable scenes in his many masterpieces.
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