Continuing its success of presenting programs that celebrate the popular genres in Latin music, including Boogaloo and Mambo, the Hostos Center presents a nostalgic look back at the Charanga era, based on lively Cuban dances, with 'Charanga-Fest' featuring three of the top Charanga bands in New York, and special guest artists today, November 5, at 7:30 PM in the Center's Main Theater.
Continuing its success of presenting programs that celebrate the popular genres in Latin music, including Boogaloo and Mambo, the Hostos Center presents a nostalgic look back at the Charanga era, based on lively Cuban dances, with 'Charanga-Fest' featuring three of the top Charanga bands in New York, and special guest artists on Saturday, November 5, at 7:30 PM in the Center's Main Theater.
Ehrenkranz Artistic Director Jane Moss today announced the schedule for Lincoln Center's seventh White Light Festival, running from October 16 through November 16, 2016. The international multidisciplinary festival, which takes its name from a quotation by the Estonian composer Arvo Part, is an annual exploration of the power of art to illuminate our interior and communal lives. 'I could compare my music to white light which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener.' - Arvo Part
Following a critically hailed, highly successful extended run of The Man Who Shot Liberty Valance, Rubicon Theatre Company continues the 2015-2016 Season with another American premiere -- eXtras by Sabina Berman.
The Almeida Theatre announces the cast for the world premiere of Boy, a new play by Leo Butler, directed by Sacha Wares. The cast is Mohammad Amiri, Osmain Baig, Ruby Bridle, Emilio Doorgasingh, Terina Drayton, Aeran Fitzgerald, Frankie Fox, Ellie Mai Gallagher, Bayleigh Gray, Zainab Hasan, Duramaney Kamara, Asiatu Koroma, Wendy Kweh, Lev Litvinov, Georgie Lord, Angel Loren, Teann McDonnell, Eugenie-Alexia Mulumba, Sarah Niles, Demi Papaminas, Imogen Roberts, Abdul Salis, Morgane Tapia,Peter Temple and Matthew Wellard. Boy will run at the Almeida Theatre from 5 April until 28 May, with a Press Night on 12 April.
Following a critically hailed, highly successful extended run of The Man Who Shot Liberty Valance, Rubicon Theatre Company continues the 2015-2016 Season with another American premiere -- eXtras by Sabina Berman.
Atlantic Theater Company has announced commissions of six new plays by Jocelyn Bioh, Jennifer Haley, Paola Lazaro, Qui Nguyen, Heidi Schreck, and Simon Stephens and Mark Eitzel.
The Almeida Theatre announces the cast for the world premiere of Boy, a new play by Leo Butler, directed by Sacha Wares. The cast is Mohammad Amiri, Osmain Baig, Ruby Bridle, Emilio Doorgasingh, Terina Drayton, Aeran Fitzgerald, Frankie Fox, Ellie Mai Gallagher, Bayleigh Gray, Zainab Hasan, Duramaney Kamara, Asiatu Koroma, Wendy Kweh, Lev Litvinov, Georgie Lord, Angel Loren, Teann McDonnell, Eugenie-Alexia Mulumba, Sarah Niles, Demi Papaminas, Imogen Roberts, Abdul Salis, Morgane Tapia,Peter Temple and Matthew Wellard. Boy will run at the Almeida Theatre from 5 April until 28 May, with a Press Night on 12 April.
Producers Al Corley ('Dynasty') and Marty Kaplan have announced the world premiere of PHALARIS'S BULL: SOLVING THE RIDDLE OF THE GREAT BIG WORLD, conceived and performed by Steven Friedman and directed by David Schweizer, will play a strictly limited 5 week engagement from tonight, December 12, 2015 to January 16, 2016 at The Beckett Theater at Theatre Row, 410 West 42nd Street.
Producers Al Corley ("Dynasty") and Marty Kaplan have announced the world premiere of PHALARIS'S BULL: SOLVING THE RIDDLE OF THE GREAT BIG WORLD, conceived and performed by Steven Friedman and directed by David Schweizer, will play a strictly limited 5 week engagement from December 12, 2015 to January 16, 2016 at The Beckett Theater at Theatre Row, 410 West 42nd Street.
Women's Project Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, has announced the rotating casts for the New York premiere of DEAR ELIZABETH, the inaugural production at the WP's new theatrical home the McGinn/Cazale Theatre, 2162 Broadway (at 76th Street).
After its sold-out 2014 run of Eugene Onegin last June in Toronto, the esteemed Vakhtangov Academic Theatre of Russia returns with a new theatrical spectacle for the international stage: Smile at Us, Oh Lord: an inspiring universal parable about the basic good in every human being. Directed by the company's noted Artistic Director Rimas Tuminas, Smile at Us, Oh Lord runs today, June 16 and tomorrow, June 17 for two shows only at the historic Elgin Theatre, presented by Show One Productions.
After its sold-out 2014 run of Eugene Onegin last June in Toronto, the esteemed Vakhtangov Academic Theatre of Russia returns with a new theatrical spectacle for the international stage: Smile at Us, Oh Lord: an inspiring universal parable about the basic good in every human being.
Four recent shows at Don't Tell Mama featured performers either making their debuts on the New York cabaret scene (Evelyn Sullivan and Erin McCracken) or who returned this spring in hopeful anticipation of sharing their artistic vision with audiences (Rob Sutton and Eve Eaton). They no doubt experienced the usual anxiety, trials and tribulations before ultimately taking the stage. And they've come out on the other side relatively unscathed.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus, announces the casting of the world premiere of Crossing, an opera by Matthew Aucoin, directed by Diane Paulus, featuring the chamber orchestra A Far Cry, produced in association with Music-Theatre Group.
Ron Cook (Mr Selfridge, Henry V, King Lear, Hot Fuzz) as Sir Charles Gurney, Kathryn Drysdale (Suspects, Love's Labour's Lost, Tripping Over, Two Pints of Lager and a Packet of Crisps) as Grace Shelley, Joshua McGuire (Privacy, Posh, About Time, Mr Turner) as Dinsdale Gurney and Anthony O'Donnell (The Captain of Kopenick, Skyfall, Matchpoint) as Daniel Tucker, join BAFTA winning James McAvoy, as Jack, the 14th Earl of Gurney, in the first West End revival of Peter Barnes' satirical comedy, The Ruling Class, directed by Jamie Lloyd, Artistic Director of Trafalgar Transformed.
Ron Cook (Mr Selfridge, Henry V, King Lear, Hot Fuzz) as Sir Charles Gurney, Kathryn Drysdale (Suspects, Love's Labour's Lost, Tripping Over, Two Pints of Lager and a Packet of Crisps) as Grace Shelley, Joshua McGuire (Privacy, Posh, About Time, Mr Turner) as Dinsdale Gurney and Anthony O'Donnell (The Captain of Kopenick, Skyfall, Matchpoint) as Daniel Tucker, join BAFTA winning James McAvoy, as Jack, the 14th Earl of Gurney, in the first West End revival of Peter Barnes' satirical comedy, The Ruling Class, directed by Jamie Lloyd, Artistic Director of Trafalgar Transformed.
Ron Cook (Mr Selfridge, Henry V, King Lear, Hot Fuzz) as Sir Charles Gurney, Kathryn Drysdale (Suspects, Love's Labour's Lost, Tripping Over, Two Pints of Lager and a Packet of Crisps) as Grace Shelley, Joshua McGuire (Privacy, Posh, About Time, Mr Turner) as Dinsdale Gurney and Anthony O'Donnell (The Captain of Kopenick, Skyfall, Matchpoint) as Daniel Tucker, join BAFTA winning James McAvoy, as Jack, the 14thEarl of Gurney, in the first West End revival of Peter Barnes' satirical comedy, The Ruling Class, directed by Jamie Lloyd, Artistic Director of Trafalgar Transformed.
It's unlikely anyone leaving a performance of 'The Motherf**ker With the Hat' (MOFO) will be indifferent. That makes actor Juan Chioran happy. 'To be indifferent is the biggest crime in theatre,' he says on a day off from the popular show now playing at the new Coal Mine Theatre on the Danforth. He demands to be engaged, he adds, every time he attends a production.
Today we are celebrating 35 years of one of Broadway's most iconic musicals and turning our attention to a popular and recognizable show featuring one of the most memorable title roles in history, EVITA.
Noel Coward's fast-talking comedy of manners Private Lives will close the Shakespeare Theatre Company's 2013-2014 Season. Directed by Maria Aitken (2009-2010 Season's As You Like It), Private Lives enjoyed wild success at the Huntington Theatre Company in 2012, being deemed 'a diamond-sharp production' (The Boston Globe) and will find a home at the Lansburgh Theatre from tonight, May 29-July 13, 2014 (450 7th Street NW).
Hilda Morales was born in N.Y. City, and grew up in Puerto Rico. Her early training was with Ana Garcia of the Ballet San Juan. At 14 years of age, Ms. Morales received a Ford Foundation Scholarship to study at George Balanchine's School of American Ballet. She danced as a principal dancer with the Pennsylvania Ballet, soloist with American Ballet Theatre, artist-in-residence with the Colorado Ballet and guest appearances with Les Grands Ballets Canadiens, Albuquerque Ballet and Jacksonville Ballet. During her dancing career, Ms. Morales performed in full-length classic ballets as well as works by George Balanchine, Jerome Robbins, Agnes de Mille, Antony Tudor, John Butler, Alvin Ailey, and Jose Limon. Ms. Morales was featured in the movie The Turning Point, in the role of Sandra, directed by Herbert Ross. She guest teaches and is on the faculty of the Central Pennsylvania summer programs, and joined The Hartt School faculty in 1998.
Noel Coward's fast-talking comedy of manners Private Lives will close the Shakespeare Theatre Company's 2013-2014 Season. Directed by Maria Aitken (2009-2010 Season's As You Like It), Private Lives enjoyed wild success at the Huntington Theatre Company in 2012, being deemed 'a diamond-sharp production' (The Boston Globe) and will find a home at the Lansburgh Theatre from May 29-July 13, 2014 (450 7th Street NW).
EVITA began as a rock opera concept album. The success of the album led to the 1978 production on London's West End and the 1979 production on Broadway. With a slew of regional productions, revivals, and tours, EVITA continues to capture the hearts of audiences, and the U.S. National Tour of the 2012 Broadway Revival production is a prime example of why.
Three-time Writers Guild of America Award-winning screenwriter and playwright John PiRoman, 62, who split his writing career between the theatre and television, died of natural causes at his home in Miami, FL on March 11, according to his brother Raphael PiRoman.
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