First Folio Theatre, at Mayslake Peabody Estate, 31st St. & Rt. 83, begs the question, "Are you afraid of ghosts?" with its production of Henry James' psychological thriller THE TURN OF THE SCREW. In this stage adaptation by Jeffrey Hatcher, two actors, led by Director Alison C. Vesely, bring all of James' eccentric characters and spine-tingling moments to life; further heightened by the theaters intimate setting within a remote West Suburban Estate. Now in its 15th season of bringing high quality performances of Shakespeare and other classics to the Chicagoland suburbs, First Folio Theatre closes THE TURN OF THE SCREW tonight, April 29th.
Thanks to the efforts of a cast of high school students under the direction of their artistic mentor Paula Y. Flautt (who's the fine arts director at CPA), I have to admit that Carousel is my favorite musical. It's always been my favorite among all the musical masterpieces created by the team of Richard Rodgers and Oscar Hammerstein II, but I found myself so completely moved, so thoroughly enchanted by the production in CPA's Events Center (where it continues through Saturday evening)-which boasts stellar production values, an amazing live orchestra and a production design that rivals some of the best professional mountings we've seen in Nashville-that Carousel has supplanted Gypsy on my list of all-time favorites.
Some 67 years after Rodgers and Hammerstein's Carousel first opened at Broadway's Majestic Theatre, director Paula Y. Flatt will unveil her vision for the show-which was named by Time magazine in 1999 as the best musical of the 20th century-in a new production featuring her students at Nashville's Christ Presbyterian Academy.
First Folio Theatre, at Mayslake Peabody Estate, 31st St. & Rt. 83, begs the question, "Are you afraid of ghosts?" with its production of Henry James' psychological thriller THE TURN OF THE SCREW. In this stage adaptation by Jeffrey Hatcher, two actors, led by Director Alison C. Vesely, bring all of James' eccentric characters and spine-tingling moments to life; further heightened by the theaters intimate setting within a remote West Suburban Estate. Now in its 15th season of bringing high quality performances of Shakespeare and other classics to the Chicagoland suburbs, First Folio Theatre will preview THE TURN OF THE SCREW on March 28th, open on March 31 and run through April 29th.
First Folio Theatre, at Mayslake Peabody Estate, 31st St. & Rt. 83, begs the question, "Are you afraid of ghosts?" with its production of Henry James' psychological thriller THE TURN OF THE SCREW. In this stage adaptation by Jeffrey Hatcher, two actors, led by Director Alison C. Vesely, bring all of James' eccentric characters and spine-tingling moments to life; further heightened by the theaters intimate setting within a remote West Suburban Estate. Now in its 15th season of bringing high quality performances of Shakespeare and other classics to the Chicagoland suburbs, First Folio Theatre will preview THE TURN OF THE SCREW on March 28th, open on March 31 and run through April 29th.
First Folio Theatre, at Mayslake Peabody Estate, 31st St. & Rt. 83, begs the question, "Are you afraid of ghosts?" with its production of Henry James' psychological thriller THE TURN OF THE SCREW. In this chilling stage adaptation by Jeffrey Hatcher, two actors, led by Director Alison C. Vesely, bring all of James' eccentric characters and spine-tingling moments to life; further heightened by the theaters intimate setting within a remote West Suburban Estate. Now in its 15th season of bringing high quality performances of Shakespeare and other classics to the Chicagoland suburbs, First Folio Theatre will preview THE TURN OF THE SCREW on March 28th, open on March 31 and run through April 29th.
First Folio Theatre, at Mayslake Peabody Estate, 31st St. & Rt. 83, begs the question, "Are you afraid of ghosts?" with its production of Henry James' psychological thriller THE TURN OF THE SCREW. In this stage adaptation by Jeffrey Hatcher, two actors, led by Director Alison C. Vesely, bring all of James' eccentric characters and spine-tingling moments to life; further heightened by the theaters intimate setting within a remote West Suburban Estate. Now in its 15th season of bringing high quality performances of Shakespeare and other classics to the Chicagoland suburbs, First Folio Theatre will preview THE TURN OF THE SCREW on March 28th, open on March 31 and run through April 29th.
Today we are talking to an iconic performer known for his decades on stages and screens around the world, from his variety show roots with sister Marie and their eponymous 70s television staple to his solo pop career in the 1980s and roles in Broadway and Hollywood and beyond since then - the one and only Donny Osmond. Osmond and I recount many of his marvelous show business memories in this all-inclusive chat, putting a particular emphasis on his theatre roles - most of all, his work in the film version of Andrew Lloyd Webber's JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, filmed in 1999 and presented next week in a super-special Sing-A-Long showing with an exclusive live Q&A hosted by Osmond in Fathom-equipped movie theaters nationwide on March 26. In addition to all about the filming of the spectacular movie musical version of JOSEPH helmed by Steven Pimlott and co-starring Maria Friedman, Osmond and I discuss his experiences playing the title role in the show for six years throughout the 1990s and how he looks back on his experiences in the Biblically-themed pop/rock operetta. Plus, Osmond shares insights into the work of Andrew Lloyd Webber, as well as shares stories of working with legends such as Gene Kelly, Richard Attenborough, Joan Collins and touches upon his appearances in MULAN onscreen, BEAUTY & THE BEAST onstage, DANCING WITH THE STARS on TV - and much, much more!
Peter Gill, returns to his native city with a portrait of provincial life in 1890s Russia. Based on Chekhov's short story, A Provincial Life follows one young man's struggle to exchange his privileged position for the life of a worker.
First Folio Theatre, at Mayslake Peabody Estate, 31st St. & Rt. 83, begs the question, "Are you afraid of ghosts?" with its production of Henry James' psychological thriller THE TURN OF THE SCREW. In this chilling stage adaptation by Jeffrey Hatcher, two actors, led by Director Alison C. Vesely, bring all of James' eccentric characters and spine-tingling moments to life; further heightened by the theaters intimate setting within a remote West Suburban Estate. Now in its 15th season of bringing high quality performances of Shakespeare and other classics to the Chicagoland suburbs, First Folio Theatre will preview THE TURN OF THE SCREW on March 28th, open on March 31 and run through April 29th.
First Stage marks its 26th year in the 2012-2013 season, comprising of five Family Series productions to be performed at the Todd Wehr Theater at the Marcus Center for the Performing Arts in downtown Milwaukee, two First Steps series productions - plays geared towards children ages 3 to 6 - at the Milwaukee Youth Arts Center, and one production performed by First Stage's Young Company - First Stage Theater Academy's advanced actor training program for high school students - at Marquette University's Helfaer Theatre.
The Dallas Opera Guild's 24th Annual Vocal Competition for young opera singers ended on a high-note last evening when ten outstanding finalists (with Texas connections) were awarded a total of $20,000 in prize monies. It is only the second time this spring musical event has graced the stage of the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Arts District.
Peter Gill, returns to his native city with a portrait of provincial life in 1890s Russia. Based on Chekhov's short story, A Provincial Life follows one young man's struggle to exchange his privileged position for the life of a worker.
M. T. Pockets Theatre Company has announced the lineup for their 2012 season, which is set ti include: The Maids (April 12-14), Life Over Dreams (April 25-28), Christian Cox: 20102 Aremgaddon...Just a Fan (May 5), New Works (May 26), The Red Feather Ladies Get Their Man/The Revenge of the Red Feather Ladies (June 8-6).
Peter Gill, returns to his native city with a portrait of provincial life in 1890s Russia. Based on Chekhov's short story, A Provincial Life follows one young man's struggle to exchange his privileged position for the life of a worker.
Broadway veteran Roger Bart will guest star on the January 11th episode of ABC's REVENGE. In the episode entitled 'Infamy', Bart will play the role of Mason Treadwell, a rich, pretentious journalist who's written a tell-all book about Long Island high society.
Oscar winning Actress Helen Hunt and MacArthur Award-winning director David Cromer triumph in a landmark production of Thornton Wilder's Pulitzer Prize-winning Our Town that is '... probably the only production to enter the theater history books' (New York Times). The Broad Stage itself will be physically transformed, allowing for only 325 seats, to bring Grover's Corners, the play's every town USA, truly home. Forget nostalgic Americana or anything you recall from your high school production. Our Town has been reclaimed as the relevant and urgent work of art about living here and now, reminding us why it is a truly timeless - and timely - masterpiece. KCRW presents this production with Helen Hunt as the Stage Manager leading many of the original Chicago/New York cast in stripping away the myth and artifice to reveal what counts in Our Town and in ourselves.
Oscar winning Actress Helen Hunt and MacArthur Award-winning director David Cromer triumph in a landmark production of Thornton Wilder's Pulitzer Prize-winning Our Town that is '... probably the only production to enter the theater history books' (New York Times). The Broad Stage itself will be physically transformed, allowing for only 325 seats, to bring Grover's Corners, the play's every town USA, truly home. Forget nostalgic Americana or anything you recall from your high school production. Our Town has been reclaimed as the relevant and urgent work of art about living here and now, reminding us why it is a truly timeless - and timely - masterpiece. KCRW presents this production with Helen Hunt as the Stage Manager leading many of the original Chicago/New York cast in stripping away the myth and artifice to reveal what counts in Our Town and in ourselves.
Polarity Ensemble Theatre, in association with the DCA Theater, presents the Chicago premiere of Peer Gynt, a zany, high-energy translation by prolific poet Robert Bly of this rarely-produced Henrik Ibsen classic.
The Theatre School at DePaul University's New Directors Series Presents: Krissy Vanderwarker's FAUSTUS by Christopher Marlow Adaptation by Rupert Gould & Ben Power Comes to Life for a New Director.
Pioneer, innovator and the voice of an entire new musical theatre generation coming in the dawning of the age of GLEE, Tony Award recipient and Grammy-winning composer, lyricist and performer Lin-Manuel Miranda has merged the worlds of the two most significant of original American art forms - musicals and rap - in such a striking and surprisingly inventive way with his hit musical IN THE HEIGHTS - currently touring the country - and is setting out to do the same with his fresh collaboration with Pulitzer Prize-winning NEXT TO NORMAL composer Tom Kitt on their new musical BRING IT ON!, currently in previews out of town in Los Angeles as it eyes New York. In addition to discussing the development of IN THE HEIGHTS and BRING IT ON! in detail, Miranda and I also outline his experience working alongside the two modern-day masters of the musical theatre - Stephen Sondheim and the recently deceased Arthur Laurents - on the Spanish translation and new lyrics for the recent bilingual revival of WEST SIDE STORY - in addition to his forthcoming ALEXANDER HAMILTON project, which Miranda recently performed a medley from for President Obama himself at the White House Poetry Jam. As if all of that were not enough, we also delve into his thought process as he sets out to take on one of Sondheim's most challenging roles in all of musical theatre - that of Charley Kringas in MERRILY WE ROLL ALONG at Encores!, under the direction of James Lapine. Plus, news on his new feature film THE ODD LIFE OF TIMOTHY GREEN, as well as recollections of his fondest Broadway shows, scores, cast albums, movie musicals and general musical and theatrical inspirations - and his favorite Shakespeare plays, too - as well as much, much more!
Polarity Ensemble Theatre, in association with the DCA Theater, presents the Chicago premiere of Peer Gynt, a zany, high-energy translation by prolific poet Robert Bly of this rarely-produced Henrik Ibsen classic.
Albert Schultz, Founding Artistic Director of Soulpepper Theatre Company, today announced the 12 plays comprising Soulpepper's 15th anniversary season, including ten new productions, two remounts, and a revisit, to run in repertory from January to December, 2012. The season includes plays from Canada, Ireland, England, the United States and Russia, and brings Soulpepper to 107 original productions over 15 seasons. The season opens with Soulpepper's very first original full-length play, continuing the company's commitment to new works about the city of Toronto as seen in this year's Window on Toronto and 2009's Civil Elegies.
Two emerging female directors and University of the Arts alumni will lead a new generation of undergrads in October productions produced by the Ira Brind School of Theater Arts. Award-winning director Jackson Gay will direct Caryl Churchill's Top Girls (Oct. 6 - 9). Megan Nicole O'Brien, a Barrymore nominated director and co-founder of Philadelphia's 11th Hour Theatre Company, will direct the Philadelphia premiere of the musical High Fidelity (Oct. 14 - 16 & 20 - 22).
The Theatre School at DePaul University's New Directors Series Presents: Krissy Vanderwarker's FAUSTUS by Christopher Marlow Adaptation by Rupert Gould & Ben Power Comes to Life for a New Director.
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