The Tony Award®-winning Signature Theatre, nationally known for its interpretation of Stephen Sondheim musicals, celebrates its 20th anniversary season by presenting Sondheim's most popular musical SWEENEY TODD, directed by Artistic Director Eric Schaeffer. The new production runs in the 276-seat MAX Theater, February 9 through April 4, 2010.
The Tony Award®-winning Signature Theatre, nationally known for its interpretation of Stephen Sondheim musicals, celebrates its 20th anniversary season by presenting Sondheim's most popular musical SWEENEY TODD, directed by Artistic Director Eric Schaeffer. The new production runs in the 276-seat MAX Theater, February 9 through April 4, 2010.
After a 48 year absence, Roundabout Theatre Company (Todd Haimes, Artistic Director) will present the first new Broadway production of Bye Bye Birdie as the inaugural production of the new Henry Miller's Theatre (124 West 43rd Street) beginning Thursday, September 10th, 2009 with an official opening on Thursday, October 15th, 2009. This will be a limited engagement through January 10th, 2010.
After a 48 year absence, Bye Bye Birdie will return to Broadway this fall presented by Roundabout Theatre Company (Todd Haimes, Artistic Director) in a production starring John Stamos (Albert Peterson), Gina Gershon (Rose Alvarez), Bill Irwin (Mr. Harry MacAfee) and Jayne Houdyshell (Mrs. Mae Peterson). Directed & choreographed by Robert Longbottom, Bye Bye Birdie has a book by Michael Stewart, lyrics by Lee Adams and music by Charles Strouse. Roundabout is proud to welcome back three artists who have previously worked at the theatrical institution: John Stamos, Gina Gershon and Bill Irwin.
South Coast Repertory has announced the lineup of actors and directors who will participate in the 12th annual Pacific Playwrights Festival (PPF). Since its creation in 1998, PPF has grown into one of the most important festivals of new scripts in the United States. This year?s Festival will take place during the May 1 through May 3 weekend and will feature five staged readings and two fully-produced World Premieres on South Coast Repertory?s Segerstrom and Julianne Argryos Stages. Tickets to PPF may be purchased online at www.scr.org, by phone at (714) 708-5555 or in person at the SCR box office.
South Coast Repertory has announced the lineup of actors and directors who will participate in the 12th annual Pacific Playwrights Festival (PPF). Since its creation in 1998, PPF has grown into one of the most important festivals of new scripts in the United States. This year?s Festival will take place during the May 1 through May 3 weekend and will feature five staged readings and two fully-produced World Premieres on South Coast Repertory?s Segerstrom and Julianne Argryos Stages. Tickets to PPF may be purchased online at www.scr.org, by phone at (714) 708-5555 or in person at the SCR box office.
After a 48 year absence, Bye Bye Birdie will return to Broadway this fall presented by Roundabout Theatre Company (Todd Haimes, Artistic Director) in a production starring John Stamos (Albert Peterson), Gina Gershon (Rose Alvarez), Bill Irwin (Mr. Harry MacAfee) and Jayne Houdyshell (Mrs. Mae Peterson). Directed & choreographed by Robert Longbottom, Bye Bye Birdie has a book by Michael Stewart, lyrics by Lee Adams and music by Charles Strouse. Roundabout is proud to welcome back three artists who have previously worked at the theatrical institution: John Stamos, Gina Gershon and Bill Irwin.
San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006.
It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make.
'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'
San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006.
It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make.
'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'
Broadway lovers and teddy bear collectors came together on Sunday, February 11, at the 'Broadway Bears X' auction, which raised a grand total of $130,000 for Broadway Cares/Equity Fights AIDS.
Oldies 1150 Presents Hamilton Theatre Inc.'s A Funny
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to 18, 2006
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