The Real Thing Revival 2000 - Articles Page 19

MadLab Theatre will present The Quintessential Roulette, featuring the best plays from each of the 10 previous Theatre Roulettes, MadLab's annual shorts festival, the longest running such festival in Columbus.

James Macdonald returns to the Almeida to direct the world premiere of Christopher Hampton's new version of Ödön von Horváth's Judgment Day. Judgment Day will run at the Almeida from 3 September - 17 October 2009, with press night on 10 September. Set designs are by Miriam Buether with costume design is by Moritz Junge, lighting by Neil Austin, sound by Chris Shutt and music by Matthew Herbert.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) is thrilled to welcome Project Y to Americas Off Broadway with the NYC premiere of Fubar Or Interesting, Incredible, Amazing, Fantastic, written by Karl Gajdusek and directed by Larissa Kokernot. Fubar begins previews on Thursday, June 11 for a limited engagement through Sunday, June 28. Opening Night is Tuesday, June 16 at 7:15 PM. The performance schedule is Tuesday at 7:15 PM, Wednesday - Saturday at 8:15 PM and Sunday at 3:15 PM. The regular ticket price is $18 ($12.60 for 59E59 Members). Tickets are available by calling Ticket Central at 212-279-4200 or online at www.ticketcentral.com. For more information visit www.59E59.org.

Last seen on B'way in a featured role in 'Legally Blonde', the girl with the memorable name is a veteran of several hit shows.

Seattle Theatre Group (STG) is proud to announce its 2009 - 2010 performance season with 34 extraordinary engagements at the historic Paramount and Moore Theatres, as well as the Falls Theatre at ACT. Shows range from performance art and comedy to legendary musicians, dance and silent film.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) is thrilled to welcome Project Y to Americas Off Broadway with the NYC premiere of Fubar Or Interesting, Incredible, Amazing, Fantastic, written by Karl Gajdusek and directed by Larissa Kokernot. Fubar begins previews on Thursday, June 11 for a limited engagement through Sunday, June 28. Opening Night is Tuesday, June 16 at 7:15 PM. The performance schedule is Tuesday at 7:15 PM, Wednesday - Saturday at 8:15 PM and Sunday at 3:15 PM. The regular ticket price is $18 ($12.60 for 59E59 Members). Tickets are available by calling Ticket Central at 212-279-4200 or online at www.ticketcentral.com. For more information visit www.59E59.org.

Dundalk Community Theatre's production of 'The Full Monty' proves very entertaining, despite the weakness of the material.

Two countries, three generations, 22 turbulent years?and a dynamic soundtrack ranging from Syd Barrett to The Plastic People of the Universe to U2?are at the heart of Rock 'n' Roll, a sweeping and passionate drama about love, music and revolution from Academy Award and four-time Tony Award-winner Tom Stoppard. For the play?s Chicago premiere at Goodman Theatre, Artistic Director Robert Falls taps director Charles Newell, whose reputation for directing acclaimed Stoppard productions precedes him. Newell?s cast of 12 is led by Stephen Yoakam and Chicago favorites Timothy Edward Kane and Mary Beth Fisher, who explore the unique intersection of politics and art against the background of John Culbert?s rock concert-inspired set design?complete with a floor resembling the cover art of Barrett?s solo album, Madcap Laughs. Rock ?n? Roll will be performed in the Albert Theatre May 2 ? June 7, 2009. Tickets are $25 ? $75. A complete performance schedule including dates, times and ticket prices appears at the end of this release. The Edith-Marie Appleton Foundation and Goodman Theatre Women?s Board are the Major Production Sponsors for Rock ?n? Roll and PricewaterhouseCoopers LLP is the Corporate Sponsor Partner. Additional support is provided by the Director?s Society Sponsors. WXRT is the Official Radio Sponsor of Rock ?n? Roll.

Four-time Tony Award winner Tom Stoppard returns to the Alley with Rock ?n' Roll, winner of London Critics' Circle Theatre Award for Best New Play.

Four-time Tony Award winner Tom Stoppard returns to the Alley with Rock ?n' Roll, winner of London Critics' Circle Theatre Award for Best New Play.

Four-time Tony Award winner Tom Stoppard returns to the Alley with Rock ?n' Roll, winner of London Critics' Circle Theatre Award for Best New Play. It's August 1968, and Russian tanks are rolling into Prague. Jan, the Czech student, lives for rock music, Max, the English professor, lives for Communism, and Esme, the flower child, is high. By 1990, the tanks are rolling out, the Stones are rolling in and idealism has hit the wall.

Seattle Theatre Group (STG) presents Thievery Corporation on Tuesday, April 21, 2009 at 8:00pm at the Paramount Theatre. Recording in their Washington DC based studio, Rob Garza and Eric Hilton, better known as the international production and DJ duo Thievery Corporation, have released their fifth studio album, Radio Retaliation, through their independent music label ESL Music. The 15-track opus features the duo collaborating with a roster of International all-stars to create the strongest statement yet from Thievery Corporation.

El?na Garan?a sings the title role of La Cenerentola, Rossini's charming version of the Cinderella story, for the first time with the company beginning May 1. The Latvian mezzo-soprano made her highly acclaimed Met debut last season as Rosina in Il Barbiere di Siviglia.

Country music star, CMA Winner, ACM Winner and four-time Grammy Nominee Joe Nichols has been offered the role made famous by George Strait in the Broadway production of the hit movie, Pure Country. According to producer Randall L. Wreghitt, the musical is in the process of securing the remainder of its financing and casting, and plans to open in early 2010.

APRIL AT THE METROPOLITAN ROOM Join them every Friday and Saturday from 11PM-2AM for our nightly piano lounge. No cover, no minimum! 4/1 7PM Barbara Brussell 'Brilliance from on High...BORN IN THE BRONX' Accompanied by musical director Tex Arnold, this marks their first time venturing a new show together.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

Tony Estrella, artistic director of The Sandra Feinstein-Gamm Theatre (The Gamm), today announced the theater?s 25th Anniversary Season (2009-2010), featuring 5 plays representative of its quarter-century history of staging a broad spectrum of entertaining, evocative plays of distinction, as well as social and political relevance.

Keen Company (Artistic Director Carl Forsman, Executive Director Wayne Kelton) is thrilled to present John Cullum, Jonathan Hogan and Tony Roberts in the New York premiere of Heroes, by G?rald Sibleyras with a translation by Tom Stoppard and directed by Carl Forsman. Heroes received the 2006 Olivier Award for Best New Comedy. Performances begin on Tuesday, February 24 and run through April 11 at The Clurman Theatre / Theatre Row, 410 West 42nd Street, between 9th and 10th Avenues. Opening is scheduled for Sunday, March 8.

T. Schreiber Studio presents Tom Stoppard's 'The Real Thing', part of their 40th Anniversary Season.

Tony Award winners Joan Allen and Jeremy Irons return to Broadway to star together in the world premiere of Impressionism, a new American play by Michael Jacobs. The production, which is directed by Tony Award-winner Jack O'Brien, will plays the Gerald Schoenfeld Theatre.

Seattle Theatre Group (STG) presents Thievery Corporation on Tuesday, April 21, 2009 at 8:00pm at the Paramount Theatre. Recording in their Washington DC based studio, Rob Garza and Eric Hilton, better known as the international production and DJ duo Thievery Corporation, have released their fifth studio album, Radio Retaliation, through their independent music label ESL Music. The 15-track opus features the duo collaborating with a roster of International all-stars to create the strongest statement yet from Thievery Corporation.

Keen Company announced today that Tony Award-winner Ron Holgate (1776, A Funny Thing Happened on the Way to the Forum, Grand Hotel, recent revivals of Kiss Me, Kate and Guys and Dolls) will join John Cullum and Jonathan Hogan for its upcoming production of Heroes, replacing previously announced Tony Roberts. Mr. Roberts has withdrawn from the production to attend to family matters. The New York premiere of this 2006 Olivier Award-winning play by Gerald Sibleyras with a translation by Tom Stoppard, will be helmed by Keen Artistic Director Carl Forsman and run from February 24 - April 11 at The Clurman Theatre / Theatre Row ( 410 West 42nd Street ). The official opening is set for March 8.

The veteran of 12 B'way shows looks back on hits, flops, L.A. and unforgettable choreographers.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

The works of Henrik Ibsen provide unique challenges for modern theater companies. This may be because of the complexities of his characters or the difficulties of getting an appealing translation of the playwright's original Norwegian prose. Happily the Roundabout Theater has faced both of these challenges and is currently presenting a compelling production of HEDDA GABLER at their elegant American Airlines Theater. Audiences realize they are about to witness something special when they see Hildegard Bechtler's atmospheric set bathed in the subtle and effective lighting of Natasha Katz. However, it is when Michael Cerveris makes his initial entrance that the audience realizes what an exceptional evening this HEDDA GABLER will be. Playing the intellectual writer Jorgen Tesman, Cerveris eschews a dour portrayal of an academic in favor of a character who is robust and certainly in love with his new bride, Hedda, who is stunningly portrayed in this version by Mary-Louise Parker. Cerveris' personal energy is immediately sensed by the audience and throughout the performance they could be detected sitting up or leaning forward whenever he was on stage. It is a masterful performance in every way and is met point-for-point by Ms. Parker. When these two actors are together on stage, the electricity is almost palpable.