Bonnie Keen News

Now, we're the last to try to stir up trouble or to further flame the fires of jealousy or envy, but we thought we'd share with you some photographs of some of those lovely ladies who could delight their audiences just by standing there-but whom inspire and encourage us all with their superb onstage talents. So, here's our recommendation, take a look at these photographs, then find out on which stages you can find these women this summer, then make a reservation and go to the theater…

What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry. Amid the florid prose and flowery praise, you'll find all the stories that don't quite fit anywhere else, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…

In the play, 90-year-old Mabel Tidings Bigelow-the first woman to swim the English Channel from England to Franc -insists on celebrating her daughter and granddaughter's annual visit with a croquet party. As the game unfolds, she relives vignettes from the last 80 years, interweaving past and present to reveal the precise moment of opportunity gained and love rejected, the moment that defined her life.

Howe's rather fanciful memory play wears its heart on its crisp linen sleeve, offering audiences a glimpse into the life of Mabel Tidings Bigelow (played with such spirit by Allen that it's easy to fall just a little bit in love with both the actress and the beautifully written character she plays), a spirited 90-year-old former swimming champion who in her later years finds herself looking back over the multitude of events in her life that have shaped her and challenged her. As the story of Mabel's remarkable, though sometimes deceptively mundane and usual, life unfolds onstage before you, you are likely to find yourself thoroughly caught up in the minutiae of that life as the panoply of events and individuals move about-not unlike the ebb and flow of the tides that buffet the beaches of her hometown of Prides Crossing, Massachusetts, an upper crust enclave of Beverly, Mass.

In the play, 90-year-old Mabel Tidings Bigelow-the first woman to swim the English Channel from England to Franc -insists on celebrating her daughter and granddaughter's annual visit with a croquet party. As the game unfolds, she relives vignettes from the last 80 years, interweaving past and present to reveal the precise moment of opportunity gained and love rejected, the moment that defined her life.

Today, the spotlight falls upon Bonnie Keen, one of Nashville's most beloved entertainers, who this weekend lends her estimable talents to the staged reading of Christopher Davis and Frederick Richardson's Punchinello, a new family-friendly musical based upon the children's books of Max Lucado. The staged reading of Punchinello is set for Friday and Saturday nights, March 16 and 17, with a 7:30 p.m. curtain, in Wallace Chapel at Christ Church Nashville, 15354 Old Hickory Boulevard. (Tickets are $10, $5 for children under 12.)

Here's Bakari King singing 'Marvellaphony Organoni' from Punchinello...

Laura Matula sings 'Can You Unbreak a Heart' from Punchinello, music by Christopher Davis, lyrics by Frederick Richardson.

Theater audiences in Nashville will be treated to something new this weekend as the new musical Punchinello, based on the writings of Max Lucado, will be presented in a staged reading at Wallace Chapel at Christ Church Nashville this Friday and Saturday nights.

In the play, 90-year-old Mabel Tidings Bigelow-the first woman to swim the English Channel from England to Franc -insists on celebrating her daughter and granddaughter's annual visit with a croquet party. As the game unfolds, she relives vignettes from the last 80 years, interweaving past and present to reveal the precise moment of opportunity gained and love rejected, the moment that defined her life.

In a town where everyone from your next-door neighbor to your favorite barista - from your dental hygienist to your manicurist, your seatmate on the bus, your friendly neighborhood bartender and maybe even the guy who does your taxes - is a songwriter, you'll find that there's never a shortage of opinions on the topic of favorite songs. Ask a cross-section of Nashville theater-types what their favorite love song is from the annals of musical theater and you're going to get a barrage of answers.

With a capacity crowd of 200 people on hand at The Keeton Theatre, First Night founder and executive producer Jeffrey Ellis, who covers theater, opera and dance throughout Tennessee for BroadwayWorld.com, unveiled his choices via First Night's Top 11 of 2011, while the winners of the BroadwayWorld.com Nashville and Tennessee Theatre Awards were announced by co-hosts Britt Byrd, Jamie Free, Katherine Sandoval Taylor and Lar'Juanette Williams.

Bonnie Keen, apparently, can do anything. Heretofore known for having one of the most memorable voices in the music business, she's also left her mark in theatrical circles as one of the most fearless comedic actresses to ever take the stage. But who knew she could also twirl the baton - and do the splits? Bonnie Keen is one amazing human being, for certain, and she puts all her many talents on display in 800 Miles Off Broadway, the latest stage spectacle to feature The Glory Bugles, the gospel-singing pride of fictional Box Springs, Tennessee, featuring the tremendously talented Nan Gurley, Wayne Gurley and Stevan Pippin (with scene-stealing Ted Wilson joining in on the fun at the piano).

One of the new events added to the line-up for 2011 First Night, The Theatre Honors was The Women In Theatre Luncheon - which saluted the inaugural eight recipients of The First Night Star Award - held Tuesday, August 30, at The Listening Room Cafe in Cummins Station. Co-chaired by Corrie Miller and Neely O'Brien Green, the event was produced by Jeffrey Ellis, founder and executive producer of First Night.

With almost 150 performers taking to the stage of Belmont University's Troutt Theatre on Sunday night, September 4, members of the theater community throughout Tennessee joined together to fete the six members of the 2011 Class of First Night Honorees.

Bonnie Keen is, without doubt, one of the most fearless actors to ever take the stage in Nashville. With a gorgeous voice and a talent that is worthy of praise, she will do whatever it takes to connect with her audience, lacing her performances with warmth, wit and wonder. The first time I saw Bonnie onstage was years ago, back in the day, when she played the Witch in Circle Players' production of Stephen Sondheim's Into the Woods; she was mesmerizing. Savvy and smart, she knows what works and what doesn't work onstage and in that role, in which she goes from ugly and twisted to beautiful and elegant, she displayed a range that other actors envy. At the time she did Into the Woods, she was taking a break from her burgeoning recording career: She's an award-winning member of the contemporary Christian music trio First Call.

A perfect dozen of Nashville's favorite - and best-singing - actresses will claim the role of the iconic Fanny Brice in Keeping Scores Concert's upcoming Funny Girl in Concert, the inaugural production of the continuing concert series to be staged at Franklin's Boiler Room Theatre. The twelve women portraying Fanny Brice at different times in her life - and in the musical's various scenes -include (in alphabetical order): Nancy Allen, Erica Haines Cantrell, Joann Coleman, Lindsay Terrizzi Hess, Catherine Mai Holder, Bonnie Keen, Cori Laemmel, Alex Maddox, Corrie Miller, Sondra Morton, Laura Thomas-Sonn and Heather Trabucco. Funny Girl in Concert will be presented for three performances at Boiler Room Theatre on April 29-30 and May 1. Joining Nashville's Funny Girls onstage for the concerts are Bakari King as Nicky Arnstein, Annette de la Torre as Mrs. Brice and Bryan Wlas as Eddie Ryan.

Of course, one way around that theatrical conundrum is to take the route that director Scott Logsdon and Keeping Scores Concerts at Franklin's Boiler Room Theatre have embarked upon for three performances this weekend: Cast 12 different actresses as Fanny Brice, each one well-qualified to take on a particular song, allowing her to interpret, both musically and dramatically, the character of Fanny. And for support of the 12 actresses taking up the Fanny challenge, you'll need an amazingly gifted ensemble. The result? A wonderfully entertaining night at the theater, replete with outstanding performances from some of your favorite Nashville actors - and the chance to hear a beautiful, memorable score brought to life as it was meant to be heard by the team of composer Jule Styne, lyricist Bob Merrill and librettist Isobel Lennart.

In the upcoming concert version of Funny Girl, set for April 29-May 1 at Franklin's Boiler Room Theatre, director Scott Logsdon has cast 12 very different, very funny and somehow uniquely qualified women to take on the iconic role of Fanny Brice, first brought to national, then worldwide, acclaim by the inimitable Barbra Streisand. We're giving you a chance to get to know all of Nashville's Funny Fannys, one by one, and here's the latest: Nancy Allen...

In the upcoming Keeping Scores' concert version of Funny Girl, set for April 29-May 1 at Boiler Room Theatre, director Scott Logsdon has cast 12 different, yet very funny and somehow uniquely qualified actresses to take on the iconic role of Fanny Brice. First brought to national, then international, acclaim by the legendary Barbra Streisand, the role of Fanny Brice is a coveted role among musical theater performers. The buzz from rehearsals tells us that things are going swimmingly, egos are being kept at-bay and all the cast members gather around the campfire to toast marshmallows and sing 'People' at the end of the evening (thus proving untrue my contention they were singing 'Kumbaya' every night). The dozen Fannys, of course, are my current 12 favorite singing actresses (I remind you, gentle reader, that I am contractually required to make that statement at least 12 times a day), and as you've gotten to know each Fanny one-by-one, we continue that tradition, today offering up the case of one, Ms. Bonnie Keen (who really is my favorite, but please don't tell Cori, Corrie, Sondra, Laura, Heather, Joann, Catherine, Alex, Nancy, Lindsay or Erica, they'll take it personally). So, here is today's interview with a Funny Fanny who, interestingly enough, has a funny fanny...read on to find out what I mean...