Fiona Press

Kendall Feaver’s WHEREVER SHE WANDERS is a new thought-provoking work that contemplates the progress, or lack thereof, of society’s attitude to sexual assault in higher education environments.

At one of the country’s oldest residential colleges, student and aspiring journalist Nikki Faletau is on a collision course with Jo Mulligan, the first female Master of the college. Scandals inside the college rarely reach the outside world, as there’s always quiet money to mop up the mess. 

At one of the country’s oldest residential colleges, student and aspiring journalist Nikki Faletau is on a collision course with Jo Mulligan, the first female Master of the college. Scandals inside the college rarely reach the outside world, as there’s always quiet money to mop up the mess. 

At a star-studded ceremony tonight, the winners of the 2018 Sydney Theatre Awards were announced, with 34 Awards presented, shared between 16 productions which played in Sydney during the calendar year of 2018. Over 450 members of the Sydney theatre community packed the York Theatre at the Seymour Centre to celebrate.

In the tradition of Holden Street Theatres' renowned Fringe programming, the award-winning South Australian and New Zealand company House of Sand returns to Holden Street, the home of theatre for the 2018 Feast Festival, from 20 November to 2 December with the Adelaide premiere of Alice Birch's (UK) Revolt. She Said. Revolt Again. a new comedy which flips the usual script on sexual politics.

There is nothing much unfamiliar about the very real invasions of privacy, hyper-surveillance, augmentation of technology, flaws in cybersecurity, and moderate resurgence of feudal attitudes we experience in life that art often imitates. For all its relevance, not to mention its prevalence in secondary school texts, and cult following to boot, 1984 could all-too-easily suffer from a stage adaptation remiss in pushing it beyond its direct correlation to the frankly frightening realities of contemporary living that have emerged almost exactly as predicted by the source material published in just shy of seventy years ago. Mercifully, Robert Icke and Duncan Macmillan's adaptation, is anything but by the numbers. What we have here is a visually powerhouse, intellectually dynamic, risk-taking presentation of the modern making of meaning. Potent from the first moment right through until the dripping finale, it's a post-show conversation you don't want to miss.

Nobody will leave the theatre unaffected.

The West End smash hit adaptation of George Orwell's dystopian masterpiece 1984 tours Australia on a four-month tour, including Sydney Theatre Company's Roslyn Packer Theatre from 28 June to 22 July 2017.

George Orwell's seminal novel 1984 is suddenly more relevant than ever and, in a stroke of synchronicity, the casting for the Australian tour of the West End smash hit production has been announced on the same day that a Broadway season of the production has been confirmed.

Dino Dimitriadis, in association with Red Line Productions, is pleased to present The Shadow Box by Michael Cristofer at the Old Fitz Theatre from November 15.

Sport for Jove's reputation has gone from strength to strength this past year for presenting Sydney's most gripping, topical and connective theatre canon, as part of which Damien Ryan's adaptation of Sophocles' Antigone is absolutely at home. A transportation of an ancient Greek tragedy into the context of a very-near-future where its messages of female empowerment, the dangers of dictatorship, the real threat of toxic masculinity on communities, and of 'public opinion' on societal progress are as valid if not more for today's audiences. The ensemble is flawless and diverse, for which alone the ticket price is worth reinforcing a vision for Australian stages such as Sport for Jove have impressed. Andrea Demetriades is a force of nature in the title role, commanding change amongst the people on stage and in the stalls through a performance direct, deep and dynamic. Damien Ryan's text is nothing short of exquisite, which bears repetition and reiteration for its multi-lingual, multi-dimensional transformation of an archetypal narrative. To create something that evokes authentic ancient tragedy not with pity but with empathy is what made this production less theatre and more art in its strongest form with every passing cue and paragraph.

The Glugs celebrated their annual Theatre Awards tonight at Sydney's Castlereagh Boutique Hotel. Scroll down for the full list of winners!

Defibrillator presents Alan Seymour's The One Day of the Year at Finborough Theatre. Wayne Harrison, former Artistic Director of the Sydney Theatre Company, will direct Mark Little, Fiona Press, Adele Querol and James William Wright in the first UK production in over fifty years of the iconic Australian play. Scroll down for a sneak peek at the cast in rehearsal!

Defibrillator presents Alan Seymour's The One Day of the Year at Finborough Theatre. Wayne Harrison, former Artistic Director of the Sydney Theatre Company, will direct Mark Little, Fiona Press, Adele Querol and James William Wright in the first UK production in over fifty years of the iconic Australian play. Scroll down for a sneak peek at the cast in rehearsal!

Ensemble Theatre's 2014 season was launched on Aug 19 at the theatre with over 200 actors, directors, playwrights and group bookers in attendance. First up for 2014 is PROOF by David Auburn, a captivating character study about maths and the fine line between madness and genius directed by Sandra Bates with Adriano Cappelletta, Catherine McGraffin, Matilda Ridgway and Michael Ross.