Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
& JULIET (STEPHEN SONDHEIM) |
$1,019,715 | $1,019,715 | $134 $323 |
7,632 | 8,208 | 8 | 93.00% |
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$952,743 | $952,743 | $150 $348 |
6,345 | 9,224 | 8 | 68.80% |
ALADDIN (NEW AMSTERDAM) |
$1,439,978 | $1,439,978 | $108 $216 |
13,289 | 13,816 | 8 | 96.20% |
AN ENEMY OF THE PEOPLE (CIRCLE IN THE SQUARE) |
$1,089,582 | $1,089,582 | $160 $480 |
6,796 | 6,624 | 8 | 102.60% |
APPROPRIATE (BELASCO) |
$684,781 | $684,781 | $120 $297 |
5,709 | 6,504 | 8 | 87.80% |
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,091,853 | $1,091,853 | $101 $267 |
10,773 | 11,824 | 8 | 91.10% |
CABARET AT THE KIT KAT CLUB (AUGUST WILSON) |
$1,701,828 | $1,701,828 | $227 $599 |
7,495 | 7,490 | 7 | 100.10% |
CHICAGO (AMBASSADOR) |
$676,076 | $676,076 | $103 $237 |
6,559 | 8,640 | 8 | 75.90% |
HADESTOWN (WALTER KERR) |
$853,363 | $853,363 | $117 $299 |
7,290 | 7,344 | 8 | 99.30% |
HAMILTON (RICHARD RODGERS) |
$1,847,152 | $1,847,152 | $177 $399 |
10,424 | 10,592 | 8 | 98.40% |
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,126,870 | $1,126,870 | $99 $299 |
11,409 | 12,976 | 8 | 87.90% |
HELL'S KITCHEN (SHUBERT) |
$1,290,438 | $1,290,438 | $112 $323 |
11,487 | 11,544 | 8 | 99.50% |
ILLINOISE (ST. JAMES) |
$728,487 | $728,487 | $75 $0 |
9,766 | 10,688 | 8 | 91.40% |
KIMBERLY AKIMBO (BOOTH) |
$627,285 | $627,285 | $122 $348 |
5,162 | 6,184 | 8 | 83.50% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
LEMPICKA (LONGACRE) |
$288,102 | $288,102 | $48 $248 |
5,985 | 8,376 | 8 | 71.50% |
MARY JANE (FRIEDMAN) |
$431,817 | $431,817 | $89 $299 |
4,849 | 5,144 | 8 | 94.30% |
MERRILY WE ROLL ALONG (HUDSON) |
$1,464,492 | $1,464,492 | $190 $649 |
7,728 | 7,728 | 8 | 100.00% |
MJ THE MUSICAL (NEIL SIMON) |
$1,600,374 | $1,600,374 | $150 $329 |
10,681 | 11,096 | 8 | 96.30% |
MOTHER PLAY (HAYES) |
$496,924 | $496,924 | $108 $297 |
4,598 | 4,648 | 8 | 98.90% |
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,433,475 | $1,433,475 | $139 $449 |
10,334 | 10,400 | 8 | 99.40% |
PATRIOTS (ETHEL BARRYMORE) |
$513,607 | $513,607 | $67 $273 |
7,702 | 8,280 | 8 | 93.00% |
SIX (LENA HORNE) |
$845,124 | $845,124 | $115 $249 |
7,367 | 8,248 | 8 | 89.30% |
STEREOPHONIC (GOLDEN) |
$541,161 | $541,161 | $90 $297 |
5,999 | 6,224 | 8 | 96.40% |
SUFFS (MUSIC BOX) |
$630,169 | $630,169 | $104 $278 |
6,059 | 7,784 | 8 | 77.80% |
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,519,739 | $1,519,739 | $146 $329 |
10,394 | 10,486 | 7 | 99.10% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$895,485 | $895,485 | $112 $299 |
8,004 | 8,528 | 8 | 93.90% |
THE GREAT GATSBY (BROADWAY) |
$1,028,276 | $1,028,276 | $89 $303 |
11,612 | 11,880 | 8 | 97.70% |
THE HEART OF ROCK AND ROLL (JAMES EARL JONES) |
$371,485 | $371,485 | $63 $267 |
5,860 | 8,568 | 8 | 68.40% |
THE LION KING (MINSKOFF) |
$2,196,518 | $2,196,518 | $172 $277 |
12,770 | 13,568 | 8 | 94.10% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE NOTEBOOK (SCHOENFELD) |
$772,603 | $772,603 | $104 $323 |
7,435 | 8,136 | 8 | 91.40% |
THE OUTSIDERS (JACOBS) |
$923,688 | $923,688 | $115 $278 |
8,007 | 8,184 | 8 | 97.80% |
THE WHO'S TOMMY (NEDERLANDER) |
$1,064,542 | $1,064,542 | $131 $299 |
8,148 | 9,400 | 8 | 86.70% |
THE WIZ (MARQUIS) |
$1,611,118 | $1,611,118 | $128 $399 |
12,585 | 12,800 | 8 | 98.30% |
UNCLE VANYA (VIVIAN BEAUMONT) |
$829,451 | $829,451 | $115 $299 |
7,233 | 7,329 | 7 | 98.70% |
WATER FOR ELEPHANTS (IMPERIAL) |
$1,038,304 | $1,038,304 | $111 $278 |
9,373 | 11,080 | 8 | 84.60% |
WICKED (GERSHWIN) |
$1,926,859 | $1,926,859 | $129 $275 |
14,895 | 14,936 | 8 | 99.70% |
TOTAL | $37,553,464 | $1,043,152 | $122.02 $317.44 |
307,754 | 334,481 | 285 | 92.01% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
Videos
TICKET CENTRAL
Recommended For You