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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$1,097,034 | $1,097,034 | $140 $323 |
7,813 | 8,208 | 8 | 95.20% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$745,128 | $745,128 | $148 $348 |
5,039 | 9,224 | 8 | 54.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,395,336 | $1,395,336 | $107 $216 |
12,996 | 13,816 | 8 | 94.10% |
|
AN ENEMY OF THE PEOPLE (CIRCLE IN THE SQUARE) |
$1,058,686 | $1,058,686 | $156 $480 |
6,779 | 6,624 | 8 | 102.30% |
|
APPROPRIATE (BELASCO) |
$649,236 | $649,236 | $113 $297 |
5,767 | 6,504 | 8 | 88.70% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,113,824 | $1,113,824 | $105 $267 |
10,638 | 11,824 | 8 | 90.00% |
|
CABARET AT THE KIT KAT CLUB (AUGUST WILSON) |
$1,731,227 | $1,731,227 | $231 $599 |
7,490 | 7,490 | 7 | 100.00% |
|
CHICAGO (AMBASSADOR) |
$650,362 | $650,362 | $102 $237 |
6,374 | 8,640 | 8 | 73.80% |
|
DOUBT: A PARABLE (TODD HAIMES) |
$549,779 | $549,779 | $112 $323 |
4,896 | 5,089 | 7 | 96.20% |
|
HADESTOWN (WALTER KERR) |
$900,474 | $900,474 | $125 $299 |
7,193 | 7,344 | 8 | 97.90% |
|
HAMILTON (RICHARD RODGERS) |
$1,972,707 | $1,972,707 | $187 $399 |
10,566 | 10,592 | 8 | 99.80% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,236,270 | $1,236,270 | $113 $299 |
10,973 | 12,976 | 8 | 84.60% |
|
HELL'S KITCHEN (SHUBERT) |
$937,262 | $937,262 | $96 $323 |
9,728 | 10,101 | 7 | 96.30% |
|
KIMBERLY AKIMBO (BOOTH) |
$474,852 | $474,852 | $90 $273 |
5,288 | 6,184 | 8 | 85.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LEMPICKA (LONGACRE) |
$344,080 | $344,080 | $44 $248 |
7,878 | 8,376 | 8 | 94.10% |
|
MARY JANE (FRIEDMAN) |
$229,136 | $229,136 | $82 $299 |
2,784 | 3,215 | 5 | 86.60% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,465,504 | $1,465,504 | $190 $649 |
7,728 | 7,728 | 8 | 100.00% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,473,679 | $1,473,679 | $146 $329 |
10,069 | 11,096 | 8 | 90.70% |
|
MOTHER PLAY (HAYES) |
$538,415 | $538,415 | $117 $247 |
4,614 | 4,648 | 8 | 99.30% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,388,633 | $1,388,633 | $134 $399 |
10,355 | 10,400 | 8 | 99.60% |
|
PATRIOTS (ETHEL BARRYMORE) |
$372,999 | $372,999 | $63 $273 |
5,911 | 7,245 | 7 | 81.60% |
|
SIX (LENA HORNE) |
$940,667 | $940,667 | $118 $249 |
7,956 | 8,248 | 8 | 96.50% |
|
STEREOPHONIC (GOLDEN) |
$440,058 | $440,058 | $81 $297 |
5,446 | 5,446 | 7 | 100.00% |
|
SUFFS (MUSIC BOX) |
$609,384 | $609,384 | $80 $268 |
7,646 | 7,784 | 8 | 98.20% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,331,506 | $1,331,506 | $137 $329 |
9,750 | 10,486 | 7 | 93.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$881,216 | $881,216 | $109 $250 |
8,063 | 8,528 | 8 | 94.50% |
|
THE GREAT GATSBY (BROADWAY) |
$944,477 | $944,477 | $98 $277 |
9,670 | 10,395 | 7 | 93.00% |
|
THE HEART OF ROCK AND ROLL (JAMES EARL JONES) |
$214,590 | $214,590 | $39 $267 |
5,555 | 7,497 | 7 | 74.10% |
|
THE LION KING (MINSKOFF) |
$2,050,191 | $2,050,191 | $166 $277 |
12,388 | 13,568 | 8 | 91.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE NOTEBOOK (SCHOENFELD) |
$778,330 | $778,330 | $113 $323 |
6,872 | 8,136 | 8 | 84.50% |
|
THE OUTSIDERS (JACOBS) |
$787,966 | $787,966 | $97 $278 |
8,143 | 8,184 | 8 | 99.50% |
|
THE WHO'S TOMMY (NEDERLANDER) |
$1,045,618 | $1,045,618 | $132 $299 |
7,942 | 9,400 | 8 | 84.50% |
|
THE WIZ (MARQUIS) |
$1,288,057 | $1,288,057 | $124 $399 |
10,389 | 11,130 | 7 | 93.30% |
|
UNCLE VANYA (VIVIAN BEAUMONT) |
$995,572 | $995,572 | $121 $299 |
8,231 | 8,376 | 8 | 98.30% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$945,597 | $945,597 | $118 $278 |
7,997 | 11,080 | 8 | 72.20% |
|
WICKED (GERSHWIN) |
$1,957,361 | $1,957,361 | $130 $275 |
15,101 | 15,408 | 8 | 98.00% |
| TOTAL | $35,535,214 | $987,089 | $121.68 $319.21 |
292,028 | 320,990 | 276 | 90.98% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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