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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A STRANGE LOOP (LYCEUM) |
$703,728 | $703,728 | $106 $307 |
6,623 | 7,376 | 8 | 89.80% |
|
ALADDIN (NEW AMSTERDAM) |
$1,080,377 | $1,080,377 | $83 $200 |
13,025 | 13,816 | 8 | 94.30% |
|
AMERICAN BUFFALO (CIRCLE IN THE SQUARE) |
$555,265 | $555,265 | $115 $300 |
4,831 | 6,008 | 8 | 80.40% |
|
BEETLEJUICE (MARQUIS) |
$903,330 | $903,330 | $111 $249 |
8,118 | 12,816 | 8 | 63.30% |
|
BIRTHDAY CANDLES (AMERICAN AIRLINES) |
$270,637 | $270,637 | $71 $197 |
3,836 | 5,816 | 8 | 66.00% |
|
CHICAGO (AMBASSADOR) |
$718,800 | $718,800 | $96 $207 |
7,470 | 8,640 | 8 | 86.50% |
|
COME FROM AWAY (SCHOENFELD) |
$480,470 | $480,470 | $95 $247 |
5,070 | 8,368 | 8 | 60.60% |
|
COMPANY (JACOBS) |
$726,010 | $726,010 | $114 $327 |
6,392 | 8,368 | 8 | 76.40% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$547,244 | $547,244 | $96 $248 |
5,722 | 7,872 | 8 | 72.70% |
|
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF (BOOTH) |
$339,177 | $339,177 | $90 $223 |
4,443 | 6,184 | 8 | 71.80% |
|
FUNNY GIRL (AUGUST WILSON) |
$1,319,772 | $1,319,772 | $138 $299 |
9,537 | 9,752 | 8 | 97.80% |
|
GIRL FROM THE NORTH COUNTRY (BELASCO) |
$304,809 | $304,809 | $85 $197 |
3,605 | 6,384 | 8 | 56.50% |
|
HADESTOWN (WALTER KERR) |
$1,040,274 | $1,040,274 | $141 $399 |
7,398 | 7,344 | 8 | 100.70% |
|
HAMILTON (RICHARD RODGERS) |
$2,266,325 | $2,266,325 | $223 $449 |
10,170 | 10,592 | 8 | 96.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HANGMEN (GOLDEN) |
$306,868 | $306,868 | $98 $223 |
3,129 | 6,416 | 8 | 48.80% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,332,544 | $1,332,544 | $117 $277 |
11,392 | 12,976 | 8 | 87.80% |
|
HOW I LEARNED TO DRIVE (FRIEDMAN) |
$370,367 | $370,367 | $87 $299 |
4,240 | 5,096 | 8 | 83.20% |
|
MACBETH (LONGACRE) |
$1,353,700 | $1,353,700 | $166 $497 |
8,135 | 8,408 | 8 | 96.80% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,464,626 | $1,464,626 | $136 $250 |
10,777 | 11,096 | 8 | 97.10% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,369,262 | $1,369,262 | $138 $329 |
9,896 | 10,400 | 8 | 95.20% |
|
MR. SATURDAY NIGHT (NEDERLANDER) |
$818,982 | $818,982 | $141 $299 |
5,794 | 8,337 | 7 | 69.50% |
|
MRS. DOUBTFIRE (STEPHEN SONDHEIM) |
$509,975 | $509,975 | $84 $227 |
6,104 | 8,272 | 8 | 73.80% |
|
PARADISE SQUARE (ETHEL BARRYMORE) |
$241,952 | $241,952 | $54 $248 |
4,502 | 7,856 | 8 | 57.30% |
|
PLAZA SUITE (HUDSON) |
$1,647,507 | $1,647,507 | $213 $549 |
7,727 | 7,800 | 8 | 99.10% |
|
POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM AL (SHUBERT) |
$529,449 | $529,449 | $79 $248 |
6,684 | 11,608 | 8 | 57.60% |
|
SIX (BROOKS ATKINSON) |
$1,283,416 | $1,283,416 | $158 $249 |
8,129 | 8,248 | 8 | 98.60% |
|
TAKE ME OUT (HELEN HAYES) |
$540,659 | $540,659 | $120 $299 |
4,503 | 4,648 | 8 | 96.90% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,021,148 | $1,021,148 | $126 $299 |
8,080 | 8,528 | 8 | 94.70% |
|
THE LION KING (MINSKOFF) |
$1,771,357 | $1,771,357 | $136 $199 |
13,009 | 13,568 | 8 | 95.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE MINUTES (STUDIO 54) |
$342,174 | $342,174 | $92 $195 |
3,733 | 5,336 | 8 | 70.00% |
|
THE MUSIC MAN (WINTER GARDEN) |
$3,487,855 | $3,487,855 | $283 $597 |
12,316 | 12,200 | 8 | 101.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$892,439 | $892,439 | $97 $247 |
9,199 | 12,840 | 8 | 71.60% |
|
THE SKIN OF OUR TEETH (VIVIAN BEAUMONT) |
$164,479 | $164,479 | $59 $225 |
2,768 | 6,348 | 6 | 43.60% |
|
TINA - THE TINA TURNER MUSICAL (LUNT-FONTANNE) |
$1,013,156 | $1,013,156 | $120 $249 |
8,447 | 11,824 | 8 | 71.40% |
|
WICKED (GERSHWIN) |
$1,572,052 | $1,572,052 | $123 $230 |
12,754 | 14,456 | 8 | 88.20% |
| TOTAL | $33,290,185 | $951,148 | $129.25 $288.07 |
257,558 | 315,597 | 277 | 81.61% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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