Broadway Grosses by Year - 2019 for Week 27

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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.

SHOW	Total Gross	Avg. Gross	Avg / Top Ticket	Seats Sold	Total Seats	Perf.	Avg. %
AIN'T TOO PROUD (IMPERIAL)	$1,494,677	$1,494,677	$132 $297	11,292	11,392	8	99.10%
ALADDIN (NEW AMSTERDAM)	$1,619,216	$1,619,216	$120 $228	13,525	13,816	8	97.90%
BE MORE CHILL (LYCEUM)	$443,212	$443,212	$77 $248	5,791	7,128	8	81.20%
BEAUTIFUL (STEPHEN SONDHEIM)	$442,880	$442,880	$76 $247	5,859	8,208	8	71.40%
BEETLEJUICE (WINTER GARDEN)	$967,706	$967,706	$87 $223	11,090	11,944	8	92.80%
BURN THIS (HUDSON)	$659,700	$659,700	$94 $325	7,033	7,680	8	91.60%
CHICAGO (AMBASSADOR)	$683,485	$683,485	$87 $187	7,856	8,640	8	90.90%
COME FROM AWAY (SCHOENFELD)	$850,513	$850,513	$100 $297	8,518	8,368	8	101.80%
CRISS ANGEL (LUNT-FONTANNE)	$434,072	$434,072	$49 $297	8,794	9,702	7	90.60%
DEAR EVAN HANSEN (MUSIC BOX)	$1,202,535	$1,202,535	$150 $348	7,995	7,872	8	101.60%
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE (BROADHURST)	$231,745	$231,745	$50 $247	4,597	9,304	8	49.40%
FROZEN (ST. JAMES)	$1,305,287	$1,305,287	$98 $228	13,260	13,472	8	98.40%
HADESTOWN (WALTER KERR)	$1,397,270	$1,397,270	$188 $499	7,445	7,344	8	101.40%
HAMILTON (RICHARD RODGERS)	$3,092,755	$3,092,755	$288 $849	10,755	10,568	8	101.80%
SHOW	Total Gross	Avg. Gross	Avg / Top Ticket	Seats Sold	Total Seats	Perf.	Avg. %
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC)	$1,451,748	$1,451,748	$112 $297	12,976	12,976	8	100.00%
INK (FRIEDMAN)	$398,901	$398,901	$81 $299	4,935	5,096	8	96.80%
KING KONG (BROADWAY)	$666,543	$666,543	$72 $198	9,289	13,904	8	66.80%
MEAN GIRLS (AUGUST WILSON)	$1,039,179	$1,039,179	$106 $250	9,820	9,800	8	100.20%
MOULIN ROUGE! (AL HIRSCHFELD)	$1,331,046	$1,331,046	$204 $499	6,518	6,510	5	100.10%
MY FAIR LADY (VIVIAN BEAUMONT)	$928,852	$928,852	$112 $323	8,324	8,552	8	97.30%
OKLAHOMA! (CIRCLE IN THE SQUARE)	$520,921	$520,921	$105 $250	4,961	5,208	8	95.30%
PRETTY WOMAN: THE MUSICAL (NEDERLANDER)	$558,084	$558,084	$85 $275	6,710	9,344	8	71.80%
THE BOOK OF MORMON (EUGENE O'NEILL)	$1,049,436	$1,049,436	$121 $478	8,692	8,376	8	103.80%
THE CHER SHOW (NEIL SIMON)	$650,102	$650,102	$88 $247	7,384	11,040	8	66.90%
THE FERRYMAN (JACOBS)	$949,617	$949,617	$118 $247	8,080	8,152	8	99.10%
THE LION KING (MINSKOFF)	$2,580,903	$2,580,903	$191 $225	13,519	13,568	8	99.60%
THE PHANTOM OF THE OPERA (MAJESTIC)	$1,094,422	$1,094,422	$91 $207	11,968	12,840	8	93.20%
THE PROM (LONGACRE)	$654,288	$654,288	$86 $247	7,646	8,360	8	91.50%
TO KILL A MOCKINGBIRD (SHUBERT)	$1,900,573	$1,900,573	$163 $448	11,660	11,480	8	101.60%
SHOW	Total Gross	Avg. Gross	Avg / Top Ticket	Seats Sold	Total Seats	Perf.	Avg. %
TOOTSIE (MARQUIS)	$851,034	$851,034	$96 $247	8,894	12,816	8	69.40%
WAITRESS (BROOKS ATKINSON)	$498,571	$498,571	$83 $270	5,997	8,360	8	71.70%
WHAT THE CONSTITUTION MEANS TO ME (HAYES)	$242,210	$242,210	$105 $197	2,298	2,332	4	98.50%
WICKED (GERSHWIN)	$1,917,159	$1,917,159	$131 $240	14,626	14,936	8	97.90%
TOTAL	$34,108,643	$1,033,595	$118.39 $301.85	288,107	319,088	256	90.29%

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..

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