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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,576,625 | $1,576,625 | $139 $297 |
11,378 | 11,392 | 8 | 99.90% |
|
ALADDIN (NEW AMSTERDAM) |
$1,482,888 | $1,482,888 | $108 $253 |
13,668 | 13,816 | 8 | 98.90% |
|
ALL MY SONS (AMERICAN AIRLINES) |
$503,225 | $503,225 | $92 $350 |
5,447 | 5,920 | 8 | 92.00% |
|
BE MORE CHILL (LYCEUM) |
$448,182 | $448,182 | $79 $248 |
5,685 | 7,128 | 8 | 79.80% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$602,634 | $602,634 | $93 $247 |
6,507 | 8,208 | 8 | 79.30% |
|
BEETLEJUICE (WINTER GARDEN) |
$833,073 | $833,073 | $81 $223 |
10,297 | 11,944 | 8 | 86.20% |
|
BURN THIS (HUDSON) |
$770,468 | $770,468 | $110 $325 |
6,974 | 7,680 | 8 | 90.80% |
|
CHICAGO (AMBASSADOR) |
$721,057 | $721,057 | $88 $187 |
8,173 | 8,640 | 8 | 94.60% |
|
COME FROM AWAY (SCHOENFELD) |
$944,375 | $944,375 | $111 $297 |
8,506 | 8,368 | 8 | 101.60% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,251,151 | $1,251,151 | $157 $348 |
7,991 | 7,872 | 8 | 101.50% |
|
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE (BROADHURST) |
$299,455 | $299,455 | $44 $247 |
6,812 | 9,304 | 8 | 73.20% |
|
FROZEN (ST. JAMES) |
$1,161,988 | $1,161,988 | $98 $228 |
11,870 | 13,472 | 8 | 88.10% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$263,248 | $263,248 | $52 $273 |
5,082 | 6,160 | 8 | 82.50% |
|
HADESTOWN (WALTER KERR) |
$1,197,934 | $1,197,934 | $161 $399 |
7,429 | 7,344 | 8 | 101.20% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$2,924,092 | $2,924,092 | $272 $849 |
10,739 | 10,568 | 8 | 101.60% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,609,528 | $1,609,528 | $124 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$330,102 | $330,102 | $66 $297 |
5,017 | 6,296 | 8 | 79.70% |
|
INK (FRIEDMAN) |
$422,913 | $422,913 | $95 $299 |
4,444 | 5,096 | 8 | 87.20% |
|
KING KONG (BROADWAY) |
$700,004 | $700,004 | $72 $347 |
9,716 | 13,904 | 8 | 69.90% |
|
KING LEAR (CORT) |
$358,474 | $358,474 | $66 $273 |
5,413 | 8,392 | 8 | 64.50% |
|
KISS ME, KATE (STUDIO 54) |
$791,721 | $791,721 | $103 $350 |
7,720 | 7,984 | 8 | 96.70% |
|
MEAN GIRLS (AUGUST WILSON) |
$952,623 | $952,623 | $105 $250 |
9,038 | 9,800 | 8 | 92.20% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$780,819 | $780,819 | $105 $323 |
7,438 | 8,552 | 8 | 87.00% |
|
NETWORK (BELASCO) |
$1,008,529 | $1,008,529 | $138 $373 |
7,284 | 7,105 | 7 | 102.50% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$604,896 | $604,896 | $115 $250 |
5,271 | 5,208 | 8 | 101.20% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$756,590 | $756,590 | $102 $275 |
7,427 | 9,344 | 8 | 79.50% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,129,637 | $1,129,637 | $131 $478 |
8,656 | 8,376 | 8 | 103.30% |
|
THE CHER SHOW (NEIL SIMON) |
$916,761 | $916,761 | $105 $247 |
8,750 | 11,040 | 8 | 79.30% |
|
THE FERRYMAN (JACOBS) |
$579,679 | $579,679 | $96 $223 |
6,013 | 8,152 | 8 | 73.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,317,201 | $2,317,201 | $171 $225 |
13,556 | 13,568 | 8 | 99.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,198,078 | $1,198,078 | $94 $213 |
12,722 | 12,840 | 8 | 99.10% |
|
THE PROM (LONGACRE) |
$640,384 | $640,384 | $91 $247 |
7,068 | 8,360 | 8 | 84.50% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,647,412 | $1,647,412 | $141 $497 |
11,654 | 11,480 | 8 | 101.50% |
|
TOOTSIE (MARQUIS) |
$1,223,722 | $1,223,722 | $111 $247 |
11,021 | 12,816 | 8 | 86.00% |
|
WAITRESS (BROOKS ATKINSON) |
$680,339 | $680,339 | $92 $270 |
7,383 | 8,360 | 8 | 88.30% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$524,797 | $524,797 | $113 $197 |
4,633 | 4,664 | 8 | 99.30% |
|
WICKED (GERSHWIN) |
$1,751,069 | $1,751,069 | $120 $240 |
14,559 | 14,936 | 8 | 97.50% |
| TOTAL | $35,905,670 | $970,424 | $114.23 $302.32 |
314,317 | 347,065 | 295 | 90.56% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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