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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,463,394 | $1,463,394 | $129 $297 |
11,373 | 11,392 | 8 | 99.80% |
|
ALADDIN (NEW AMSTERDAM) |
$1,378,028 | $1,378,028 | $103 $228 |
13,432 | 13,816 | 8 | 97.20% |
|
ALL MY SONS (AMERICAN AIRLINES) |
$493,421 | $493,421 | $94 $350 |
5,235 | 5,920 | 8 | 88.40% |
|
BE MORE CHILL (LYCEUM) |
$431,935 | $431,935 | $72 $248 |
5,962 | 7,128 | 8 | 83.60% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$675,006 | $675,006 | $94 $247 |
7,145 | 8,208 | 8 | 87.00% |
|
BEETLEJUICE (WINTER GARDEN) |
$838,049 | $838,049 | $85 $298 |
9,842 | 11,944 | 8 | 82.40% |
|
BURN THIS (HUDSON) |
$676,047 | $676,047 | $122 $325 |
5,529 | 5,760 | 6 | 96.00% |
|
CHICAGO (AMBASSADOR) |
$627,507 | $627,507 | $83 $187 |
7,550 | 8,640 | 8 | 87.40% |
|
COME FROM AWAY (SCHOENFELD) |
$973,225 | $973,225 | $115 $297 |
8,496 | 8,368 | 8 | 101.50% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,204,124 | $1,204,124 | $151 $348 |
7,973 | 7,872 | 8 | 101.30% |
|
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE (BROADHURST) |
$302,408 | $302,408 | $53 $247 |
5,688 | 9,304 | 8 | 61.10% |
|
FROZEN (ST. JAMES) |
$1,107,529 | $1,107,529 | $87 $228 |
12,661 | 13,472 | 8 | 94.00% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$264,914 | $264,914 | $50 $273 |
5,300 | 6,160 | 8 | 86.00% |
|
HADESTOWN (WALTER KERR) |
$1,127,838 | $1,127,838 | $152 $399 |
7,443 | 7,344 | 8 | 101.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$3,223,611 | $3,223,611 | $300 $849 |
10,752 | 10,568 | 8 | 101.70% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,532,767 | $1,532,767 | $118 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$332,785 | $332,785 | $64 $297 |
5,176 | 6,296 | 8 | 82.20% |
|
INK (FRIEDMAN) |
$426,755 | $426,755 | $97 $299 |
4,379 | 5,096 | 8 | 85.90% |
|
KING KONG (BROADWAY) |
$599,964 | $599,964 | $70 $248 |
8,512 | 13,904 | 8 | 61.20% |
|
KING LEAR (CORT) |
$427,075 | $427,075 | $80 $273 |
5,354 | 8,392 | 8 | 63.80% |
|
KISS ME, KATE (STUDIO 54) |
$772,486 | $772,486 | $99 $350 |
7,809 | 7,984 | 8 | 97.80% |
|
MEAN GIRLS (AUGUST WILSON) |
$882,303 | $882,303 | $103 $250 |
8,599 | 9,800 | 8 | 87.70% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$782,646 | $782,646 | $109 $323 |
7,198 | 8,552 | 8 | 84.20% |
|
NETWORK (BELASCO) |
$1,015,836 | $1,015,836 | $140 $373 |
7,241 | 7,105 | 7 | 101.90% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$631,293 | $631,293 | $120 $250 |
5,282 | 5,208 | 8 | 101.40% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$792,320 | $792,320 | $102 $275 |
7,781 | 9,344 | 8 | 83.30% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,066,183 | $1,066,183 | $124 $478 |
8,632 | 8,376 | 8 | 103.10% |
|
THE CHER SHOW (NEIL SIMON) |
$1,006,889 | $1,006,889 | $106 $247 |
9,502 | 11,040 | 8 | 86.10% |
|
THE FERRYMAN (JACOBS) |
$566,640 | $566,640 | $97 $223 |
5,826 | 8,152 | 8 | 71.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,108,608 | $2,108,608 | $156 $225 |
13,490 | 13,568 | 8 | 99.40% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,028,813 | $1,028,813 | $88 $213 |
11,711 | 12,840 | 8 | 91.20% |
|
THE PROM (LONGACRE) |
$627,990 | $627,990 | $81 $247 |
7,767 | 8,360 | 8 | 92.90% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,610,208 | $1,610,208 | $138 $497 |
11,639 | 11,480 | 8 | 101.40% |
|
TOOTSIE (MARQUIS) |
$1,311,986 | $1,311,986 | $113 $247 |
11,572 | 12,816 | 8 | 90.30% |
|
WAITRESS (BROOKS ATKINSON) |
$631,443 | $631,443 | $90 $270 |
7,028 | 8,360 | 8 | 84.10% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$489,363 | $489,363 | $107 $197 |
4,559 | 4,664 | 8 | 97.70% |
|
WICKED (GERSHWIN) |
$1,660,962 | $1,660,962 | $117 $240 |
14,160 | 14,456 | 8 | 98.00% |
| TOTAL | $35,092,350 | $948,442 | $112.99 $301.00 |
310,574 | 344,665 | 293 | 90.11% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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