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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,445,892 | $1,445,892 | $127 $297 |
11,365 | 11,392 | 8 | 99.80% |
|
ALADDIN (NEW AMSTERDAM) |
$1,676,710 | $1,676,710 | $122 $253 |
13,755 | 13,816 | 8 | 99.60% |
|
ALL MY SONS (AMERICAN AIRLINES) |
$477,448 | $477,448 | $81 $350 |
5,874 | 5,920 | 8 | 99.20% |
|
BE MORE CHILL (LYCEUM) |
$630,822 | $630,822 | $99 $248 |
6,392 | 7,128 | 8 | 89.70% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$728,754 | $728,754 | $96 $247 |
7,578 | 8,208 | 8 | 92.30% |
|
BEETLEJUICE (WINTER GARDEN) |
$834,395 | $834,395 | $70 $298 |
11,977 | 11,944 | 8 | 100.30% |
|
BURN THIS (HUDSON) |
$932,390 | $932,390 | $125 $325 |
7,469 | 7,680 | 8 | 97.30% |
|
CHICAGO (AMBASSADOR) |
$769,058 | $769,058 | $93 $207 |
8,292 | 8,640 | 8 | 96.00% |
|
COME FROM AWAY (SCHOENFELD) |
$1,030,308 | $1,030,308 | $121 $297 |
8,527 | 8,368 | 8 | 101.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,362,506 | $1,362,506 | $171 $348 |
7,986 | 7,872 | 8 | 101.40% |
|
FROZEN (ST. JAMES) |
$1,467,624 | $1,467,624 | $111 $300 |
13,279 | 13,472 | 8 | 98.60% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$354,408 | $354,408 | $62 $273 |
5,738 | 6,160 | 8 | 93.10% |
|
HADESTOWN (WALTER KERR) |
$959,450 | $959,450 | $129 $399 |
7,417 | 7,344 | 8 | 101.00% |
|
HAMILTON (RICHARD RODGERS) |
$3,243,577 | $3,243,577 | $302 $849 |
10,756 | 10,568 | 8 | 101.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,716,124 | $1,716,124 | $132 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$493,352 | $493,352 | $80 $297 |
6,160 | 6,296 | 8 | 97.80% |
|
INK (FRIEDMAN) |
$327,495 | $327,495 | $71 $299 |
4,602 | 5,096 | 8 | 90.30% |
|
KING KONG (BROADWAY) |
$807,055 | $807,055 | $79 $347 |
10,176 | 12,166 | 7 | 83.60% |
|
KING LEAR (CORT) |
$582,678 | $582,678 | $94 $273 |
6,204 | 8,392 | 8 | 73.90% |
|
KISS ME, KATE (STUDIO 54) |
$795,891 | $795,891 | $100 $350 |
7,954 | 7,984 | 8 | 99.60% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,139,910 | $1,139,910 | $124 $278 |
9,211 | 9,800 | 8 | 94.00% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$875,196 | $875,196 | $110 $323 |
7,924 | 8,552 | 8 | 92.70% |
|
NETWORK (BELASCO) |
$1,052,594 | $1,052,594 | $146 $373 |
7,197 | 7,105 | 7 | 101.30% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$651,744 | $651,744 | $124 $250 |
5,266 | 5,184 | 8 | 101.60% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$951,612 | $951,612 | $107 $275 |
8,900 | 9,344 | 8 | 95.20% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,062,196 | $1,062,196 | $122 $478 |
8,672 | 8,376 | 8 | 103.50% |
|
THE CHER SHOW (NEIL SIMON) |
$997,823 | $997,823 | $105 $247 |
9,494 | 11,040 | 8 | 86.00% |
|
THE FERRYMAN (JACOBS) |
$595,398 | $595,398 | $102 $223 |
5,819 | 8,152 | 8 | 71.40% |
|
THE LION KING (MINSKOFF) |
$2,451,371 | $2,451,371 | $181 $225 |
13,569 | 13,568 | 8 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,177,267 | $1,177,267 | $106 $247 |
11,110 | 12,840 | 8 | 86.50% |
|
THE PROM (LONGACRE) |
$615,458 | $615,458 | $83 $297 |
7,421 | 8,360 | 8 | 88.80% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,756,185 | $1,756,185 | $151 $497 |
11,661 | 11,480 | 8 | 101.60% |
|
TOOTSIE (MARQUIS) |
$959,001 | $959,001 | $94 $247 |
10,252 | 11,214 | 7 | 91.40% |
|
WAITRESS (BROOKS ATKINSON) |
$750,283 | $750,283 | $105 $270 |
7,173 | 8,360 | 8 | 85.80% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$478,075 | $478,075 | $105 $197 |
4,549 | 4,664 | 8 | 97.50% |
|
WICKED (GERSHWIN) |
$2,001,066 | $2,001,066 | $141 $240 |
14,173 | 14,456 | 8 | 98.00% |
| TOTAL | $38,151,116 | $1,059,753 | $120.40 $311.61 |
316,868 | 333,917 | 285 | 94.89% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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