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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,342,738 | $1,342,738 | $122 $297 |
11,009 | 11,392 | 8 | 96.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,425,697 | $1,425,697 | $106 $253 |
13,408 | 13,816 | 8 | 97.00% |
|
ALL MY SONS (AMERICAN AIRLINES) |
$424,814 | $424,814 | $90 $350 |
4,740 | 5,180 | 7 | 91.50% |
|
BE MORE CHILL (LYCEUM) |
$554,910 | $554,910 | $97 $248 |
5,732 | 7,128 | 8 | 80.40% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$619,177 | $619,177 | $94 $247 |
6,619 | 8,208 | 8 | 80.60% |
|
BEETLEJUICE (WINTER GARDEN) |
$686,456 | $686,456 | $72 $298 |
9,506 | 10,451 | 7 | 91.00% |
|
BURN THIS (HUDSON) |
$762,998 | $762,998 | $106 $325 |
7,174 | 7,552 | 8 | 95.00% |
|
CHICAGO (AMBASSADOR) |
$630,708 | $630,708 | $85 $187 |
7,458 | 8,640 | 8 | 86.30% |
|
COME FROM AWAY (SCHOENFELD) |
$972,743 | $972,743 | $115 $297 |
8,475 | 8,368 | 8 | 101.30% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,315,054 | $1,315,054 | $165 $348 |
7,961 | 7,872 | 8 | 101.10% |
|
FROZEN (ST. JAMES) |
$1,291,787 | $1,291,787 | $102 $300 |
12,649 | 13,472 | 8 | 93.90% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$388,549 | $388,549 | $67 $273 |
5,788 | 6,160 | 8 | 94.00% |
|
HADESTOWN (WALTER KERR) |
$688,422 | $688,422 | $94 $399 |
7,349 | 7,344 | 8 | 100.10% |
|
HAMILTON (RICHARD RODGERS) |
$3,191,118 | $3,191,118 | $297 $849 |
10,753 | 10,568 | 8 | 101.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,708,792 | $1,708,792 | $132 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$375,438 | $375,438 | $63 $297 |
5,960 | 6,296 | 8 | 94.70% |
|
INK (FRIEDMAN) |
$321,953 | $321,953 | $73 $279 |
4,421 | 5,096 | 8 | 86.80% |
|
KING KONG (BROADWAY) |
$853,394 | $853,394 | $77 $347 |
11,144 | 13,904 | 8 | 80.10% |
|
KING LEAR (CORT) |
$640,045 | $640,045 | $96 $273 |
6,685 | 8,392 | 8 | 79.70% |
|
KISS ME, KATE (STUDIO 54) |
$743,685 | $743,685 | $96 $350 |
7,725 | 7,984 | 8 | 96.80% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,132,171 | $1,132,171 | $126 $300 |
8,968 | 9,800 | 8 | 91.50% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$774,356 | $774,356 | $108 $323 |
7,161 | 8,552 | 8 | 83.70% |
|
NETWORK (BELASCO) |
$1,006,511 | $1,006,511 | $146 $373 |
6,908 | 7,105 | 7 | 97.20% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$599,132 | $599,132 | $115 $250 |
5,222 | 5,184 | 8 | 100.70% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$808,510 | $808,510 | $105 $275 |
7,668 | 9,344 | 8 | 82.10% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,025,118 | $1,025,118 | $119 $478 |
8,610 | 8,376 | 8 | 102.80% |
|
THE CHER SHOW (NEIL SIMON) |
$879,787 | $879,787 | $104 $247 |
8,462 | 11,040 | 8 | 76.60% |
|
THE FERRYMAN (JACOBS) |
$529,019 | $529,019 | $89 $223 |
5,927 | 8,152 | 8 | 72.70% |
|
THE LION KING (MINSKOFF) |
$2,245,485 | $2,245,485 | $167 $225 |
13,465 | 13,568 | 8 | 99.20% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$893,919 | $893,919 | $89 $213 |
10,100 | 12,840 | 8 | 78.70% |
|
THE PROM (LONGACRE) |
$601,260 | $601,260 | $89 $247 |
6,773 | 8,360 | 8 | 81.00% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,505,427 | $1,505,427 | $130 $497 |
11,601 | 11,480 | 8 | 101.10% |
|
TOOTSIE (MARQUIS) |
$821,781 | $821,781 | $87 $247 |
9,410 | 11,214 | 7 | 83.90% |
|
WAITRESS (BROOKS ATKINSON) |
$750,584 | $750,584 | $98 $270 |
7,682 | 8,360 | 8 | 91.90% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$457,256 | $457,256 | $99 $197 |
4,635 | 4,664 | 8 | 99.40% |
|
WICKED (GERSHWIN) |
$1,756,669 | $1,756,669 | $123 $240 |
14,339 | 14,456 | 8 | 99.20% |
| TOTAL | $34,725,461 | $964,596 | $114.05 $308.78 |
304,463 | 333,294 | 284 | 91.35% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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