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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$469,533 | $469,533 | $89 $225 |
5,294 | 8,352 | 8 | 63.40% |
|
ALADDIN (NEW AMSTERDAM) |
$1,342,283 | $1,342,283 | $99 $216 |
13,491 | 13,816 | 8 | 97.60% |
|
ANASTASIA (BROADHURST) |
$683,990 | $683,990 | $91 $273 |
7,524 | 9,144 | 8 | 82.30% |
|
ANGELS IN AMERICA (NEIL SIMON) |
$817,187 | $817,187 | $99 $247 |
8,295 | 9,954 | 7 | 83.30% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$670,119 | $670,119 | $104 $247 |
6,420 | 8,208 | 8 | 78.20% |
|
CAROUSEL (IMPERIAL) |
$1,172,416 | $1,172,416 | $120 $323 |
9,757 | 11,424 | 8 | 85.40% |
|
CHICAGO (AMBASSADOR) |
$696,668 | $696,668 | $88 $187 |
7,932 | 8,640 | 8 | 91.80% |
|
CHILDREN OF A LESSER GOD (STUDIO 54) |
$297,762 | $297,762 | $53 $247 |
5,634 | 8,032 | 8 | 70.10% |
|
COME FROM AWAY (SCHOENFELD) |
$1,180,366 | $1,180,366 | $139 $347 |
8,495 | 8,368 | 8 | 101.50% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,656,795 | $1,656,795 | $208 $448 |
7,972 | 7,872 | 8 | 101.30% |
|
ESCAPE TO MARGARITAVILLE (MARQUIS) |
$677,261 | $677,261 | $92 $247 |
7,366 | 13,008 | 8 | 56.60% |
|
FROZEN (ST. JAMES) |
$1,689,302 | $1,689,302 | $129 $297 |
13,102 | 13,440 | 8 | 97.50% |
|
HAMILTON (RICHARD RODGERS) |
$3,101,303 | $3,101,303 | $288 $849 |
10,757 | 10,568 | 8 | 101.80% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$2,104,905 | $2,104,905 | $162 $297 |
12,976 | 12,976 | 8 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$939,154 | $939,154 | $95 $297 |
9,876 | 11,568 | 8 | 85.40% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$684,452 | $684,452 | $84 $249 |
8,109 | 11,392 | 8 | 71.20% |
|
LOBBY HERO (HAYES) |
$526,622 | $526,622 | $117 $299 |
4,515 | 4,648 | 8 | 97.10% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,461,049 | $1,461,049 | $148 $325 |
9,874 | 9,800 | 8 | 100.80% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$1,040,959 | $1,040,959 | $122 $323 |
8,552 | 8,552 | 8 | 100.00% |
|
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$435,430 | $435,430 | $89 $250 |
4,904 | 5,568 | 8 | 88.10% |
|
SAINT JOAN (FRIEDMAN) |
$207,881 | $207,881 | $53 $199 |
3,951 | 5,176 | 8 | 76.30% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$626,138 | $626,138 | $84 $248 |
7,474 | 12,184 | 8 | 61.30% |
|
SPONGEBOB SQUAREPANTS (PALACE) |
$565,662 | $565,662 | $61 $248 |
9,308 | 12,880 | 8 | 72.30% |
|
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$1,928,605 | $1,928,605 | $509 $850 |
3,792 | 3,792 | 4 | 100.00% |
|
SUMMER (LUNT-FONTANNE) |
$1,053,826 | $1,053,826 | $107 $197 |
9,830 | 11,760 | 8 | 83.60% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$790,940 | $790,940 | $101 $247 |
7,819 | 8,312 | 8 | 94.10% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,099,944 | $1,099,944 | $128 $478 |
8,563 | 8,376 | 8 | 102.20% |
|
THE BOYS IN THE BAND (BOOTH) |
$1,008,097 | $1,008,097 | $168 $348 |
6,018 | 6,192 | 8 | 97.20% |
|
THE ICEMAN COMETH (JACOBS) |
$1,108,336 | $1,108,336 | $153 $397 |
7,221 | 7,378 | 7 | 97.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,116,907 | $2,116,907 | $157 $225 |
13,520 | 13,568 | 8 | 99.60% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,035,350 | $1,035,350 | $87 $213 |
11,940 | 12,840 | 8 | 93.00% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$241,751 | $241,751 | $66 $197 |
3,647 | 6,832 | 8 | 53.40% |
|
THREE TALL WOMEN (GOLDEN) |
$908,889 | $908,889 | $144 $373 |
6,296 | 6,296 | 8 | 100.00% |
|
TRAVESTIES (AMERICAN AIRLINES) |
$378,743 | $378,743 | $84 $250 |
4,519 | 5,816 | 8 | 77.70% |
|
WAITRESS (BROOKS ATKINSON) |
$782,116 | $782,116 | $115 $270 |
6,821 | 8,360 | 8 | 81.60% |
|
WICKED (GERSHWIN) |
$1,493,289 | $1,493,289 | $114 $240 |
13,063 | 14,456 | 8 | 90.40% |
| TOTAL | $36,994,030 | $1,027,612 | $125.56 $310.29 |
294,627 | 339,548 | 282 | 86.77% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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