CARDINAL STAGE COMPANY 2018-19 SEASON Equity Principal Auditions - Cardinal Stage Company Auditions

Posted July 12, 2018
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CARDINAL STAGE COMPANY 2018-19 SEASON - Cardinal Stage Company

Cardinal Stage Company 2018-19 Season - Indianapolis EPA

Cardinal Stage Company


AUDITION DATE

Wed, Jul 25, 2018

10:00 am - 6:00 pm (EDT)

Lunch break: 2-3pm

APPOINTMENTS

AEA Members can schedule an appointment by emailing casting@cardinalstage.org. Please include your 1st and 2nd choice of appointment time.

CONTRACT

SPT SPT 4; $381/week minimum

SEEKING

Cardinal Stage Company is seeking local and non-local actors for our 2018-19 Mainstage Season including the following productions: THE CHRISTIANS, ROUNDING THIRD, and THE GLASS MENAGERIE. See breakdown for details.

PREPARATION

Please prepare 2 contrasting contemporary monologues, no more than 2 minutes each.

LOCATION

Indiana Repertory Theatre

140 W Washington St

Indianapolis, IN 46204-3417

Cabaret space located on 3rd floor.

PERSONNEL

Kate Galvin, Artistic Director

OTHER DATES

See breakdown for specific rehearsal/performance dates.

OTHER

EPA Procedures are in effect for this audition.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

THE CHRISTIANS By Lucas Hnath

Directed by Kate Galvin

1st Rehearsal - September 25, 2018, Performances - October 18 - November 4, 2018

All roles available.

Pastor - late 40's - late 50's, male identified. A charismatic, warm church leader who is struggling to take his church in a new direction.

Wife - late 40's - late 50's, female identified. A smart and strong woman who knows when it's necessary to speak her mind.

Asssociate - 30's, male identified. Passionate and ambitious up-and-coming preacher. Has the fervent beliefs of a convert.

Elder - 60+, male identified. A board member who is a pragmatist. He likes the Pastor, but he doesn't want to rock the boat.

Congregant - 20's-30's, female identified. An undereducated single mother struggling to make ends meet and come to terms with her faith.

ROUNDING THIRD By Richard Dresser

Directed by Matthew Decker

1st Rehearsal - January 2, 2019 Performances - January 24 - February 10, 2019

All roles available.

Don - late 30's-late 40's, male identified. Longstanding head coach of a little league baseball team. Blue collar, a hot-head, someone who wants to win at all costs. Has a great relationship with his players and a secret heart of gold.

Michael - late 30's-late 40's, male identified. New assistant coach who doesn't know a lot about baseball. White collar, even tempered and just wants the kids to have fun. Wants to do a good job and befriend Don, but doesn't know how.

THE GLASS MENAGERIE By Tennessee Williams

Directed by Kate Galvin

1st Rehearsal - February 26, 2019 Performances - March 21 - April 7, 2019

Available roles are Laura and Jim.

Laura - late 20's-early 30's, female identified. A sensitive girl with severe social anxiety. She finds wonder in everyday things and regularly retreats to the world of fantasy. She dreams of a better life but has been self-conscious her whole life of her physical appearance. Lives with a minor limp that is the result of a childhood illness.

Jim - late 20's-early 30's, male identified. The gentleman caller. Former classmate of Laura's who was a hotshot in high school. His glory days are now behind him and the shine is starting to wear off.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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