Pat Cerasaro - Page 206

One of the busiest leading men on Broadway since his two-year stint in the smash hit revival of Irving Berlin's ANNIE GET YOUR GUN co-starring Bernadette Peters (and, later, Susan Lucci and Reba McIntire), having appeared in Joe Mantello's highly-lauded revival of David Mamet's Pulitzer Prize-winning GLENGARRY GLEN ROSS and last season's Sondheim musical retrospective SONDHEIM ON SONDHEIM, the original star of DUKES OF HAZZARD himself, Tom Wopat, can currently be seen eight times a week in the jet-set new musical CATCH ME IF YOU CAN by Marc Shaiman and Scott Wittman. In this career-spanning retrospective interview, Wopat and I take a look at his TV work ranging from directing DUKES to co-starring on CYBILL and bring it all the way to today with TAKING CHANCE on HBO and last year's JONAH HEX feature film. We also have news on John Doyle's directorial debut MAIN ST. co-starring Orlando Bloom, Ellen Burstyn and many more, as well as a thorough discussion of his musical side: Sondheim, his recording career, upcoming albums, concerts and more - plus, a complete consideration of his newest Broadway venture CATCH ME IF YOU CAN in anticipation of the NY Pops tribute to Bob Hope that he is co-starring in alongside Kelli O'Hara, Aaron Lazar and many more this Monday, also featuring a special presentation by legendary theatre icon Angela Lansbury. More information - and tickets - are available here.

From her creation of the pivotal roles of Susan in Marvin Hamlisch & Craig Carnelia's simply smashing (if underappreciated) SWEET SMELL OF SUCCESS and Clara in Adam Guettel & Craig Lucas's five-time Tony-winning THE LIGHT IN THE PIAZZA, to her effortless essaying of two of the most beloved female roles in the musical theater canon, opposite two of the biggest leading men on Broadway - THE PAJAMA GAME with Harry Connick, Jr. and SOUTH PACIFIC with Matthew Morrison (and Paulo Szot) - in addition to her work in Frank Wildhorn's JEKYLL & HYDE and DRACULA, Stephen Sondheim's FOLLIES and SUNDAY IN THE PARK WITH GEORGE, along with her stunning studio albums - all of these are just some of the reasons why Kelli O'Hara is in a very special class of performers. In this all-encompassing conversation we discuss all of the aforementioned shows, as well as working with all of her fabulous co-stars and collaborators, and we also take a look at her recording studio work with Harry Connick, Jr. and take a look ahead to her sophomore solo album, ALWAYS which will be released on June 3. Plus, we have first news on her new roles in the musical versions of THE BRIDGES OF MADISON COUNTY, written by Jason Robert Brown, and FINDING NEVERLAND by Scott Frankel. We even have dish on working with Liza Minnelli and shooting SEX & THE CITY 2! This is all coming in anticipation of the tribute to Bob Hope at the NY Pops gala on May 2, which will also feature performances by Tom Wopat and Aaron Lazar - both of whom we will continue our SPOTLIGHT ON NY POPS series with later on this weekend. Don't miss them or a special presentation by theatre legend Angela Lansbury! Further information about the NY POPS event - including tickets - is available here.

Reviews likes hers last week usually only come once in a lifetime and there is no question whatsoever that the brightest new star on Broadway is none other than SISTER ACT's own Patina Miller. She is a superstar of the highest order singing one of the strongest scores on Broadway in years - from the gifted, gilded pen of six-time Oscar-winner Alan Menken. In this extensive, exclusive conversation we discuss her long history with the role, her recent performance in the Encores! staging of Weill's LOST IN THE STARS, as well as her work with Henry Krieger on both his recent musical ROMANTIC POETRY and being a runner-up on the DREAMGIRLS movie when the role of Effie White went to Jennifer Hudson. Additionally, we discuss HAIR, working with Sondheim on BEING ALIVE, her own favorite recent shows, her close friendship with fellow West End/Broadway criss-crosser Jonathan Groff, her soap stint on ALL MY CHILDREN, what her solo album would sound like, and much, much more!

Today we are taking an up-close and personal critical look at last night's super-sized episode of Fox's hit musical comedy series GLEE, titled after Lady Gaga's newest #1 song up until this last Easter weekend - of course 'Judas' sits atop the iTunes charts now - and featuring an especially rousing rendition of that German techno/'Express Yourself'-esque anthem, in addition to a mellifluous mash-up of TLC's 'Unpretty' and WEST SIDE STORY's 'I Feel Pretty' by Lea Michele and Dianna Agron, and, even, an Andrew Lloyd Webber diva moment made famous by Patti LuPone and, in concert, by Barbra Streisand - 'As If We Never Said Goodbye' from SUNSET BLVD, ably attended to by Golden Globe-winner Chris Colfer. We also take a look at the dramatic side of McKinley High in this episode and trace the journey we all have taken over the season so far as GLEE ramps up the excitement, emotion and energy for the final five episodes coming in the next number of weeks - and, also, a look ahead to next Tuesday's Fleetwood Mac-themed show with all songs from 1975's RUMOURS featuring the grand return of Tony-winner and Broadway baby Kristin Chenoweth as once-boozy bowling-alley barmaid/now-born-again gospel singer April Rhodes. Plus, 'Prom Queen' on May 10! Also, is that really the last we'll ever see of Season Two all-stars Darren Criss and Gwyneth Paltrow? GLEE is getting on the right track - and getting better - just in time (and right to the beat).

Last weekend marked the opening of his new vampire-centric horror film STAKE LAND, and you can catch him every week on FOX's hit series FRINGE, but Michael Cerveris is certainly best known for his series of stunning performances in some of the finest musical theatre productions of the 21st century - John Doyle's SWEENEY TODD and Joe Mantello's ASSASSINS chief among them - as well as for originating the title role in Pete Townshend's singular Broadway foray, The Who's TOMMY. With a captivating new double-disc concept album - NINE LIVES - out now, it seems that Cerveris has found a way to juggle it all. In this extensive two-part conversation, we take a look back at his experiences in the aforementioned Sondheim musicals, as well as his series of performances in Sondheim shows under the direction of Lonny Price at the Ravinia Festival co-starring Audra McDonald and Patti LuPone, and also touch upon his work in plays, such as his recent Kent in Kevin Kline's KING LEAR at The Public, HEDDA GABLER opposite Mary Louise Parker, and Sarah Ruhl's IN THE NEXT ROOM (OR THE VIBRATOR PLAY) with Laura Benanti. Additionally, he shares his Tony memories, singing SWEENEY TODD at the recent SONDHEIM! Celebration, HEDWIG & THE ANGRY INCH, TITANIC and much, much more in this compelling and comprehensive conversation - plus, first news on his upcoming TREME appearance and FRINGE renewal confirmation. His new feature film STAKE LAND is in selected cities now!

This weekend marks the opening of his new vampire-centric horror film STAKE LAND, and you can catch him every week on FOX's hit series FRINGE, but Michael Cerveris is certainly best known for his series of stunning performances in some of the finest musical theatre productions of the 21st century - John Doyle's SWEENEY TODD and Joe Mantello's ASSASSINS chief among them - as well as for originating the title role in Pete Townshend's singular Broadway foray, The Who's TOMMY. With a captivating new double-disc concept album - NINE LIVES - out now, it seems that Cerveris has found a way to juggle it all. In this extensive two-part conversation, we take a look back at his experiences in the aforementioned Sondheim musicals, as well as his series of performances in Sondheim shows under the direction of Lonny Price at the Ravinia Festival co-starring Audra McDonald and Patti LuPone, and also touch upon his work in plays, such as his recent Kent in Kevin Kline's KING LEAR at The Public, HEDDA GABLER opposite Mary Louise Parker, and Sarah Ruhl's IN THE NEXT ROOM (OR THE VIBRATOR PLAY). Additionally, he shares his Tony memories, singing SWEENEY TODD at the recent SONDHEIM! Celebration, HEDWIG & THE ANGRY INCH, TITANIC and much, much more in this compelling and comprehensive conversation. His new feature film STAKE LAND opens in selected cities this weekend and Part II arrives next week!

Today we are talking to the internationally renowned recording superstar who is also known to theatre fans for her stint onstage in JEKYLL & HYDE - and for her brilliantly big Broadway belt - with a fantastic new album out now on Sony re-teaming with her frequent collaborator/composer/producer, Frank Wildhorn - the talented and alluring Ms. Linda Eder. In this all-encompassing conversation we discuss her many studio albums recorded over the last two decades, as well as her demo work on the countless Wildhorn musicals over the years and the future of those shows (HAVANA is coming!). We also look ahead to her own future and discuss what can be expected in her upcoming concert series promoting the new album NOW, which she will be performing songs from in her upcoming concert at Town Hall. A truly theatrical album featuring a spellbinding title song with lyrics by Tony-winner Maury Yeston, NOW is Eder at her best. Linda also shares the inspiration behind the new album and what the music of Wildhorn means to her - plus, of course, her favorite tracks and recollections of the studio sessions - plus, her equestrian endeavors and much, much more. NOW is available in stories, on Amazon and on iTunes, and further information about Linda's concert appearances - including her Town Hall concert - can be found at her official site here.

Today we are talking to the internationally renowned recording superstar who is also known to theatre fans for her stint onstage in JEKYLL & HYDE - and for her brilliantly big Broadway belt - with a fantastic new album out now on Sony re-teaming with her frequent collaborator/composer/producer, Frank Wildhorn - the talented and alluring Ms. Linda Eder. In this all-encompassing conversation we discuss her many studio albums recorded over the last two decades, as well as her demo work on the countless Wildhorn musicals over the years and the future of those shows (HAVANA is coming!). We also look ahead to her own future and discuss what can be expected in her upcoming concert series promoting the new album NOW, which she will be performing songs from in her upcoming concert at Town Hall. A truly theatrical album featuring a spellbinding title song with lyrics by Tony-winner Maury Yeston, NOW is Eder at her best. Linda also shares the inspiration behind the new album and what the music of Wildhorn means to her - plus, of course, her favorite tracks and recollections of the studio sessions - plus, her equestrian endeavors and much, much more. NOW is available in stories, on Amazon and on iTunes, and further information about Linda's concert appearances - including her Town Hall concert - can be found at her official site here.

Legends aren't born, or merely made - they are created; and, so very, very carefully crafted. In equal parts due to her incomparable stage work creating roles in musicals by Stephen Sondheim and Jerry Herman, to her film work encompassing John Frankenheimer and Vincente Minnelli, to name but two, as well as a smash-hit television series - MURDER SHE WROTE - and hosting duties at various Tony Awards and Academy Awards broadcasts over the last half century, have certainly cemented her place in our hearts, minds and entertainment history itself - I am speaking, of course, of the simply exquisite Ms. Angela Lansbury. In this enlightening discussion conducted yesterday we dissect many of her most treasured roles and performances, and Ms. Lansbury provides many warm and wonderful recollections of her astonishingly varied and accomplished tenure onstage and onscreen over the course of her sixty-year-plus career. ANYONE CAN WHISTLE to SWEENEY TODD; MAME to GYPSY; BEDKNOBS AND BROOM STICKS to SOMETHING FOR EVERYONE to the forthcoming MR. POPPER‘S PENGUINS co-starring Jim Carrey - plus, acting with Bette Davis in DEATH ON THE NILE - and much, much more in this special interview! This is all coming in anticipation of Ms. Lansbury's tribute to Bob Hope at the NY Pops gala on May 2, which will also feature performances by Kelli O'Hara and more - whom we continue our SPOTLIGHT ON NY POPS series with later next week. Don't miss them! Further information about the NY POPS event - including tickets - is available here.

Last night saw the highly-awaited return of FOX's hit musical comedy/drama series GLEE, featuring performances by this week's InDepth InterView participant tearing up 'All By Myself' - international recording superstar Charice - in addition to the return of Broadway baby Cheyenne Jackson as part of Sue Sylvester's Legion of Doom and Oscar-winner Gwyneth Paltrow returning as Holly Holiday. While the focus was more on the drama and plot developments for once - expectedly enacted to reacquaint us all with what was up lo, two months ago when the last new episode pf Season Two aired - as opposed to the musical content, which dominates the proceedings more often than not. That being said, Charice and Gwyneth delivered in a big Broadway way - and there were more rabbits than a magician's hat in Harry Shum‘s slinky and stylish choreographic tour de force. And, it is clear that the screen chemistry when combining Gwyneth Paltrow, Matt Morrison and Cheyenne Jackson is something to be seen.

Yesterday, international singing sensation and fresh-faced new GLEE cast member Charice - proclaimed by Oprah herself to be 'the most talented girl in the world' - was kind enough to take some time out while rehearsing her new song for an upcoming Season Two episode of GLEE as Sunshine Corazon to talk to me about all things GLEE - Showrunner/Creator Ryan Murphy, her audition, singing with Lea Michele, what duets she wants to do, 'All By Myself', 'Telephone', 'Listen', etc. - as well as working with writer/producer Bruno Mars on her new single 'Before It Explodes', continuing a theme begun with Mars's own 'Grenade' - as well as singing Mars songs for a number of tracks on her forthcoming album. Additionally, we discuss her musical influences, her favorite songs to sing in concert, what inspires her, her favorite films of the year and her deep desire to star in a horror film someday soon - plus, comments on everyone from Barbra Streisand, Lea Michele and Idina Menzel to Beyonce, Lady Gaga, Jay-Z and Justin Bieber. Also: news on her feature film debut, HERE COMES THE BOOM, co-starring Kevin James, Salma Hayek and Henry Winkler - and much, much more!

Appearing in all three of Martin Scorsese's masterpieces - RAGING BULL, GOODFELLAS and CASINO - would surely suffice, at least for the artistic quotient of any resume, yet the suave and commanding presence of Frank Vincent as Tony Soprano's arch-nemesis Phil Leotardo on HBO's THE SOPRANOS may very well be his most beloved role to date. Yet, how to even choose? In addition to those four simply masterful entities, Mr. Vincent has also appeared in films for a wide array of highly notable directors, including: Spike Lee on DO THE RIGHT THING and JUNGLE FEVER; Brian DePalma on WISE GUYS; James Mangold on COP LAND; and the recently deceased Sidney Lumet on the 1996 crime thriller NIGHT FALLS ON MANHATTAN. In addition to a thorough discussion of his past roles, new and old - plus, what it was like to act as acting coach to Nas, Method Man and DMX on Hype Williams's BELLY - we also get down to brass nuts and bolts about his riveting new crime thriller CHICAGO OVERCOAT, available this week. In OVERCOAT, Mr. Vincent portrays perhaps his most rich and complex character to date and his powerful performance is something to cherish, cheer - and, surely, cower at; in fear. After all, who does badass boss better than Mr. Vincent? As it turns out, he's also a hell of a nice guy, to boot! Now, to quote Billy Batts in GOODFELLAS, 'Go home and get your shine box!' but, first enjoy his colorful comments!

Today we are talking to the composer of the new Broadway musical WONDERLAND, who is the only American composer to have had three of his shows running concurrently on Broadway - JEKYLL & HYDE, THE SCARLET PIMPERNEL and THE CIVIL WAR - and has since solidified himself as one of the most successful international musical theatre composers of the 21st century, with his globe-spanning productions of everything from THE COUNT OF MONTE CRISTO in Switzerland to CYRANO in Tokyo to TEARS OF HEAVEN in Korea to the forthcoming Broadway production of BONNIE & CLYDE - the warm and gracious Frank Wildhorn. Over the span of our considerable discussion last week we touched on everything from his pop music roots writing hits for Whitney Houston and Kenny Rogers, to his tenure at Atlantic Records and his series of recordings, shows and concerts with muse Linda Eder, as well as a thorough discussion of his compositional process, what inspires him in a story, his own favorite musicals, what the future holds - EXCALIBUR with Jim Steinman, perhaps? The world premiere of the long-awaited HAVANA? JEKYLL & HYDE: THE MOVIE MUSICAL? - and much, much more!

Conquering the Broadway stage in ASSASSINS, CABARET and PROOF; commanding the attention of Radio City (and the world) at the 2009 Tony Awards; racking up rave reviews for SWEENEY TODD at the NY Philharmonic and RENT on tour, plus directing the latter last year at the Hollywood Bowl - these are just a few of the reasons why Neil Patrick Harris made COMPANY: LIVE IN CONCERT, with the NY Philharmonic, one of the biggest nights on Broadway this - or any - year. With recent news confirming that the star-studded Lonny Prince-directed concert production of the timeless 1970 Stephen Sondheim/George Furth concept musical comedy would be filmed for release in movie theaters nationwide for airings in June, it has now become the theatrical event of the season world-wide when it opens in cinemas in June. Last night, Neil was kind enough to take some time out to talk about what the work of Stephen Sondheim means to him, his take on the tricky central role of Bobby, as well as working with his celebrated co-stars Patti LuPone, Stephen Colbert, Christina Hendricks, and more, on this exceptionally exciting entertainment event! Plus, we take a look back at some of his past roles - plus, will he be returning in his Emmy-winning role of Bryan Ryan on GLEE? - and a look ahead to the season finale of his smash hit CBS comedy HOW I MET YOUR MOTHER, and the third film in the HAROLD & KUMAR series, A VERY HAROLD & KUMAR CHRISTMAS, coming later this year - in addition to news on his self-directed pilot just completed - as well as a whole lot more! We also have first news on what roles Neil wants to tackle next - MERRILY WE ROLL ALONG. perhaps? What about BARNUM? A solo album? Yet, one vital question remains above all else...

Supremely gifted. Stupendously stunning. Stupefying in her ability to hold magnetic sway over an audience. Kerry Ellis simply has it all and, now, following the worldwide success of her truly awesome collaboration with Queen's Brian May on their epic rock album ANTHEMS, May and Ellis are hitting the road for a UK tour kicking off at the Royal Albert Hall later this month. Over the weekend Kerry was kind enough to take a look back at her career with me - which includes her earth-shattering turns in WICKED in both the West End and on Broadway, plus her unforgettable turns in CHESS: LIVE IN CONCERT, on CD and DVD, as well as OLIVER and more - plus, we take a look ahead to what she would like to tackle next: a one-woman-musical ala TELL ME ON A SUNDAY, perhaps? Whatever she chooses to do, judging from her track record it is clear she will knock it clear out of the park.

Ms. Howard shares with me all about the filming of the highly anticipated conclusion of the TWILIGHT series, TWILIGHT: BREAKING DAWN Parts 1 & 2 in which she plays a central role: that of Siobahn, an ancient Irish vampire. William Finn, Dan Fogler, Bill Condon, Michael Sheen, Robert Pattinson, Taylor Lautner and stories about working with many more of her exciting co-stars and collaborators await in this comprehensive conversation.

This week marks the release of Lisa Howard's stunning new collection of William Finn songs, SONGS OF INNOCENCE AND EXPERIENCE, as well as a showcase at Birdland featuring the selections from the album and some special surprises, so now is certainly the best time to catch up with the 25th ANNUAL PUTNAM COUNTY SPELLING BEE star before she takes on Mother Abbess in THE SOUND OF MUSIC and Paulette in LEGALLY BLONDE later this year.

Today we are talking to the multi-talented actress/writer/producer of the hit indie romantic comedies KISSING JESSICA STEIN and IRA & ABBY, who is now adding director to her list of abilities with her new feature film FRIENDS WITH KIDS, co-starring her real-life husband Jon Hamm - the delightfully sweet and talented Jennifer Westfeldt. Both Jennifer and Jon can be seen - and heard - later this week in an exciting radio adaptation of the Anton Chekhov classic THE THREE SISTERS, in a new translation by Christopher Hampton, also co-starring Tessa Thompson, Sarah Zimmerman and Reid Scott, which will also be recorded and broadcast online. Tickets to the performances live on stage are also available at the link below. In this candid conversation Jennifer and I cover everything from 24 to GREY'S ANATOMY; to Bernstein on Broadway in her Tony-nominated turn in WONDERFUL TOWN co-starring Donna Murphy; to her onscreen and off-screen partnership with Hamm and the formation of their new production company; as well as their new feature film together - FRIENDS WITH KIDS - and much more. Plus, what is her and Jon's favorite LA pizza joint? Further information on the live performances and the online and radio broadcasts of THE THREE SISTERS can be found here (http://www.latw.org/live/boxoffice/boxofficehomeindex.html).

Today we lost one of the greats: the gentle giant of directors, Sidney Lumet. What a resume! Just to pick seven of perhaps the best known of the bunch, the bunch in question being over 100 titles strong: 12 ANGRY MEN, LONG DAY'S JOURNEY INTO NIGHT, SERPICO, DOG DAY AFTERNOON, NETWORK and BEFORE THE DEVIL KNOWS YOU'RE DEAD - the films spanning fifty years from MEN in 1957 and DEVIL in 2007 - it is clear to see why Lumet was one of the most cherished and celebrated directors in Hollywood, especially known for his tough, gritty New York stories and his pristine stage-to-screen transfers. For an excellent example of the latter (in addition to LONG DAY'S JOURNEY and the others) check out DEATHTRAP - based on Ira Levin's play, the longest-running thriller in Broadway history - featuring Michael Caine in one of his best roles and Christopher Reeve and Dyan Cannon in their finest performances on film. For an example of the former genre, look no further than NETWORK, containing one of the strongest screenplays ever penned, from the fiery and ferocious pen of Paddy Cheyefsky, and Faye Dunaway in her Oscar-winning performance for all the ages. As far as theatrical screenplays on screen, Lumet would be hard-pressed to even come close to the power, prescience and transformative brilliance at the core of the conceit of that film - yet he did just that; with his final, 2007 film no less. I am speaking, of course, of the underrated and riveting BEFORE THE DEVIL KNOWS YOU'RE DEAD starring Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, with Albert Finney and Rosemary Harris. Taking an original screenplay that could just as well have been written for the stage - shades of 12 ANGRY MEN, DOG DAY AFTERNOON, NETWORK and SERPICO, certainly - Lumet made a bristling, biting brilliant work of staggering craft and ingenuity - all with verve, energy and drive of a man a quarter of his age at the time (80). His films were classics in his own time and, now, in his passing, they are just as timeless - if not more so. With each passing year, new layers of truth, beauty, sadness and soulfulness can be found in the countless frames in the innumerable unforgettable scenes in his many masterpieces.

On this very day in 1943, Michael DiFiglia was born in Buffalo, New York, and the world of Broadway would simply never be the same. Cutting his teeth with the accomplished choreography for A JOYFUL NOISE, PROMISES, PROMISES, SEESAW and COCO was merely the beginning of a career that would virtually rewrite and revolutionize the ways and means by which a director could yield ultimate control over a project. With COMPANY and FOLLIES, the later co-directing with Hal Prince, Bennett solidified himself as one of the most talented and brilliant choreographers of his generation and, shortly thereafter, proved with A CHORUS LINE that he was a master theatrical engineer with few, if any, peers. Worldwide success, Tony Awards and the Pulitzer Prize were just the gravy. Who else but Michael Bennett would then, or ever, receive - or should I say, earn - the credit "Entire Production Conceived, Produced and Directed by," besides him? While BALLROOM failed to live up to A CHORUS LINE in mostly every way, he soon after reinvented the wheel yet again with DREAMGIRLS in 1981. We never got to see his productions of CHESS and SCANDAL, both of which he was in the latter stages of developing at the time of his death in 1988. Broadway has never been the same since he's been gone. So, today, on the day following a glittering new production of COMPANY at Lincoln Center - with the complete dance sequence "Tick Tock" fully restored, now with five dancers - we take a tip of the top hat to the tops in taps, temerity and truthfulness onstage - the one and only Michael Bennett.