The Black Box Performing Arts Center continues to emerge as the Tri-State area's premiere destination for both cutting-edge professional theater and collaborative performing arts education as it proudly presents a new production of Caryl Churchill's Cloud 9 in the heart of Teaneck, NJ - just a quick ride over the George Washington Bridge.
The Black Box Performing Arts Center continues to emerge as the Tri-State area's premiere destination for both cutting-edge professional theater and collaborative performing arts education as it proudly presents a new production of Caryl Churchill's Cloud 9 in the heart of Teaneck, NJ - just a quick ride over the George Washington Bridge.
The Black Box Performing Arts Center continues to emerge as the Tri-State area's premiere destination for both cutting-edge professional theater and collaborative performing arts education as it proudly presents a new production of Caryl Churchill's Cloud 9 in the heart of Teaneck, NJ - just a quick ride over the George Washington Bridge.
The Black Box Performing Arts Center continues to emerge as the Tri-State area's premiere destination for both cutting-edge professional theater and collaborative performing arts education as it proudly presents a new production of Caryl Churchill's Cloud 9 in the heart of Teaneck, NJ.
The Black Box Performing Arts Center continues to emerge as the Tri-State area's premiere destination for both cutting-edge professional theater and collaborative performing arts education as it proudly presents a new production of Caryl Churchill's Cloud 9 in the heart of Teaneck, NJ - just a quick ride over the George Washington Bridge.
Older & Reckless, MOonhORsE Dance Theatre's celebrated series curated by Artistic Director Claudia Moore, celebrates the company's 20th season with its 39th edition featuring five renowned dance artists. Governor General award winner Margie Gillis (Montreal), dance theatre maverick Robert Desrosiers with cellist/singer Anne Bourne, acclaimed dancer/co-founder of COBA (Collective Of Black Artists) BaKari I. Lindsay, choreographer/director Charles Koroneho (New Zealand), and Claudia Moore in a work byApolonia Velasquez and Ofilio Sinbadinho (Gadfly), take to the stage Friday, November 11 and Today, November 12 for three shows only at Harbourfront Centre Theatre.
This time-shifting comedy challenges and parodies the rigid attitudes and social codes of the Victorian era. With a cadre of intriguing and deceptive characters, the play is a non-stop round robin of liaisons and duplicity. Act I begins in British colonial Africa during the Victorian era in 1880 and Act II continues the story only 25 years later, but is set in 1980's London. Come along as these characters decide whether to toe the line, cross it, or obliterate it all together.
Older & Reckless, MOonhORsE Dance Theatre's celebrated series curated by Artistic Director Claudia Moore, celebrates the company's 20th season with its 39th edition featuring five renowned dance artists. Governor General award winner Margie Gillis (Montreal), dance theatre maverick Robert Desrosiers with cellist/singer Anne Bourne, acclaimed dancer/co-founder of COBA (Collective Of Black Artists) BaKari I. Lindsay, choreographer/director Charles Koroneho (New Zealand), and Claudia Moore in a work byApolonia Velasquez and Ofilio Sinbadinho (Gadfly), take to the stage Friday, November 11 and Saturday, November 12 for three shows only at Harbourfront Centre Theatre.
L.I.P. Service presents Bernard Pomerance's THE ELEPHANT MAN (with original cello composition by Josh Bradford), directed by Shawn Gann and starring Jason Leyva, Pat Watson, and Sara Lovett, with *Bert Pigg and Chris Messersmith.
L.I.P. Service is thrilled to announce their production of Bernard Pomerance's THE ELEPHANT MAN (with original cello composition by Josh Bradford), Directed by Shawn Gann and starring Jason Leyva, Pat Watson, and Sara Lovett; and, featuring *Bert Pigg, and Chris Messersmith. The performance will premiere at The Firehouse Theatre on September 29 at 8:00pm. It will run through October 15 today, Friday and Saturday evenings.
L.I.P. Service presents Bernard Pomerance's THE ELEPHANT MAN (with original cello composition by Josh Bradford), directed by Shawn Gann and starring Jason Leyva, Pat Watson, and Sara Lovett, with *Bert Pigg and Chris Messersmith.
Older & Reckless, MOonhORsE Dance Theatre's celebrated series curated by Artistic Director Claudia Moore, celebrates the company's 20th season with its 39th edition featuring five renowned dance artists. Governor General award winner Margie Gillis (Montreal), dance theatre maverick Robert Desrosiers with cellist/singer Anne Bourne, acclaimed dancer/co-founder of COBA (Collective Of Black Artists) BaKari I. Lindsay, choreographer/director Charles Koroneho (New Zealand), and Claudia Moore in a work byApolonia Velasquez and Ofilio Sinbadinho (Gadfly), take to the stage Friday, November 11 and Saturday, November 12 for three shows only at Harbourfront Centre Theatre.
L.I.P. Service is thrilled to announce their production of Bernard Pomerance's THE ELEPHANT MAN (with original cello composition by Josh Bradford), Directed by Shawn Gann and starring Jason Leyva, Pat Watson, and Sara Lovett; and, featuring *Bert Pigg, and Chris Messersmith. The performance will premiere at The Firehouse Theatre on September 29 at 8:00pm. It will run through October 15 on Thursday, Friday and Saturday evenings.
The Lyric Stage Company of Boston announces the cast & creative team for COMPANY, with Music and Lyrics by STEPHEN SONDHEIM and Book by GEORGE FURTH. Directed by Spiro Veloudos with music director Catherine Stornetta and choreography & musical staging by Rachel Bertone, COMPANY will run September 2 - October 9, 2016.
The Lyric Stage Company of Boston announces the cast & creative team for COMPANY, with Music and Lyrics by STEPHEN SONDHEIM and Book by GEORGE FURTH. Directed by Spiro Veloudos with music director Catherine Stornetta and choreography & musical staging by Rachel Bertone, COMPANY will run September 2 - October 9, 2016.
The fall season at New York Live Arts, home of the Bill T. Jones/Arnie Zane Company and under the artistic leadership of MacArthur Genius Award and National Medal of the Arts recipient Bill T. Jones and Associate Artistic Director Janet Wong, presents a dynamic roster of new works including five world and four New York City premieres, eight Live Arts commissions and an engaging schedule of humanities events.
Ehrenkranz Artistic Director Jane Moss today announced the schedule for Lincoln Center's seventh White Light Festival, running from October 16 through November 16, 2016. The international multidisciplinary festival, which takes its name from a quotation by the Estonian composer Arvo Part, is an annual exploration of the power of art to illuminate our interior and communal lives. 'I could compare my music to white light which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener.' - Arvo Part
New York Live Arts, home of the Bill T. Jones/Arnie Zane Company and under the artistic leadership of MacArthur Genius Award and National Medal of the Arts recipient Bill T. Jones, announced its upcoming 2016-2017 season today.
Washington State native Trisha Brown is considered the most widely acclaimed choreographer of the postmodern era. For over 50 years, she pushed the limits of choreographic movement, changing modern dance forever. At 79, Trisha Brown has choreographed her last dances. In celebration of her life's work, Trisha Brown Dance Company returns to the choreographer's home state to perform the final performances of her works for the proscenium stage as part of a retrospective presented by University of Washington's World Series at Meany Hall.
Washington State native Trisha Brown is considered the most widely acclaimed choreographer of the postmodern era. For over 50 years, she pushed the limits of choreographic movement, changing modern dance forever. At 79, Trisha Brown has choreographed her last dances. In celebration of her life's work, Trisha Brown Dance Company returns to the choreographer's home state to perform the final performances of her works for the proscenium stage as part of a retrospective presented by University of Washington's World Series at Meany Hall.
Tom Stoppard's first new play since Rock 'n' Roll introduces us to Hilary, a 22-year-old psychology student applying for a coveted position with the Krohl Institute for Brain Science. As Hilary prays for strength to move beyond personal regrets, she passionately explores the blurred lines between science and psychology with her colleagues and her sometimes-lover Spike. Ethics are called into question as they delve into the 'hard problem' of consciousness versus gray matter, and debate whether altruism even exists. Following a sold-out run at the National Theatre in London, the Wilma-'America's foremost interpreter of the playwright's work' (Philadelphia Magazine)-is proud to be among the first to bring The Hard Problem to U.S. audiences.
In September, New Conservatory Theatre Center opens its 2015-16 Season with the U.S. Premiere of For the Love of Comrades, the impassioned, gritty and inspiring new play by Micheal Kerrigan, with script development by Patricia Byrne and Mary Connors.
In September, New Conservatory Theatre Center opens its 2015-16 Season with the U.S. Premiere of For the Love of Comrades, the impassioned, gritty and inspiring new play by Micheal Kerrigan, with script development by Patricia Byrne and Mary Connors.
John King's residency at The Stone is an immersion into works from the past 20 years from his catalogue, including 7 world premieres performed by FLUX and Secret Quartets, TILT Brass, String Noise, Jenny Lin, Jeanann Dara and Carol To.
In Rosencrantz and Guildenstern are Dead, which will mark the Wilma's 11th production of a work by Tom Stoppard, minor characters take center stage as they journey on a boat taking Prince Hamlet to England with players from the royal court. As these characters unknowingly sail to a fate Shakespeare has already scripted for them, arguments of free will and determinism abound, all set to the constant travel game of flipping coins. In this battle of wits, Stoppard's characteristic wordplay and case of mistaken identities create a spectacle that's philosophical, clownish, and complete with a pirate-ambush.
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