Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.
The August Wilson Center for African American Culture -- named for one of the 20th century's most celebrated playwrights and a Pittsburgh native who garnered international recognition for his contributions to the American theater -- honors his legacy with the Grand Opening and World Premiere Tribute Ceremony & Celebration on Thursday, September 17, beginning at 5 pm. This newest contribution to Pittsburgh's cultural landscape is a long-sought-after multidisciplinary facility reflective of all aspects of African and African American culture.
The August Wilson Center for African American Culture -- named for one of the 20th century's most celebrated playwrights and a Pittsburgh native who garnered international recognition for his contributions to the American theater -- honors his legacy with the Grand Opening and World Premiere Tribute Ceremony & Celebration on Thursday, September 17, beginning at 5 pm. This newest contribution to Pittsburgh's cultural landscape is a long-sought-after multidisciplinary facility reflective of all aspects of African and African American culture.
Frist Center Announces Calendar of Events for April 1-June 15, 2009
OF SPECIAL NOTE
Thursday, April 16 State of the Art: Contemporary Lecture Series
6:30 p.m. featuring Andrea Zittel
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Frist Center Announces Calendar of Events for April 1-June 15, 2009
OF SPECIAL NOTE
Thursday, April 16 State of the Art: Contemporary Lecture Series
6:30 p.m. featuring Andrea Zittel
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Frank Capra's classic film has been brought to vibrant theatrical life through the remarkable collaboration of Pulitzer Prize and Tony Award winning librettist & lyricist, Sheldon Harnick and Grammy and Emmy Award winning Composer, Joe Raposo.
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