Rep Stage, the professional Equity theatre in residence at Howard Community College (HCC), closes its 17th season with Pulitzer Prize-winner Edward Albee's 'The Goat or, Who Is Sylvia?' 'The Goat...' is a dark comedy about Martin, a married architect coming to terms with middle age, his son's sexual identity, and his own recent adulterous relationship with an unlikely partner.
Long Day's Journey Into Night is bound to be the 'hot ticket' in the Pacific Northwest this year. This world-class co-production between Portland's Artists Repertory Theatre and Australia's Sydney Theatre Company (STC) stars Oregonians William Hurt and Todd Van Voris, as well as three Australian actors including the legendary Australian actress Robyn Nevin, Luke Mullins and Emily Russell
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
The York Shakespeare Company will present Eugene O'Neill's LONG DAY'S JOURNEY INTO NIGHT, directed by Seth Duerr. LONG DAY'S JOURNEY INTO NIGHT will play a three-week limited engagement at the Lion Theater (410 West 42nd Street address). Performances begin Friday, May 28 and continue thru Saturday, June 12. Opening Night is Saturday, May 29 (8 p.m.).
Tamzin Outhwaite is joined by Mark Umbers in the West End transfer of the Tony Award-winning musical, Sweet Charity. Matthew White's production of Sweet Charity, which completed its sell-out run at the Menier Chocolate Factory last month, will open at the Theatre Royal Haymarket on 23 April 2010 with press night on 4 May and is currently booking until 8 January 2011.
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
Tamzin Outhwaite is joined by Mark Umbers in the West End transfer of the Tony Award-winning musical, Sweet Charity. Matthew White's production of Sweet Charity, which completed its sell-out run at the Menier Chocolate Factory last month, will open at the Theatre Royal Haymarket on 23 April 2010 with press night on 4 May and is currently booking until 8 January 2011.
The York Shakespeare Company will present Eugene O'Neill's LONG DAY'S JOURNEY INTO NIGHT, directed by Seth Duerr. LONG DAY'S JOURNEY INTO NIGHT will play a three-week limited engagement at the Lion Theater (410 West 42nd Street address). Performances begin Friday, May 28 and continue thru Saturday, June 12. Opening Night is Saturday, May 29 (8 p.m.).
Just in - NEXT TO NORMAL has one the 2010 Pulitzer Prize for Drama!
As per the official Pulitzer's web site: For a distinguished play by an American author, preferably original in its source and dealing with American life, Ten thousand dollars ($10,000).
The 2010 Pulitzer Prizewinners and Nominated Finalists in all categories will be announced on April 12, 2010 at 3 p.m. Eastern daylight time. Finalists are not announced in advance. The 2010 Prizes are awarded for work published, produced or premiered in 2009.
Silhouette Stages, Inc. announces the regional premiere production of the celebrated musical within a comedy, The Drowsy Chaperone on May 21, 22, 28 and 29 at 8 pm and May 23 and 30 at 3 pm. All performances will take place at Slayton House on 14100 Cross Fox Lane, Columbia, MD 21044. Conni Ross and Debra Mobley direct this modern masterpiece with choreography by Lori Pryor and Timoth David Copney and music direction by Keith Tittermary.
Tamzin Outhwaite is joined by Mark Umbers in the West End transfer of the Tony Award-winning musical, Sweet Charity. Matthew White's production of Sweet Charity, which completed its sell-out run at the Menier Chocolate Factory last month, will open at the Theatre Royal Haymarket on 23 April 2010 with press night on 4 May and is currently booking until 8 January 2011.
Playwrights Horizons, under the leadership of Artistic Director Tim Sanford and Managing Director Leslie Marcus, is proud to announce four additional productions for its 2010/2011 40th Anniversary Season. The three World Premieres and one New York premiere join the previously-announced New York premiere of Edward Albee's ME, MYSELF & I.
We are excited to announce our superb cast of The Drowsy Chaperone, which will run on May 21, 22, 28, 29 at 8pm and May 23 and 30 at 3pm at Slayton House in Columbia.
Producers Philip Margaman, Emily Miller and Frankie J. Grande announce the continuation of the yearlong celebration of prolific playwright and director, Garson Kanin with Remembering Mr. Maugham.
Producers Philip Margaman, Emily Miller and Frankie J. Grande announce the continuation of the yearlong celebration of prolific playwright and director, Garson Kanin with Remembering Mr. Maugham.
Producers Philip Margaman, Emily Miller and Frankie J. Grande announce the continuation of the yearlong celebration of prolific playwright and director, Garson Kanin with Remembering Mr. Maugham.
Playwrights Horizons announced today that the New York premiere of ME, MYSELF & I, a new play by three-time Pulitzer Prize and three-time Tony Award winner Edward Albee (A Delicate Balance; Seascape; Three Tall Women; Who's Afraid of Virgina Wolf?; The Goat or, Who Is Sylvia?) will open the theater company's 2010/2011 40th Anniversary Season. Mr. Albee will be making his Playwrights Horizons debut.
It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was that after granting him top honors for Beyond The Horizon (1920), Anna Christie (1922) and Strange Interlude (1928) the gang at Columbia figured enough was enough. So history was made that year when the Gershwin, Gershwin, Kaufman & Ryskin lark Of Thee I Sing became the first musical so honored, leaving O'Neill waiting until after his death to nab another, for Long Day's Journey Into Night.
Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby
A year in review for the East Lynne Theater Company begins with January when it was voted One of the Top Two Equity Professional Theaters in the State in The Discover Jersey Arts' 'People's Choice Awards.' In August, The 400th Anniversary Committee presented ELTC with a plaque acknowledging ELTC's work to help celebrate Cape May's founding. On October 26, at The New Jersey Theatre Alliance's Applause Awards, ELTC will receive a 'Certificate of Achievement Award' for bringing American Classics to life and educating young and old about American plays, literature and history, throughout the state. George S. Kaufman's comedy 'The Butter and Egg Man' is currently running through October 24.
Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby
Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.
Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby
Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.
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