In the second of Alan Gilbert's final four subscription weeks as New York Philharmonic Music Director, he will lead the Orchestra in a program that highlights important artistic relationships he has cultivated during his tenure.
Utah Opera Artistic Director Christopher McBeth today announced Utah Opera's 2017-18 season in recognition of the company's 40th anniversary.
This fall, Theatre In the Raw is bringing to Vancouver stages the Bertolt Brecht and Kurt Weill 1928 classic musical work,THE THREEPENNY OPERA,re imagined as a mixture of Victorian era setting with a Commercial Drive flavouring, under the direction of Jay Hamburger and Music Director Earle Peach!
It's that time of year, and I can't help but wonder if your CD collection and iPod are Tonys ready. It's just a handful of hours until the 70th annual Tony Awards, and New York City and theatre fans across the world are excitedly buzzing about this year's ceremonies which will be broadcast live on Sunday, June 12, 2016 at 8/7c on CBS. This Broadway season has some exciting contenders in the musical categories, and to get you ready for the big night, I'm recapping the albums you should be listening to (or at least pre-ordering).
This just in! BroadwayWorld.com has learned that the Academy Award, Golden Globe & BAFTA winning actor Forest Whitaker will make his highly anticipated Broadway debut in HUGHIE, by four- time Pulitzer Prize winner and Nobel Prize Laureate Eugene O'Neill. Directed by Tony and Olivier Award winner winner Michael Grandage, HUGHIE will play a strictly limited engagement in the spring of 2016 on Broadway at a Shubert Theatre to be announced.
Andrew Lippa's substantially revised version of his adaptation of Joseph Moncure March's Jazz Age narrative poem features an outstanding cast.
Morningside Opera, the NYC-based opera company that most recently presented the acclaimed Here Be Sirens and ¡Figaro! (90210), teams up with Harlem Opera Theater and The Harlem Chamber Players to present a concert of the long-lost and historical opera VOODOO, by African-American composer Harry Lawrence Freeman, with a 30-piece orchestra and full chorus. Gregory Hopkins is the conductor. Last performed in NYC in 1928, VOODOO, will play two concert performances only tonight, June 26 and tomorrow, June 27, 2015 at 7PM at Miller Theatre at Columbia University (2960 Broadway, at the corner of Broadway and 116th street) in Manhattan.
Metropolitan Opera singer Janinah Burnett and Joanna Marie Ford and Steven Wallace will perform the leading roles in Morningside Opera, Harlem Opera Theater and The Harlem Chamber Players concert production of VOODOO, the long-lost and historical opera by African American composer Harry Lawrence Freeman. They will be joined by Crystal Charles, James R. Hopkins III, Barry L. Robinson, Darian Worrall, a full chorus and 30-piece orchestra. The production is directed by Melissa Crespo and conducted by Gregory Hopkins. Last performed in NYC in 1928, VOODOO, will play two concert performances only on June 26 and 27, 2015 at 7PM at Miller Theatre at Columbia University (2960 Broadway, at the corner of Broadway and 116th street) in Manhattan. Terrance McKnight of WQXR Radio is the evening's host. Tickets are $25 advance/$30 at the door, with discount tickets available for students and seniors at $20. They can be purchased by visiting http://voodoo.brownpapertickets.com/ or by calling 800-838-3006.
Morningside Opera, the NYC-based opera company that most recently presented the acclaimed Here Be Sirens and ¡Figaro! (90210), teams up with Harlem Opera Theater and The Harlem Chamber Players to present a concert of the long-lost and historical opera VOODOO, by African-American composer Harry Lawrence Freeman, with a 30-piece orchestra and full chorus. Gregory Hopkins is the conductor. Last performed in NYC in 1928, VOODOO, will play two concert performances only on June 26 and 27, 2015 at 7PM at Miller Theatre at Columbia University (2960 Broadway, at the corner of Broadway and 116th street) in Manhattan.
The Playwrights Horizons world premiere of IOWA, a new musical play written by Susan Smith Blackburn Prize finalist Jenny Schwartz (God's Ear, Somewhere Fun), music by Todd Almond (Stage Kiss at PH, Kansas City Choir Boy, The Tempest, On the Levee) and lyrics by Mr. Almond and Ms. Schwartz, opens tonight, April 13, 2015.
Previews begin tomorrow, today, March 20 for the Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) world premiere of IOWA, a new musical play written by Susan Smith Blackburn Prize finalist Jenny Schwartz (God's Ear, Somewhere Fun), music by Todd Almond (Stage Kiss at PH, Kansas City Choir Boy, The Tempest, On the Levee) and lyrics by Mr. Almond and Ms. Schwartz. Directed by two-time Obie Award winner Ken Rus Schmoll (Red Dog Howls, Middletown, What Once We Felt; next season's Antlia Pneumatica at PH), the musical play will be the fifth production of the theater company's 2014/2015 Season.
From today. March 12 - 22, 2015 Houston Ballet offers up Modern Masters, a spring mixed repertory program showcasing works by three of the twentieth century's greatest choreographers.
Playwrights Horizons has announced casting for IOWA, the world premiere of a new musical play written by Susan Smith Blackburn Prize finalist Jenny Schwartz (God's Ear, Somewhere Fun), music by Todd Almond (Stage Kiss at PH, Kansas City Choir Boy, The Tempest, On the Levee) and lyrics by Mr. Almond and Ms. Schwartz. Directed by two-time Obie Award winner Ken Rus Schmoll (Red Dog Howls, Middletown, What Once We Felt; next season's just-announced Antlia Pneumatica by Anne Washburn at PH), the musical play will be the fifth production of the theater company's 2014/2015 Season.
From March 12 - 22, 2015 Houston Ballet offers up Modern Masters, a spring mixed repertory program showcasing works by three of the twentieth century's greatest choreographers.
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Berkshire Theatre Group and Artistic Director/CEO, Kate Maguire have announced the Summer 2014 Theatre Season offering classic works coupled with contemporary plays.
Now through June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center.
From today, May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters.
From May 22 - June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or 1-800-828-2787.
From May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Ji?i Kylian's comic and delightful Sechs Tanze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or1-800-828-2787.
Performances begin tonight for Roundabout Theatre Company's third annual Roundabout Underground Reading Series. The actors involved in the series include: Pico Alexander, Fred Applegate, De'Adre Aziza, David Aaron Baker, Cassie Beck, Michael Chernus, Diane Davis, Dashiell Eaves, Ryan Eggold, Lisa Emery, Sue Jean Kim, Chad Kimball, Jessica Love, Lizbeth Mackay, Annie McNamara, Alex Mickiewicz, Aaron Clifton Moten, Olivia Oguma, Tonya Pinkins, Paul Pontrelli, Conrad Ricamora, Reg Rogers, Debra Jo Rupp, Campbell Scott and Max von Essen.
On the heels of a highly successful run of George Balanchine's 'The Nutcracker', Oregon Ballet Theatre will show a multitude of facets with REVEAL at the Keller Auditorium, today, February 22 - March 1, 2014.
Berkshire Theatre Group and Artistic Director/CEO, Kate Maguire have announced the Summer 2014 Theatre Season offering classic works coupled with contemporary plays.
Roundabout Theatre Company has announced the third annual Roundabout Underground Reading Series. The series will celebrate seven critically-acclaimed seasons of Roundabout Underground productions. Roundabout Underground Reading Series is a five night event that will include a nightly reading of a new play written and directed by an emerging artist.
On the heels of a highly successful run of George Balanchine's “The Nutcracker”, Oregon Ballet Theatre will show a multitude of facets with REVEAL at the Keller Auditorium, February 22 – March 1, 2014. Four works will appear on the bill, three of which were or will be created on the dancers of OBT. Former Artistic Director Christopher Stowell returns to choreograph his first new work on the company since departing from that post a year ago. Returning to the OBT stage are James Kudelka's “Almost Mozart”, created for the company to much acclaim in 2006 and chosen for the ballet's most recent appearance at the Kennedy Center in the Ballet Across America festival last June, and Christopher Wheeldon's “Liturgy”, a profound meditation set to the music of Arvo Pa?rt which OBT first performed in 2012. Rounding out this feast of dance is Nicolo Fonte's daring and visually striking “Bolero”. Former Principal Dancer Artur Sultanov returns to the stage for only these performances to partner Principal Dancer Alison Roper in every show of this work, originally created on the duo in 2008.
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