Talked about for months and now finally official, Paulo Szot, who has recently emerged as one of the most exciting voices in opera and who won a Tony for his performance as Emile de Becque in the Lincoln Center Theater (Andre Bishop, Artistic Director, Bernard Gersten, Executive Producer) production of SOUTH PACIFIC, will be recreating the role of the French plantation owner at the Barbican Centre in London, where the production will run for a limited season of 7 weeks only from 15 August to 1 October, with an opening night on 23 August.
New York City Opera today announced full casting details for the 12th season of its celebrated annual new music festival, VOX Contemporary American Opera Lab.
New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production WICKED. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of FLOYD COLLINS and THE LIGHT IN THE PIAZZA), John Kander (composer of CABARET and CHICAGO) and David Henry Hwang (librettist for operas such as ALICE IN WONDERLAND and THE FLY, playwright of M. BUTTERFLY, book for FLOWER DRUM SONG, TARZAN and AIDA on Broadway). The discussion precedes the New York premiere of Schwartz's first opera SEANCE on a WET AFTERNOON, opening at New York City Opera on Tuesday, April 19.
Award winning vocalist ERIC MICHAEL GILLETT will close out the 2010/2011 season of CABARET CARES, with I WON'T SING A SONDHEIM SONG...or will I? at the Laurie Beechman Theatre, Sunday, April 17th at 7pm. The evening will be presented as a benefit for Cabaret Cares.
The Lyric Opera of Kansas City closes its 53rd season April 9 through 17 with a new production of Mozart's The Marriage of Figaro, which will be performed in Italian with English subtitles.
North America's oldest and most programmatically diverse music festival, Ravinia, has named renowned pianist, music administrator and educator Kevin Murphy director of the festival's summer music conservatory, the Steans Music Institute.
A.R.T. American Repertory Theater (A.R.T.) will present The Gershwins' Porgy and Bess, opening the A.R.T.'s 2011-2 season on August 117 at the Loeb Drama Center. The Gershwin's Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, is adapted by Suzan-Lori Parks and Diedre Murray, and directed by A.R.T. Artistic Director Diane Paulus.
Immediately after the Broadway opening of his play Bengal Tiger at the Baghdad Zoo, named a Pulitzer Prize finalist last year, Alley Company Artist Rajiv Joseph returns to the Alley with the world premiere of his latest play, The Monster at the Door.
Kansas City Repertory Theatre is revolutionizing Henrik Ibsen's classic fantasy play Peer Gynt with David Schweizer's five-actor adaptation of the sweeping Norwegian epic.
The long overdue London premiere of the Broadway musical The Roar of the Greasepaint - The Smell of the Crowd, directed by acclaimed West End and RSC director Ian Judge, and designed by three time Olivier Award winner Tim Goodchild, opens for a four week limited season at the Finborough Theatre on Tuesday, 7 June 2011 (Press Night: Thursday, 9 June 2011 at 7.30pm).
A cast of Broadway veterans will converge on a small Kansas town April 13 to perform a new musical comedy by Sheldon Harnick, co-creator of "Fiddler on the Roof."
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the U.S. premiere of Ingmar Bergman's AUTUMN SONATA, directed by Robert Woodruff, based on a literal translation by Wendy Weckwerth, at Yale Repertory Theatre (1120 Chapel Street) April 12-May 7, 2011.
New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production Wicked. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of Floyd Collins and The Light in the Piazza), John Kander (composer of Cabaret and Chicago) and David Henry Hwang (librettist for operas such as Alice in Wonderland and The Fly, playwright of M. Butterfly, book for Flower Drum Song, Tarzan and Aida on Broadway). The discussion, which will take place on April 10, precedes the New York premiere of Schwartz's first opera Séance on a Wet Afternoon, opening at New York City Opera on Tuesday, April 19.
Acclaimed American bass-baritone Ryan McKinny performs Franz Schubert's Winterreise, accompanied by pianist Elizabeth Buccheri, Sunday, April 10 at 3 p.m. at Nichols Concert Hall, 1490 Chicago Avenue, Evanston.
Philadelphia Theatre Company continues its 35th Anniversary Season with the Philadelphia debut of Anna Deavere Smith in her one-woman, award-winning show Let Me Down Easy, running March 18 through April 10, 2011 at the Suzanne Roberts Theatre (Broad and Lombard Streets).
Award winning vocalist ERIC MICHAEL GILLETT will close out the 2010/2011 season of CABARET CARES, with I WON'T SING A SONDHEIM SONG...or will I? at the Laurie Beechman Theatre, Sunday, April 17th at 7pm. The evening will be presented as a benefit for Cabaret Cares.
The Lyric Opera of Kansas City closes its 53rd season April 9 through 17 with a new production of Mozart's The Marriage of Figaro, which will be performed in Italian with English subtitles.
