As its first production in their new home at the historic Plummer Auditorium in Fullerton, 3D Theatricals opens with THE DROWSY CHAPERONE, that wonderful, effervescent 2006 Broadway musical concoction. A Tony Winner for Best Book and Best Score, this insanely funny musical comedy is a reverent, if wildly sarcastic homage to the American Jazz-Age musical, those frothy, lighthearted screwball comedies that captivated so many fans with its fun and frivolity. 3D Theatricals' production features TV star Sally Struthers as Mrs. Tottendale.
The history of Broadway's attempts to make commercially successful sequels of hit musicals is not a pretty one. But the Opening Doors Theatre Company, now in its second season at The Duplex staging pocket-sized versions of some of Broadway's most beloved flops, can offer a fabulously fun time from even the most legendary disaster. Having premiered their Closing Notice series a year and a half ago with Bring Back Birdie, this small but increasingly impressive company headed by Producer/Artistic Director Suzanne Adams now offers a fast and funny mounting of The Best Little Whorehouse Goes Public.
Acclaimed choreographer Morgan Thorson teams with sublime slow core band LOW (Alan Sparhawk and Mimi Parker) in pursuit of ecstatic and corporeal perfection in HEAVEN - a real-time performance ritual and new ensemble work which explores emotional and physical manifestations of ecstatic perfection. The performance will run at PS122 from October 25 - October 30.
Acclaimed choreographer Morgan Thorson teams with sublime slow core band LOW (Alan Sparhawk and Mimi Parker) in pursuit of ecstatic and corporeal perfection in HEAVEN - a real-time performance ritual and new ensemble work which explores emotional and physical manifestations of ecstatic perfection. The performance will run at PS122 from October 25 - October 30.
Acclaimed choreographer Morgan Thorson teams with sublime slow core band LOW (Alan Sparhawk and Mimi Parker) in pursuit of ecstatic and corporeal perfection in HEAVEN - a real-time performance ritual and new ensemble work which explores emotional and physical manifestations of ecstatic perfection. The performance will run at PS122 from October 25 - October 30.
Acclaimed choreographer Morgan Thorson teams with sublime slow core band LOW (Alan Sparhawk and Mimi Parker) in pursuit of ecstatic and corporeal perfection in HEAVEN - a real-time performance ritual and new ensemble work which explores emotional and physical manifestations of ecstatic perfection. The performance will run at PS122 from October 25 - October 30.
Acclaimed choreographer Morgan Thorson teams with sublime slow core band LOW (Alan Sparhawk and Mimi Parker) in pursuit of ecstatic and corporeal perfection in HEAVEN - a real-time performance ritual and new ensemble work which explores emotional and physical manifestations of ecstatic perfection. The performance will run at PS122 from October 25 - October 30.
Due to sold-out performances and overwhelming support and response including a surprise appearance in the audience by Kanye West himself - the creators of WHY WON'T YOU LET ME BE GREAT!!! have added an additional performance on Saturday, August 1 at 10pm. Tickets are on sale now.
WHY WON'T YOU LET ME BE GREAT!!! is a group show inspired by Kanye West's ground-breaking, 'Thom Yorke in the Strip Club' crossover pop album 808s & Heartbreak. Conceived by Brendan Kennedy and presented by Neal Medlyn and Catch in association with Performance Space 122, the evening-length performance will feature work by a vast array of downtown superstars showing pieces inspired by each song from the album, much as the Joffrey Ballet's (in)famous Billboards choreographed the songs of Prince.
WHY WON'T YOU LET ME BE GREAT!!! is a group show inspired by Kanye West's ground-breaking, 'Thom Yorke in the Strip Club' crossover pop album 808s & Heartbreak. Conceived by Brendan Kennedy and presented by Neal Medlyn and Catch in association with Performance Space 122, the evening-length performance will feature work by a vast array of downtown superstars showing pieces inspired by each song from the album, much as the Joffrey Ballet's (in)famous Billboards choreographed the songs of Prince.
2007 McKnight fellow and 2008 City Pages 'Artist of the Year,' Justin Jones' choreography has been described by critics as 'flawlessly articulate, innovative and surprisingly subtle.' For this compelling night of dance, Jones looks out to the vastness of the universe and in to the cosmos of the human brain.
The Southern Theater is pleased to announce the recipients of the 2009 McKnight Artist Fellowships for Choreographers and the McKnight Artist Fellowships for Dancers. Each Fellow will receive a $25,000 fellowship award.
2007 McKnight fellow and 2008 City Pages 'Artist of the Year,' Justin Jones' choreography has been described by critics as 'flawlessly articulate, innovative and surprisingly subtle.' For this compelling night of dance, Jones looks out to the vastness of the universe and in to the cosmos of the human brain.
