Under the baton of its founding music director, George Rothman, Riverside Symphony will offer the final concert of its 37th season at Alice Tully Hall today evening, June 6 at 8:00PM. In a memorial performance, the orchestra will open the concert with Schubert's Symphony No. 8 “Unfinished” before proceeding to the world premiere of Artistic Director Anthony Korf's Concerto for Violin and Orchestra “Three Epigrams.” This 25-minute work, commissioned by The Roger Shapiro Fund for New Music, will feature local virtuoso Jesse Mills, a much in-demand artist and founding member of the Horszowski Trio. Sibelius' radiant, yet less-familiar Symphony No. 3 in C major will conclude the concert.
Vencl Dance returns to Graham Center of Contemporary Dance June 21-23 with 'Critical Junctures,' an evening of contemporary modern dance by Susan Vencl with music by Arlene Sierra. The concert premiers 'Intersections,' a 35 minute sextet, and presents a 33 minute reconstruction of Vencl's 2016 meditation on randomness and unpredictability, 'Long Before Afterward.'
Under the baton of its founding music director, George Rothman, Riverside Symphony will offer the final concert of its 37th season at Alice Tully Hall on Wednesday evening, June 6 at 8:00PM. In a memorial performance, the orchestra will open the concert with Schubert's Symphony No. 8 “Unfinished” before proceeding to the world premiere of Artistic Director Anthony Korf's Concerto for Violin and Orchestra “Three Epigrams.” This 25-minute work, commissioned by The Roger Shapiro Fund for New Music, will feature local virtuoso Jesse Mills, a much in-demand artist and founding member of the Horszowski Trio. Sibelius' radiant, yet less-familiar Symphony No. 3 in C major will conclude the concert.
92nd Street Y inaugurates three engaging new series - Chamber Orchestras, a Vocal Series, and Garrick Ohlsson: Brahms Exploration - ushering in a host of original concepts, artists, compositions, and collaborations, in keeping with 92Y's enduring traditions of cultural discovery, intellectual curiosity, and artistic experimentation. Additionally, 92Y commences Inflection, its first interdisciplinary festival, a six-concert exploration of music in relation to other art forms, including spoken word, photography, sculpture, and dance. This season also features the World Premieres of Phyllis's Portrait by Sergio Assad and Jonathan Berger's new opera Leonardo, the US premiere of a symphony by Hans Rott, the New York premieres of Wynton Marsalis's new work for solo violin, a new string quartet by Martin Bresnick, and Andreia Pinto Correia's String Quartet No. 1 "Unvanquished Space"; five major international artists making their 92Y performance debuts: Uzbek pianist Behzod Abduraimov, German cellist Alban Gerhardt, Bulgarian violinist Gergana Gergova, the Danish String Quartet, and the Artemis String Quartet; several young musicians also give their 92Y debut performances in the pristine acoustics of Buttenwieser Hall for the Soundspace Series: Jessica Xylina Osborne, Einav Yarden, Conrad Tao (with violinist Stefan Jackiw), the Horszowski Trio, Juho Pohjonen, and Orion Weiss.
Premieres, rarities from the past, and a special collaboration are among the highlights of Riverside Symphony's 37th season. January 20 and June 6 Alice Tully Hall performances will frame a February 25 family-friendly program at Merkin Concert Hall with Robert Rogers Puppets.
Longy School of Music of Bard College is excited to announce that beginning in the fall of 2016, the world-renowned Horszowski Trio will be an Ensemble-in-Residence, and cellist Nicholas Tzavaras and pianist Shai Wosner will be joining the faculty roster at the conservatory's Cambridge campus.
Susan Vencl began choreographing late in life -- when she was almost old enough to collect Social Security -- and she gets philosophical about the passage of time. 'Your past and future are embedded in the present moment,' she says. That idea drives 'Long Before Afterward,' her dance of sliding movement, sweeping turns and Grecian patterns which play with our perspective in sometimes mathematical ways. The Hawkins- and Limon-influenced piece will be performed to a suite of nine expressionistic works by acclaimed composer Arlene Sierra and will be presented by Susan Vencl Dance for its debut February 19, 20 and 21 at 8:00 PM at Graham Center of Contemporary Dance, 55 Bethune Street.
Susan Vencl began choreographing late in life -- when she was almost old enough to collect Social Security -- and she gets philosophical about the passage of time. 'Your past and future are embedded in the present moment,' she says. That idea drives 'Long Before Afterward,' her dance of sliding movement, sweeping turns and Grecian patterns which play with our perspective in sometimes mathematical ways. The Hawkins- and Limon-influenced piece will be performed to a suite of nine expressionistic works by acclaimed composer Arlene Sierra and will be presented by Susan Vencl Dance for its debut February 19, 20 and 21 at 8:00 PM at Graham Center of Contemporary Dance, 55 Bethune Street.
Back by popular demand, 54 Below presents renowned international chanteuse and star of Broadway's ChicagoUte Lemper for a return engagement, running September 2-6.
Marc and Steven Kaplan, co-founders of SubCulture, announce their 2014-2015 programming for the downtown performing arts venue. Touted by The New Yorker as having a 'strong curatorial hand,' SubCulture's founders enter their second year with a dynamic array of new series, multi-concert residencies, creative partnerships, and a program championing emerging composers.
Wagner College Theatre Stage One presents the NY area premiere of My Soldiers, written and directed by Richard Kalinoski, a 2003 Stanley Drama Award winner (Skin of a Lawyer) who's currently an artist-in-residence in the Theater Department. Performances are March 4 through 9, 2014 at Stage One.
A memorial concert for Sir Richard Rodney Bennett will take place on Monday, October 28 at 7:30pm and will be held at Saint Peter's Church located at 619 Lexington Ave. at 54th St. Admission is free but donations are accepted.
Note the following updated program and artist information for a Met Museum Presents event: John Zorn-A Museum-Wide Celebration (Sept. 28). Details below!
Note the following updated program and artist information for two Met Museum Presents events: The Grand Tour (today, Sept. 17-18) and John Zorn-A Museum-Wide Celebration (Sept. 28). Details below!
Note the following updated program and artist information for two Met Museum Presents events: The Grand Tour (Sept. 17-18) and John Zorn-A Museum-Wide Celebration (Sept. 28). Details below!
Bring a friend, grab a drink, and join some of today's most interesting performers onstage at Miller Theatre on select Tuesday evenings. Launched in February 2012, Miller's popular Pop-Up Concerts kicks off its third season this fall, continuing to provide free, informal performances in the early evening. The unique format allows the theater to test out new ideas and introduce new performers before they hit the Miller mainstage. Free libations from Harlem Brewing Company contribute to the laid-back ambiance. All concerts start at6p.m. Admission is on a first-come, first-served basis, and doors open at5:30p.m
'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York'sAnnandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens tonight, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.
'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York's Annandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens on Friday, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.
