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Quintessence Theatre Group continues its fourth season of progressive classic theatre with its first family classic for the holiday season, Kenneth Grahame's THE WIND IN THE WILLOWS adapted for the stage by Alan Bennett and directed by Alexander Burns. THE WIND IN THE WILLOWS runs at Sedgwick Theater, 7137 Germantown Ave in Mt Airy, Philadelphia, Pa. BroadwayWorld has a first look at the cast in action below!
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Die Besetzung fur das Musicals TSCHITTI TSCHITTI BÄNG BÄNG, dessen Kontinentale Erstauffuhrung am 30. April 2014 im Prinzregententheater stattfindet, steht fest.
The Ordway Center for the Performing Arts today announced the opening of Andrew Lloyd Webber's all-new stage adaptation of The Wizard of Oz, which will run tonight, Dec. 4-29 at the Ordway in Saint Paul, Minn. This national production features the original music by Harold Arlen and E.Y. Harburg from the 1939 Oscar-winning film, with additional music and lyrics by Andrew Lloyd Webber and Tim Rice.
A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met on December 31. Jeremy Sams, writer and creator of the Met's Baroque pastiche The Enchanted Island, makes his company debut as director with the new staging, which is set in Vienna at the turn of the 20th century. Sams also contributes new lyrics for Strauss's work, which will be performed entirely in English; Tony Award-nominated playwright Douglas Carter Beane makes his Met debut with new dialogue. Adam Fischer conducts a cast of rising opera stars and Broadway performers. The cast is led by Susanna Phillips and Christopher Maltman as the unhappily married Rosalinde and Eisenstein; Jane Archibald as Rosalinde's feisty maid, Adele; Anthony Roth Costanzo as Prince Orlofsky; Michael Fabiano as Rosalinde's former lover, Alfred; Paulo Szot as the bumbling Dr. Falke; and Patrick Carfizzi as the prison superintendent, Frank. Broadway stars Danny Burstein and Betsy Wolfe make Met debuts as the drunken jailer, Frosch, and Adele's sister, Ida. Robert Jones is set and costume designer for the production, with lighting design by Jennifer Schriever and choreography by Stephen Mear in their Met debuts.
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Jane Archibald will sing the role of Adele in all 14 performances of the new production of Johann Strauss's Die Fledermaus at the Met this season. Christine Schäfer, originally scheduled to sing the first six performances of the opera, is ill and unable to travel to the Met for rehearsals. Archibald was originally scheduled to sing the final eight performances of the run.
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Quintessence Theatre Group continues its fourth season of progressive classic theatre with its first family classic for the holiday season, Kenneth Grahame's THE WIND IN THE WILLOWS adapted for the stage by Alan Bennett and directed by Alexander Burns. THE WIND IN THE WILLOWS will begin previews on Wednesday, December 11 at 7pm and open on Saturday, December 14 at 7pm. All performances are at the Sedgwick Theater, 7137 Germantown Ave in Mt Airy, Philadelphia, 19119. To purchase tickets visit www.QuintessenceTheatre.org or call 215.987.4450.
Segerstrom Center for the Arts in Costa Mesa announces that the first North American tour of the new stage adaptation of THE WIZARD OF OZ will play February 11 - 23 in Segerstrom Hall.
Manhattan Theatre Club and MCC Theater present the world premiere of The Snow Geese, a new play by Sharr White, directed by Tony Award winner Daniel Sullivan. The production will open tonight, October 24, 2013. Scroll down to learn more about the cast!
SHN previously announced that the first North American tour of Andrew Lloyd Webber's new stage adaptation of THE WIZARD OF OZ will play a special engagement at the SHN Orpheum Theatre for two weeks only, tonight, October 16 - 27, 2013.
There are some classics you just don't mess with. "Casablanca", "Lawrence of Arabia" and yes, "The Wizard of Oz". OK, so there have been a number of sequels or prequels and complete rewrites (such as "The Wiz", which I love) but up to now no one has felt they could make the original better. That is until the ego that is Andrew Lloyd Webber came along and said, "Sure it's good but it needs my special flair." Well Sir Andrew, keep your special flair to yourself as what you have done is to jam in utterly forgettable new songs and horrifying jokes into the show and created a bastardized version of a classic.
On the occasion of composer Benjamin Britten's centennial, the Met will present its first performances of his 1960 opera A Midsummer Night's Dream in more than a decade. James Conlon leads his first Met performances of the opera, which is directed by Tim Albery in a revival of his acclaimed 1996 production.
Susan Graham - winner of a Grammy, an Opera News Award, Musical America's Vocalist of the Year, and hailed by the New York Times as 'an artist to treasure' - returns for another compelling season, highlighted by three role debuts. As Houston Grand Opera's 2013-14 Lynn Wyatt Great Artist, she undertakes Prince Orlofsky in the company's first staging of Die Fledermaus in 30 years.
What do you do for an updated stage adaptation of arguably one of cinema's much-beloved motion pictures of all time? Well for theater impresario Andrew Lloyd Webber and director Jeremy Sams, you populate the show with over-the-top, more cartoonish characters and snarky, audience-winking dialogue. Oh, yeah, and add a few new songs from Webber and his frequent collaborator, lyricist Tim Rice, too. The touring company plays the Pantages Theatre in Hollywood through October 6.
THE WIZARD OF OZ national tour, with old standards and new music written by Tim Rice and Andrew Lloyd Webber and a book adapted by Lloyd Webber and Jeremy Sams, opened at Hollywood's Pantages Theatre last week on September 18. BroadwayWorld has photos from the opening night festivities below!
Soprano Susanna Phillips - winner of the Metropolitan Opera's Beverly Sills Artist Award in 2010 - is a singer who 'demonstrates rare stylistic fluency, canny pathos and dynamic finesse,' according to the Financial Times, which added: 'Susanna Phillips - remember the name.' The Alabama-born soprano has a higher profile than ever during 2013-14, including her sixth consecutive season at the Metropolitan Opera. Phillips starts her Met season tonight, portraying Fiordiligi in Mozart's Così fan tutte under the baton of music director James Levine in his long-awaited return to the podium. The Dallas Morning News declared her to be 'a glorious Fiordiligi, her soprano honeyed and agile.' This Così runs until October 5, with a return in the spring; the final performance, onApril 26, will be transmitted to audiences worldwide in the Met's ever-popular Live in HD series. Phillips will also sing the role of Rosalinde in a new staging of Johann Strauss's Die Fledermaus by two-time Tony Award-winner Jeremy Sams as part of the Met's New Year's Eve gala, with performances until February 22. At the Met again in April, she plays Musetta in Puccini's La bohème, reprising the role in which she made her house debut in 2008. After a recent Met performance, the New York Times said: 'Phillips sparkled as the sassy Musetta, her bright, nimble soprano tinged with a coquettish flair.' The April 5 La bohème will be her first Live in HD broadcast of the season. Phillips has been praised by the Aspen Times for her 'heart-tugging phrasing' in the role of Ellen Orford in Britten's Peter Grimes; she takes up the role again in a concert performance of Peter Grimes with David Robertson and the St. Louis Symphony, in Missouri and at Carnegie Hall on the composer's 100th birthday (Nov 22).
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