London's National Theatre will host the premiere of Tasmin Oglesby's REALLY OLD, LIKE FORTY FIVE beginning tonight, February 3rd. Tamsin Oglesby's furious comedy confronts head-on our embarrassment and fear about old age. It exposes a society in which compassion vies with pragmatism and, by asking unequivocal questions, it comes up with some extraordinary answers.
London's National Theatre will host the premiere of Tasmin Oglesby's REALLY OLD, LIKE FORTY FIVE beginning tonight, February 3rd. Tamsin Oglesby's furious comedy confronts head-on our embarrassment and fear about old age. It exposes a society in which compassion vies with pragmatism and, by asking unequivocal questions, it comes up with some extraordinary answers.
NATIONAL THEATRE: JANUARY - MARCH 2010 Simon Russell Beale and Fiona Shaw lead the cast of Boucicault's LONDON ASSURANCE, directed by Nicholas Hytner in the Olivier
Christopher Luscombe directs Alphabetical Order: A Hampstead Theatre production ALPHABETICAL ORDER by Michael Frayn, 16 April - 16 May 2009 (Press night Tuesday 21 April, 7pm)
Director: Christopher Luscombe, Designer: Janet Bird, Lighting Designer: Tim Mitchell, Sound Designer: Fergus O'Hare, Cast: Annette Badland, Michael Garner, Gawn Grainger, Jonathan Guy Lewis, Chloe Newsome, Imogen Stubbs and Ian Talbot.
Gawn Grainger, Douglas Henshall, Susan Lynch and Joseph Mawle will be joined by LAByrinth Theatre Company member Ron Cephas Jones in the European premiere of Stephen Adly Guirgis' The Last Days of Judas Iscariot directed by Rupert Goold. The Almeida Theatre and Headlong co-production opens on March 28, 2008 with press night on April 3, and is running until May 10.
Gawn Grainger, Douglas Henshall, Susan Lynch and Joseph Mawle will be joined by LAByrinth Theatre Company member Ron Cephas Jones in the European premiere of Stephen Adly Guirgis' The Last Days of Judas Iscariot directed by Rupert Goold. The Almeida Theatre and Headlong co-production opens on March 28, 2008 with press night on April 3, and is running until May 10. Designs are by Anthony Ward, with lighting by Howard Harrison and sound and music by Adam Cork.